A moving portrait of school reform in New Orleans through the eyes of the students and educators living it.

New Orleans is a city of beautiful contradictions, evidenced by its street names. New Orleans crosses with Hope, Pleasure and Duels. Religious couples with Nuns, Market and Race. Music, Arts and Painters are parallel. New Orleans enfolds its denizens in the protection of saints, the artistry of Muses and the bravery of military leaders. The city's street names are inseparable from its diverse history. They serve as guideposts as well as a narrative that braid its pride, wit and seedier history into a complex web that to this day simultaneously joins and shows the cracks within the city. Learn about Bourbon's royal lineage, the magnitude of Napoleon's influence, how Tchoupitoulas's history is just as long and vexing as its spelling and why mispronouncing such streets as Burgundy, Calliope and Socrates doesn't mean you are incorrect--it just means you are local Told with precision and photos as vibrant, irreverent and memorable as La Nouvelle Orleans itself, author Sally Asher delivers an updated and reinvented look at the city that care forgot.

The incredible story of how New Orleans came back after Hurricane Katrina stronger than before, and how its success can be reproduced, from the man who spearheaded the efforts

New Orleans is an iconic city, which was once located at the crossroads of early America and the Atlantic World. New Orleans became a major American metropolis as its slave population exploded; in the early nineteenth century, slaves made up one third of the urban population. In contrast to our typical understanding of rural, localized, isolated bondage in the emergent Deep South, daily experiences of slavery in New Orleans were global, interconnected, and transient. Slavery's Metropolis uses slave circulations through New Orleans between 1791 and 1825 to map the social and cultural history of enslaved men and women and the rapidly shifting city, nation, and world in which they lived. Investigating emigration from the Caribbean to Louisiana during the Haitian Revolution, commodity flows across urban-rural divides, multiracial amusement places, the local jail, and freedom-seeking migrations to Trinidad following the War of 1812, it remaps the history of slavery in modern urban society.

“[A] landmark book . . . Solnit illustrates how the uprisings that begin on the streets can upend the status quo and topple authoritarian regimes” (Vice). A book as powerful and influential as Rebecca Solnit’s Men Explain Things to Me, her Hope in the Dark was written to counter the despair of activists at a moment when they were focused on their losses and had turned their back to the victories behind them—and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argues that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of our times in an unforgettable new edition of this classic book. “One of the best books of the 21st century.” —The Guardian “No writer has better understood the mix of fear and possibility, peril and exuberance that’s marked this new millennium.” —Bill McKibben, New York Times–bestselling author of Falter “An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways.” —The New Yorker

In this celebration of life in death, Mona Lisa Saloy captures the solemn grief, ongoing struggle, and joyous processions of New Orleans after the devastation left by Hurricane Katrina. She knows the music of the neighborhood spoken and sung in affirmation of what is genuine and hopeful, as well as the despair of destruction that nature and politics heaped upon The Crescent City. Saloy's details of down-home activities and use of local expressions convey the many cultures and voices of this unique place. In this ode to New Orleans there is joy and hope, and a passionate call to join the resilient Second Line.