How Christians can find hope in today's world of violence and uncertainty by following the model of the Trinity. This theological reflection on evil and suffering, violence and revenge, and identity and otherness attemps to answer an urgent question of our time: "What are we to do now that they have done this to us? How should we respond to this injury, this evil?"

This book is an important work in Holocaust literature and was originally published in Poland in 1967. Covering the years 1939-1945, it is the author's account of her experience growing up in the Warsaw ghetto and her eventual deportation to, imprisonment in, and survival of the Majdanek, Auschwitz, Ravensbruck, and Neustadt-Glewe camps. Since the old, the weak, and children were summarily executed by the Nazis in these camps, Mrs Birenbaum's survival and coming of age is all the more remarkable. Her story is told with simplicity and clarity and the new edition contains revisions made by the author to the original English translation, and is expanded with a new epilogue and postscripts that bring the story up to date and complete the circle of Mrs Birenbaum's experiences.

Set in the seamy world of the Russian sex slave trade, The Age of Terror is the harrowing story of Joe, a disillusioned young American expatriate and lapsed Catholic who searches for life's meaning in the Soviet Union on the eve of its disintegration. Plante plays brilliantly with our assumptions of both the United States and Russia, and ultimately proclaims a universal theme of sacredness and redemption.

Written in the context of critical dialogues about the war on terror and the global crisis in human rights violations, authors of this collected volume discuss aspects of terror with regard to human rights events across the globe, but especially in the United States, Latin America, and Europe. Their discussion and reflection demonstrate that the need to question continuously and to engage in permanent critique does not contradict the need to seek answers, to advocate social change, and to intervene critically. With contributions by scholars, activists, and artists, the articles collected here offer strategies for intervening critically in debates about the connections between terror and human rights as they are taking place across contemporary society. The work presented in the volume is intended for scholars, as well as undergraduate and graduate students in the fields of the humanities and social sciences, including political science, sociology, history, literary study, cultural studies, and cultural anthropology.

An impassioned defence of the civil liberties and the rule of law in the face of increasing pressure for ever greater 'security' 'A rollicking defence of Freedom and Enlightenment in the style of Tom Paine or William Godwin' Spectator 'The even-handed tone of philosophy professor AC Grayling's latest book does not lessen the intensity of its polemical content ... Grayling underlines the seriousness of today's threats to our liberties' Metro "The means of defence against foreign danger historically have become the instruments of tyranny at home." James Madison Our societies, says Anthony Grayling, are under attack not only from the threat of terrorism, but also from our governments' attempts to fight that threat by reducing freedom in our own societies - think the 42-day detention controversy, CCTV surveillance, increasing invasion of privacy, ID Cards, not to mention Abu Ghraib, rendition, Guantanamo... As Grayling says: 'There should be a special place for political irony in the catalogues of human folly. Starting a war 'to promote freedom and democracy' could in certain though rare circumstances be a justified act; but in the case of the Second Gulf War that began in 2003, which involved reacting to criminals hiding in one country (Al Qaeda in Afghanistan or Pakistan) by invading another country (Iraq), one of the main fronts has, dismayingly, been the home front, where the War on Terror takes the form of a War on Civil Liberties in the spurious name of security. To defend 'freedom and democracy', Western governments attack and diminish freedom and democracy in their own country. By this logic, someone will eventually have to invade the US and UK to restore freedom and democracy to them.' In this lucid and timely book Grayling sets out what's at risk, engages with the arguments for and against examining the cases made by Isaiah Berlin and Ronald Dworkin on the one hand, and Roger Scruton and John Gray on the other, and finally proposes a different way to respond that makes defending the civil liberties on which western society is founded the cornerstone for defeating terrorism.

Specially written for the AS/A2 examinations, this book combines extended period cover with detailed focus on exam board-selected topics. The lively, accessible text is supplemented by Spotlights, providing detailed study of sources on key issues and topics, and Document Exercises, which offer opportunities for assessment and exam practice. Covering almost 150 years between unification and reunification, with a particular emphasis on the interwar years, the text encourages students to think for themselves around the issues that have affected German history during this period and to consider important historical debates and controversies.

Through careful analysis of Levertov's social verse, she demonstrates that there is a consistency and pattern in what the artist herself has termed the "poems of engagement." Denise Levertov began her career in England as a lyric poet in the Romantic mode, but even then was touched by the reductive nature of war, revealed in her first published poem, "Listening to Distant Guns." During the mid-1960s Levertov's social conscience, notably her strong antiwar sentiment, was reawakened by the Vietnam War. This reawakening resulted in several volumes of poetry that mirrored her concerns with the war (and political activism at home) and her perplexity at the nature of human beings - often great and compassionate, but at times cruel and insensitive. There exists a common thread in Levertov's pilgrimage from her beginning as a lyric poet to her status as an artist definitively in the world: she has always responded to everything within the compass of her experience.