Book starts with three chapters of my recovery from schizophrenia, then gives tips for recovery with an emphasis on hope, a new paradigm for recovery through empowerment;the importance of finding our Voice as an expression of our deepest self; a summary of a new that anyone can help another person through emotional distress called emotional CPR; presents a new way to assist persons clinically called Dialogical Recovery which is a combination of the principles of recovery and Open Dialogue approach from Finland.

As gentle as a summer rain, Liz Newman writes with a mellifluous style, reminiscent of the classical poets. There is a gentle, soothing syntax in her words, a lovely treas-ure trove of poetic compositions. The author addresses the very elements of life, crafting a book into sections which form the cornerstones of human experiences; Life, Love, Loss, and Learning. Each section is skillfully comprised of words that touch the soul.¿Your body is failing you, but so am I, be-cause I don¿t know how to save you,¿ is a heart-wrenching stanza from the poem, `Mu-tiny on Immunity.¿ For the reader, the feeling of the helplessness and impending loss is permeable and real. Throughout this beautiful book, there are hidden jewels which cause you to revisit the poems again and again. The author suggests that the poems herein can also be read randomly. I especially enjoyed that this book can be appreciated, regardless of where one chooses to read; each piece stands on their own merit. A debut for this author, Liz Newman has created a beautiful collection, a joy for readers who love a classically written compilation. Well done! Brenda-Lee Ranta author, Allegories

Jandy Nelson meets Friday Night Lights in this sweeping, warm, arrestingly original novel about family, poverty, and hope. Wing Jones, like everyone else in her town, has worshipped her older brother, Marcus, for as long as she can remember. Good-looking, popular, and the star of the football team, Marcus is everything his sister is not. Until the night everything changes when Marcus, drunk at the wheel after a party, kills two people and barely survives himself. With Marcus now in a coma, Wing is crushed, confused, and angry. She is tormented at school for Marcus’s mistake, haunted at home by her mother and grandmothers’ grief. In addition to all this, Wing is scared that the bank is going to repossess her home because her family can’t afford Marcus’s mounting medical bills. Every night, unable to sleep, Wing finds herself sneaking out to go to the school’s empty track. When Aaron, Marcus’s best friend, sees her running one night, he recognizes that her speed, skill, and agility could get her spot on the track team. And better still, an opportunity at a coveted sponsorship from a major athletic gear company. Wing can’t pass up the opportunity to train with her longtime crush and to help her struggling family, but can she handle being thrust out of Marcus’s shadow and into the spotlight? "The swiftly paced story will quickly sweep up readers...[a] well-crafted, inspirational debut with plenty of heart, hope, and determination." —Booklist "A story showing how hope and love can blossom in the midst of chaos." —Publishers Weekly

oes life go on when your heart is broken? Since her mother's sudden death, Emma has existed in a fog of grief, unable to let go, unable to move forward—because her mother is, in a way, still there. She's being kept alive on machines for the sake of the baby growing inside her. Estranged from her stepfather and letting go of things that no longer seem important—grades, crushes, college plans—Emma has only her best friend to remind her to breathe. Until she meets a boy with a bad reputation who sparks something in her—Caleb Harrison, whose anger and loss might just match Emma's own. Feeling her own heart beat again wakes Emma from the grief that has grayed her existence. Is there hope for life after death—and maybe, for love?

The sequel to the international best-selling novel The Art of Hearing Heartbeats. Almost ten years have passed since Julia Win came back from Burma, her father’s native country. Though she is a successful Manhattan lawyer, her private life is at a crossroads; her boyfriend has recently left her and she is, despite her wealth, unhappy with her professional life. Julia is lost and exhausted. One day, in the middle of an important business meeting, she hears a stranger’s voice in her head that causes her to leave the office without explanation. In the following days, her crisis only deepens. Not only does the female voice refuse to disappear, but it starts to ask questions Julia has been trying to avoid. Why do you live alone? To whom do you feel close? What do you want in life? Interwoven with Julia’s story is that of a Burmese woman named Nu Nu who finds her world turned upside down when Burma goes to war and calls on her two young sons to be child soldiers. This spirited sequel, like The Art of Hearing Heartbeats, explores the most inspiring and passionate terrain: the human heart.

Many people in Great Britain and the United States can recall elderly relatives who remembered long stretches of verse learned at school decades earlier, yet most of us were never required to recite in class. Heart Beats is the first book to examine how poetry recitation came to assume a central place in past curricular programs, and to investigate when and why the once-mandatory exercise declined. Telling the story of a lost pedagogical practice and its wide-ranging effects on two sides of the Atlantic, Catherine Robson explores how recitation altered the ordinary people who committed poems to heart, and changed the worlds in which they lived. Heart Beats begins by investigating recitation's progress within British and American public educational systems over the course of the nineteenth and twentieth centuries, and weighs the factors that influenced which poems were most frequently assigned. Robson then scrutinizes the recitational fortunes of three short works that were once classroom classics: Felicia Hemans's "Casabianca," Thomas Gray's "Elegy Written in a Country Churchyard," and Charles Wolfe's "Burial of Sir John Moore after Corunna." To conclude, the book considers W. E. Henley's "Invictus" and Rudyard Kipling's "If--," asking why the idea of the memorized poem arouses such different responses in the United States and Great Britain today. Focusing on vital connections between poems, individuals, and their communities, Heart Beats is an important study of the history and power of memorized poetry.