For young people, the space of the drama classroom can be a space for deep learning as they struggle across difference to create something together with common purpose. Collaborating across institutions, theatres, and community spaces, the research in Hope in a Collapsing World mobilizes theatre to build its methodology and create new data with young people as they seek the language of performance to communicate their worries, fears, and dreams to a global network of researchers and a wider public. A collaboration between a social scientist and a playwright and using both ethnographic study and playwriting, Hope in a Collapsing World represents a groundbreaking hybrid format of research text and original script – titled Towards Youth: A Play on Radical Hope – for reading, experimentation, and performance.

#1 Irish Times Bestseller! A modern travel tale—part personal pilgrimage, part political quest—that captures the power of human resilience "McKiernan sticks his thumb out, and somehow a healthy dose of humanity manages to roll up alongside him. . . . This book is a paean to nuance, decency and possibility."—Colum McCann, National Book Award winner and New York Times bestselling author of Let the Great World Spin and Apeirogon. Following the collapse of Ireland’s Celtic Tiger economy, social activist Ruairí McKiernan questions whether he should join the mounting number of emigrants searching for greater opportunity elsewhere. McKiernan embarks on a hitchhiking odyssey with no money, no itinerary and no idea where he might end up each night. His mission: to give voice to those emerging from one of the most painful periods of economic and social turmoil in Ireland’s history. Engaging, provocative and sincere, Hitching for Hope is a testimony to the spirit of Ireland. It is an inspirational manifesto for hope and healing in troubled times.

This book explores the affective and relational lives of young people in diverse urban spaces. By following the trajectories of diverse young people as they creatively work through multiple and unfolding global crises, it asks how arts-based methodologies might answer the question: How do we stand in relation to others, those nearby and those at great distances? The research draws on knowledges, research traditions, and artistic practices that span the Global North and Global South, including Athens (Greece), Coventry (England), Lucknow (India), Tainan (Taiwan), and Toronto (Canada) and curates a way of thinking about global research that departs from the comparative model and moves towards a new analytic model of thinking multiple research sites alongside one another as an approach to sustaining dialogue between local contexts and wider global concerns.

We have reached the point no return on planet Earth, where the collective intent for biosphere collapse is manifesting at dizzying speed. From widespread social unrest to aggressive threats of nuclear war, to pollution soiling every inch of the planet (and beyond), to mass animal and plant extinction, global overpopulation, and runaway biosphere decay. Many powerful forces are converging to create unprecedented chaos and breakdown. In her outspoken way, Deb Ozarko exposes the madness of the cultural conditioning that has separated humanity from the web of life that sustains existence. In raw, yet eloquent detail, she makes it impossible for the reader to dismiss this truth for themselves. The question we are now faced with is, "How do we choose to live in a dying world?" Many people consider "hope" to be the fuel of possibility. If one doesn't have hope, possibility dies. Beyond Hope debunks this long-standing myth and liberates the reader to choose a more powerful way. Beyond Hope is a profound act of love. Beyond a simple litany of all that is in collapse, Deb's perspective compels us to awaken to something beyond our abilities to tell stories about what is happening "out there" and begin to turn the formidable power of our attention to what is happening "in here" ... inside, where we live. Inside, where we are already whole, unique and essential to our world. This is where our deepest power lies. Beyond Hope is not a book of science, philosophy or reason to appease the oppressive intellect. It's a book about letting go. Letting go of the fear of uncertainty. Letting go of false hope for an illusory future. Letting go of the dream for a collective awakening. Letting go of the stories of what may or may not be. Letting go of what once defined meaning. Letting go of the fear of mortality. Letting go of what we've been conditioned to believe ourselves to be. Letting go of our broken, dysfunctional world. We no longer have the luxury of time to lie to ourselves or each other anymore. We can no longer defer or delay taking a long, hard look at what we have allowed ourselves to become. We can no longer rationalize the irrational, or deny the undeniable. The greatest gift that runaway biosphere decay offers lies in the density and intensity of its press for us to notice how personal it all is. It can be a profound propellant to move us into our own evolution in a non-incremental, non-linear way. Beyond Hope is written from the Soul, for the Soul. As such, it is profoundly intimate-both in its writing and in its reading. Those who dare to read it, engage it, and act on it, will be transformed.

In the first biography of this figure, Sander Gilman tells the story of Becker's life in five worlds: the Polish-Jewish middle-class neighborhood where Becker was born; the Warsaw ghetto and the concentration camps where Becker spent his childhood; the socialist order of the GDR, which Becker idealized, resisted, and finally was forced to leave; the isolated world of West Berlin, where he settled down to continue his writing; and the new, reunified Germany, for which Becker served as both conscience and inspiration.

Sixty contemporary, comforting liturgies that break through the noise of modern life to offer time-tested wisdom for readers navigating burnout, anxiety, and other stresses. “Beautiful words to help us access the longings of our souls and bring them to God. If you’re looking for a jumpstart to your spiritual life, start here.”—Rich Villodas, lead pastor of New Life Fellowship and author of Good and Beautiful and Kind Remind us, Jesus, that You lay sleeping in the boat, in the middle of the storm at sea. You are neither surprised nor distressed by the mounting chaos. You are not a God who panics. When writers Audrey Elledge and Elizabeth Moore were inspired to create an anchor of hope for their own local community, they moved forward by turning to the past, to a time when Christians looked at the collapsing world around them and resolved to offer something beautiful—something true—through poetic prayers. The stunning result is Liturgies for Hope, an original collection of modern liturgies reminiscent of past generations of faith. Designed to awaken your prayer life, the entries in this gentle guide explore experiences such as • feeling burned-out and soul-weary • embracing the mystery of faith • receiving the kindness of others • struggling with secret shame • bursting with thanksgiving With Scripture references for every prayer, Liturgies for Hope is both timeless and ideal for this moment, offering words to express our longings, shore up our prayers, and reorient our souls.

This companion interrogates the relationship between theatre and youth from a global perspective, taking in performances and theatre made by, for, and about young people. These different but interrelated forms of theatre are addressed through four critical themes that underpin the ways in which analysis of contemporary theatre in relation to young people can be framed: political utterances – exploring the varied ways theatre becomes a platform for political utterance as a process of dialogic thinking and critical imagining; critical positioning – examining youth theatre work that navigates the sensitive, dynamic, and complex terrains in which young people live and perform; pedagogic frames – outlining a range of contexts and programmes in which young people learn to make and understand theatre that reflects their artistic capacities and aesthetic strategies; applying performance – discussing a range of projects and companies whose work has been influential in the development of youth theatre within specific contexts. Providing critical, research-informed, and research-based discussions on the intersection between young people, their representation, and their participation in theatre, this is a landmark text for students, scholars, and practitioners whose work and thinking involves theatre and young people.