For the city of Hope, stability is a memory. Counseled by Lord Denon, the leader of the Church, Vel, the new and very reluctant young king, has unintentionally prompted a bloody civil war. Pounded by an unrelenting winter and faced with diminishing food supplies, the city of Hope is carved into a battleground. In the midst of shifting alliances, Vel relies on Lord Denon and General Wunic-his military adviser-to help him end the conflict. But the situation deteriorates. The only hope is a cache of food reportedly stockpiled by the mysterious Frill in the abandoned ruins south of the city. Against the backdrop of social and political anarchy and widespread starvation, Vel must make the dangerous journey to the ruins and make contact-and come to terms with-the Frill. What Vel finds instead is a powerful kind of computer-based portal into the future. A late-twenty-first-century future controlled by a brilliant but ruthless terrorist known only as Blakes. But what is the link between Blakes-a cold-blooded mass murderer from the future-and the conflict devastating Hope? Vel must find the answer. And fast. Time is running out. For Hope. And for Vel. Harsh snowdrifts bury the dead, loyalties have become strained. Vel must face the horror not only of Hope's past, but of its future.

Short-listed for the 2004 Rocky Mountain Book Award and for the 2003 Manitoba Young Readers’ Choice Award and long-listed for the 2002 CBC Canada Reads People’s Choice Book Kataryna Baliuk, a gifted fine arts student, is hoping to have a fresh start at Cawthra School for the Arts after a less-than-successful year at the neighbouring Catholic high school. But her hopes for a peaceful Grade 10 are shattered when she comes home from her first day at Cawthra and finds the RCMP interrogating her grandfather, Danylo Feschuk. Kat learns that Danylo is accused of being a policeman for the Nazis in World War II Ukraine, and what’s worse, he is suspected of having participated in atrocities against civilians. When the story is exposed in the local newspaper, Kat and her family become the centre of a media storm. Her grades in school and her relationships with friends suffer. Her only support comes from her family and Ian, a classmate with whom she discovers she has more in common than just artistic promise.

Short-listed for the 2004 Rocky Mountain Book Award and for the 2003 Manitoba Young Readers' Choice Award and long-listed for the 2002 CBC Canada Reads People's Choice Book Kataryna Baliuk, a gifted fine arts student, is hoping to have a fresh start at Cawthra School for the Arts after a less-than-successful year at the neighbouring Catholic high school. But her hopes for a peaceful Grade 10 are shattered when she comes home from her first day at Cawthra and finds the RCMP interrogating her grandfather, Danylo Feschuk. Kat learns that Danylo is accused of being a policeman for the Nazis in World War II Ukraine, and what's worse, he is suspected of having participated in atrocities against civilians. When the story is exposed in the local newspaper, Kat and her family become the centre of a media storm. Her grades in school and her relationships with friends suffer. Her only support comes from her family and Ian, a classmate with whom she discovers she has more in common than just artistic promise.

Vietnam War veteran Timothy Patrick O'Rourke discovers the great paradox of war upon his return to the US in 1973: he has left the war, but the war has not left him. He carries with him a profound sense of unfinished business, and struggles to find meaning amid days packed with the responsibilities of a life he no longer understands. Even with the patient, loving support of his girlfriend, Cheryl, Timothy cannot escape the shadow of war. Then he meets the mysterious Hoffen. A voice of tragedy, wisdom and hope, Hoffen has traveled through the darkness and emerged on the other side. Maybe, just maybe, Timothy can do the same. Timothy's odyssey is every veteran's story to some degree, with alienation, hyper-vigilance, substance abuse, relationship problems, guilt, flashbacks, nightmares, and depression as his constant companions. Hope in the Shadows of War confronts the stark realization that a wound that never closes can't heal, and it proves that while trauma casts a long shadow for survivors, hope is a powerful antidote.

Details how presidents utilize mass media to justify foreign policy objectives in the aftermath of 9/11. Modern presidents have considerable power in selling U.S. foreign policy objectives to the public. In Selling War, Selling Hope, Anthony R. DiMaggio documents how presidents often make use of the media to create a positive informational environment that, at least in the short term, successfully builds public support for policy proposals. Using timely case studies with a focus on the Arab Spring and the U.S. “War on Terror” in the Middle East and surrounding regions, DiMaggio explains how official spin is employed to construct narratives that are sympathetic to U.S. officialdom. The mass media, rather than exhibiting independence when it comes to reporting foreign policy issues, is regularly utilized as a political tool for selling official proposals. The marginalization of alternative, critical viewpoints poses a significant obstacle to informed public deliberations on foreign policy issues. In the long run, however, the packaging of official narrative and its delivery by the media begins to unravel as citizens are able to make use of alternative sources of information and assert their independence from official viewpoints. “Selling War, Selling Hope is an innovative project that pushes the fields of political science, political communication, public opinion, and presidential rhetoric into new and exciting directions. This book is essential reading.” — Mark Major, author of The Unilateral Presidency and the News Media: The Politics of Framing Executive Power “This eye-opening exposition offers a radical new conclusion to the debate over why Americans oppose wars: Americans oppose particular wars for moral reasons. By capturing the wide range of presidential rhetoric from fear to hope, DiMaggio documents the depths plumbed by political and other elites to manipulate the American public to support the wars in Afghanistan and Iraq. In order to counteract American citizens’ moral opposition to war, political elites manipulate citizens’ fears into support for war by giving them hope, but the policies they choose, more often than not, lead to more war and reason for fear which creates a vicious cycle: fear—hope—war. The challenge we face is to break through the noise and the manipulation of political, economic, and military elites. DiMaggio offers us a way to see clearly.” — Amentahru Wahlrab, University of Texas at Tyler

Winner of the 2021 Golden Scroll Awards for Memoir of the Year and Christian Market Book of the Year awarded by the Advanced Writers and Speakers Association FIRST PLACE WINNER IN THE MEMOIR CATEGORY OF THE 2022 SELAH AWARDS For five decades, comedian, actor, singer, dancer, and entertainer Bob Hope (1903–2003) traveled the world performing before American and Allied troops and putting on morale-boosting USO shows. Dear Bob . . . : Bob Hope’s Wartime Correspondence with the G.I.s of World War II tells the story of Hope’s remarkable service to the fighting men and women of World War II, collecting personal letters, postcards, packages, and more sent back and forth among Hope and the troops and their loved ones back home. Soldiers, nurses, wives, and parents shared their innermost thoughts, swapped jokes, and commiserated with the “G.I.s’ best friend” about war, sacrifice, lonely days, and worrisome, silent nights. The Entertainer of the Century performed for millions of soldiers in person, in films, and over the radio. He visited them in the hospitals and became not just a pal but their link to home. This unforgettable collection of letters and images, many of which remained in Hope’s personal files throughout his life and now reside at the Library of Congress, capture a personal side of both writer and recipient in a very special and often-emotional way. This volume heralds the voices of those servicemen and women whom Hope entertained and who, it is clear, delighted and inspired him.

The years of late Stalinism are one of the murkiest periods in Soviet history, best known to us through the voices of Ehrenburg, Khrushchev and Solzhenitsyn. This is a sweeping history of Russia from the end of the war to the Thaw by one of Russia's respected younger historians. Drawing on the resources of newly opened archives as well as the recent outpouring of published diaries and memoirs, Elena Zubkova presents a richly detailed portrayal of the basic conditions of people's lives in Soviet Russia from 1945 to 1957. She brings out the dynamics of postwar popular expectations and the cultural stirrings set in motion by the wartime experience versus the regime's determination to reassert command over territories and populations and the mechanisms of repression. Her interpretation of the period establishes the context for the liberalizing and reformist impulses that surfaced in the post-Stalin succession struggle, characterizing what would be the formative period for a future generation of leaders: Gorbachev, Yeltsin and their contemporaries.