Collection of essays exploring Horace's place in English literature and culture.

Are you hurting or suffering in silence? God has a purpose in your pain. Many people in general, and even Christians admittedly avoid the subject of pain almost as much as they avoid pain itself. But once you understand the purpose of pain, you can make the most of the painful experiences in life. In The Furnace of Affliction: How God Uses Our Pain and Suffering for His Purpose, Horace Williams, Jr. tackles this challenging topic. Based on the Word of God, insights from other leaders, and his studies, he addresses several key points, including: How pain develops our faith How pain determines our path How pain delivers comfort, joy, and peace And how pain deepens our commitment to God. Packed with personal stories and scripture to support his points, Horace shares his insights on the problem of pain. His candid and straightforward communication style engages the reader as he addresses this critical topic for the body of Christ today.

David Ferry, the acclaimed poet and translator of Gilgamesh, has made an inspired translation of the complete Odes of Horace, one that conveys the wit, ardor and sublimity of the original with a music of all its own. The Latin poet Horace is, along with his friend Virgil, the most celebrated of the poets of the reign of the Emperor Augustus, and, with Virgil, the most influential. These marvelously constructed poems with their unswerving clarity of vision and their extraordinary range of tone and emotion have deeply affected the poetry of Shakespeare, Ben Jonson, Herbert, Dryden, Marvell, Pope, Samuel Johnson, Wordsworth, Frost, Larkin, Auden, and many others, in English and in other languages. This ebook edition includes only the English language translation of the Odes. As Rosanna Warren noted about Ferry's work in The Threepenny Review, "We finally have an English Horace whose rhythmical subtlety and variety do justice to the Latin poet's own inventiveness, in which emotion rises from the motion of the verse . . . To sense the achievement, one has to read the collection as a whole . . . and they can take one's breath away even as they continue breathing."

A deeply personal story of one man's life-long obsession with an ancient poet, and an exploration of what Horace's thoughts on life, leisure and love can teach us today 'A moving memoir that shakes the dust off Horace – and restores him to his rightful berth among the immortals' Harry Mount, author of Amo, Amas, Amat... 'Delightful ... Its seductive interweaving of a modern life and an ancient one will encourage a wider readership of this most appealing of Latin writers, even if only in translation' Economist Horace lived at a pivotal moment. Rome was facing a profound crisis: though it ruled the world, the values which had made it great were disintegrating. As efficiency and pragmatism became watchwords, Horace championed the 'supremely useless' endeavour of poetry, and glorified friendship and wine. Horace and Me charts Harry Eyres' evolving relationship with the Latin poet to show how, in an era of affluence and excess which seems to be hurtling out of control, Horace can help us navigate our way in uncertain times.

A Publishers Weekly Best Book of 2018 “An important contribution to our understanding of how ordinary people found the strength to fight for equality for schoolchildren and their teachers.” —Wall Street Journal In the epic tradition of Eyes on the Prize and with the cultural significance of John Lewis's March trilogy, an ambitious and harrowing account of the devoted black educators who battled southern school segregation and inequality For two years an aging Dr. Horace Tate—a former teacher, principal, and state senator—told Emory University professor Vanessa Siddle Walker about his clandestine travels on unpaved roads under the cover of night, meeting with other educators and with Dr. King, Georgia politicians, and even U.S. presidents. Sometimes he and Walker spoke by phone, sometimes in his office, sometimes in his home; always Tate shared fascinating stories of the times leading up to and following Brown v. Board of Education. Dramatically, on his deathbed, he asked Walker to return to his office in Atlanta, in a building that was once the headquarters of another kind of southern strategy, one driven by integrity and equality. Just days after Dr. Tate's passing in 2002, Walker honored his wish. Up a dusty, rickety staircase, locked in a concealed attic, she found the collection: a massive archive documenting the underground actors and covert strategies behind the most significant era of the fight for educational justice. Thus began Walker's sixteen-year project to uncover the network of educators behind countless battles—in courtrooms, schools, and communities—for the education of black children. Until now, the courageous story of how black Americans in the South won so much and subsequently fell so far has been incomplete. The Lost Education of Horace Tate is a monumental work that offers fresh insight into the southern struggle for human rights, revealing little-known accounts of leaders such as W.E.B. Du Bois and James Weldon Johnson, as well as hidden provocateurs like Horace Tate.

This book examines the career of the Roman poet Horace, one of the greatest writers in Roman literature. It introduces his poetry with illustrations from all his works, and contextualises his career in Greek and Roman literary tradition and within the tumultuous events of his life as civil war gave way to the reign of the first emperor Augustus.

Traditional views of Horace seek to present the poet as a consistent, vivid personality who stands behind and orchestrates the diverse "Horatian" writings that have come down to us. In recent years, however, an alternate tradition suggests that there may be many Horaces, that his work is more productively read as the constant invention of rhetorical techniques sensitively attuned to the requirements of different situations and audiences. As Randall L. B. McNeill argues, any sense that readers have of the "real" Horace is clearly deceptive; Horace offers us no unguarded self-portrait, but rather a number of consciously developed characterizations to suit diverse audiences, whether patron, peers, or the public. Horace: Image, Identity, and Audience provides a wide-ranging analysis of Horace's use of self-presentation in his poetry: in his portrayal of his relationships with his patron Maecenas and with his larger readership as a whole; in his discussion of the craft of poetry and his own identity as a poet; and in his handling of contemporary Roman political events in the light of his assumed role as critic of his own society. McNeill uncovers the techniques Horace uses to depict the intricacies of his personal existence; in the book's conclusion, he explores how similar techniques were adapted by later poets such as Ovid. This volume will interest scholars of Horace, Latin poetry, rhetoric, as well as those interested in the cultural studies aspect of persona and identity.