College students from Tongcheng Teachers College in Anhui Province of China share in foreign teacher’s daily life. Various topics from classrooms, of college apartments, trying city shopping or walking outdoors and invitations to indoor activities are after becoming resident in small remote city of subtropics in Tongcheng.

College students from Tongcheng Teachers College in Anhui Province of China share in foreign teacher’s daily life. Various topics from classrooms, of college apartments, trying city shopping or walking outdoors and invitations to indoor activities are after becoming resident in small remote city of subtropics in Tongcheng.

Meet Carole and Sylvii; together they research their own new fresh truths. Carole, a recent widow, suffers financial and personal family betrayals with her husband’s death. Sylvii, their suburban friend, stays beside Carole and assists with reporting to the police and agencies. Traveling interstate Carole returns to familiar places to replenish her optimism, and while keeping in touch with Sylvii defines themselves with loyalty. News of her friend’s husband’s death and experiences with their friends’ children become known to Sylvii, who brings Carole’s details to others throughout Missouri. Carole’s nightmare awaits in her return to her native state, Nebraska, and for memories of family, past hopes and her future. Finding abandoned acreage creates an opportunity for Carole with previous financial planning. Her venture onto her new land Carole referred to as the Olde Homestead, while clearing up this abandoned property Carole writes in her diary of details for July’s Dream, and Carole begins to design with planning to create her own future.

This book systematically studies the literary output of female writers in contemporary China within the frame of literary theories of feminism. With tools from psychoanalysis, structuralism and deconstructionism, the two female authors, Meng and Dai, analyze 9 important female writers from 1919 to 1949, including Yin Lu, Xin Bing, Ning Ding, Ailing Zhang. By decade, the authors provide a comprehensive depiction of these female writers' historic-cultural background as well as their reception by critics and audiences. Navigating the complex relation between mainstream literary trends and female writers’ practice, this text represents a landmark of practice of literary feminist criticism within the Chinese language.

This wide-ranging Companion provides a vital overview of modern Chinese literature in different geopolitical areas, from the 1840s to now. It reviews major accomplishments of Chinese literary scholarship published in Chinese and English and brings attention to previously neglected, important areas. Offers the most thorough and concise coverage of modern Chinese literature to date, drawing attention to previously neglected areas such as late Qing, Sinophone, and ethnic minority literature Several chapters explore literature in relation to Sinophone geopolitics, regional culture, urban culture, visual culture, print media, and new media The introduction and two chapters furnish overviews of the institutional development of modern Chinese literature in Chinese and English scholarship since the mid-twentieth century Contributions from leading literary scholars in mainland China and Hong Kong add their voices to international scholarship

Different from previous researches weighted toward historical description and individual writer and work, this book establishes a general analytical system and a multi-angled methodology to examine Chinese literature. In ancient China, there was no definite concept of pure literature. Considering both modern ideas of literature and the corresponding traditional concept, this book broadly discusses Shi and Fu poetry, Ci poems and Qu verses, novels and essays. The four chapters deal with the origins, evolutions, structures and styles of the various genres respectively, analyzing some representative works. It's worth mentioning that the book is written from an individual perspective. Based on his own appreciation as a reader, the author expresses the depth of his various related impressions on Chinese literature. In addition, it conveys many fresh points of views, which will enrich and inspire related researches. This book will appeal to scholars and students of Chinese literature and comparative literature. People who are interested in Chinese literature and Chinese culture will also benefit from this book.

Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.