At the FBI, the “Sex Deviates” program covered a lot of ground, literally; at its peak, J. Edgar Hoover’s notorious “Sex Deviates” file encompassed nearly 99 cubic feet or more than 330,000 pages of information. In 1977–1978 these files were destroyed—and it would seem that four decades of the FBI’s dirty secrets went up in smoke. But in a remarkable feat of investigative research, synthesis, and scholarly detective work, Douglas M. Charles manages to fill in the yawning blanks in the bureau’s history of systematic (some would say obsessive) interest in the lives of gay and lesbian Americans in the twentieth century. His book, Hoover’s War on Gays, is the first to fully expose the extraordinary invasion of US citizens’ privacy perpetrated on a historic scale by an institution tasked with protecting American life. For much of the twentieth century, when exposure might mean nothing short of ruin, gay American men and women had much to fear from law enforcement of every kind—but none so much as the FBI, with its inexhaustible federal resources, connections, and its carefully crafted reputation for ethical, by-the-book operations. What Hoover’s War on Gays reveals, rather, is the FBI’s distinctly unethical, off-the-books long-term targeting of gay men and women and their organizations under cover of “official” rationale—such as suspicion of criminal activity or vulnerability to blackmail and influence. The book offers a wide-scale view of this policy and practice, from a notorious child kidnapping and murder of the 1930s (ostensibly by a sexual predator with homosexual tendencies), educating the public about the threat of “deviates,” through WWII’s security concerns about homosexuals who might be compromised by the enemy, to the Cold War’s “Lavender Scare” when any and all gays working for the US government shared the fate of suspected Communist sympathizers. Charles’s work also details paradoxical ways in which these incursions conjured counterefforts—like the Mattachine Society; ONE, Inc.; and the Daughters of Bilitis—aimed at protecting and serving the interests of postwar gay culture. With its painstaking recovery of a dark chapter in American history and its new insights into seemingly familiar episodes of that story—involving noted journalists, politicians, and celebrities—this thorough and deeply engaging book reveals the perils of authority run amok and stands as a reminder of damage done in the name of decency.

A New York Times–bestselling author’s revealing, “important” biography of the longtime FBI director (The Philadelphia Inquirer). No one exemplified paranoia and secrecy at the heart of American power better than J. Edgar Hoover, the original director of the Federal Bureau of Investigation. For this consummate biography, renowned investigative journalist Anthony Summers interviewed more than eight hundred witnesses and pored through thousands of documents to get at the truth about the man who headed the FBI for fifty years, persecuted political enemies, blackmailed politicians, and lived his own surprising secret life. Ultimately, Summers paints a portrait of a fatally flawed individual who should never have held such power, and for so long.

What do pop artist Andy Warhol, sex researcher Alfred Kinsey, and cinematic comedians Abbott & Costello have in common? They all found a prominent place in the FBI's "Obscene File." In this startling new study Douglas Charles reveals how, for more than seventy years, FBI officials placed obscenity, pornography, and the politics of morality among their topmost concerns. Illuminating this largely neglected aspect of FBI history, Charles charts the evolution of the Bureau's efforts to combat the spread of obscenity and its perceived insidious effects. He contends that, especially during the five decades under J. Edgar Hoover, these efforts became a surprisingly high priority and at times were expressly wielded for political ends, even as Hoover hid the file from public view in order to preserve the Bureau's squeaky-clean image. Charles recounts how the "Obscene File" was conceived and organized by Hoover and describes its contents, which included magazines, films, and artwork in addition to dossiers on offenders. He examines the FBI's targeting of 1940s and '50s "race music" with its depictions of "lewd and licentious acts in obscene and foul language." He describes how the FBI collected photos of activities at gay bars and prosecuted businesses that published "obscene" pro-gay magazines, and how it participated in the "Lavender Scare" that targeted gays in the federal government. He also details the FBI's efforts to short-circuit the distribution of the film Deep Throat and disrupt the pornographic movie industry. On the political front, Charles tells how Hoover found a fellow crusader in Richard Nixon, who hijacked the obscenity issue to rally an electoral base weary of an "anything-goes" decade. But as changing mores and laws redefined obscenity, subsequent directors moved away from Hoover's approach and focused more on mob control of pornography, kiddie porn, and the war on drugs. Subsequently, the "Obscene File" mostly fell into disuse during the presidencies of Bill Clinton and George W. Bush, the latter president unable to gain any traction with his own obscenity initiatives. Taking in the whole scope of these operations, Charles's insightful history offers a previously unseen look at a major facet of FBI activities and contributes significantly to our understanding of Hoover and his legacy.

A Fox News analyst argues for a redefinition of conservatism that will modernize outdated Republican ideas and enable a younger generation to embrace the party, defining her views about Individualism while contending that universal, conservative beliefs can be adapted to revitalize Republican political strength.

Darwin Porter's saga of power and corruption has a revelation on every page - cross-dressing, gay parties, sexual indiscretions, hustlers for sale, alliances with the Mafia, criminal activity by the FBI and an obsessive and voyeuristic interest in the sex lives of Washington and Hollywood celebrities, including Marilyn Monroe to Dwight D. Eisenhower, Katharine Hepburn and Martin Luther King, Jr.

J. Edgar Hoover, Joseph McCarthy, and Roy Cohn were titanic figures in midcentury America, wielding national power in government and the legal system through intimidation and insinuation. Hoover’s FBI thrived on secrecy, threats, and illegal surveillance, while McCarthy and Cohn will forever be associated with the infamous anticommunist smear campaign of the early 1950s, which culminated in McCarthy’s public disgrace during televised Senate hearings. In Gossip Men, Christopher M. Elias takes a probing look at these tarnished figures to reveal a host of startling new connections among gender, sexuality, and national security in twentieth-century American politics. Elias illustrates how these three men solidified their power through the skillful use of deliberately misleading techniques like implication, hyperbole, and photographic manipulation. Just as provocatively, he shows that the American people of the 1950s were particularly primed to accept these coded threats because they were already familiar with such tactics from widely popular gossip magazines. By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.

The award-winning journalist reveals the untold story of why America is so culturally and politically divided in this groundbreaking book. Armed with startling demographic data, Bill Bishop demonstrates how Americans have spent decades sorting themselves into alarmingly homogeneous communities—not by region or by state, but by city and neighborhood. With ever-increasing specificity, we choose the communities and media that are compatible with our lifestyles and beliefs. The result is a country that has become so ideologically inbred that people don't know and can't understand those who live just a few miles away. In The Big Sort, Bishop explores how this phenomenon came to be, and its dire implications for our country. He begins with stories about how we live today and then draws on history, economics, and our changing political landscape to create one of the most compelling big-picture accounts of America in recent memory.