Hoʻoulu marks the end of a process for Dr. Manu Meyer, a Harvard educated, University of Hawaiʻi at Hilo professor of education. With the publication of this book, Manu leaves Western construct behind and embraces Native Hawaiian and indigenous education and life models. Ho'oulu gathers her writings and ruminations on transforming information to knowledge, facts to metaphor, and sensation to contemplation. Her collected writings culminate in an unedited version of her doctoral thesis Native Hawaiian epistemology: contemporary narratives. The publication of this book marks a beginning. Manu has learned enough to know, she's known it all along-- she has a deep seated, unshakable faith in who she always was, a Hawaiian. With this vision, the world is now full of a different set of choices. It's our Ho'oulu, our time of becoming--Back cover.

In Mapping Abundance for a Planetary Future, Candace Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital's fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing "wastelands" claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who swim into the mountains, the navigator Māui who fishes up the islands, the deities of snow and mists on Mauna Kea. The laws of these elements are now being violated by toxic waste dumping, leaking military jet fuel tanks, and astronomical-industrial complexes. As Kānaka Maoli and their allies stand as land and water protectors, Fujikane calls for a profound attunement to the elemental forms in order to transform climate events into renewed possibilities for planetary abundance.

Hawaii Nei brings together three plays by one of Hawaii's finest playwrights. A compassionate portrait of early nineteenth- century Hawaii, "The Conversion of Kaahumanu" charts the lives of five women during the traumatic, transforming events that followed Western contact. Set in post-World War II Hawaii, "Emmalehua" tells the story of a young Hawaiian woman struggling to preserve a cherished cultural heritage in a world eager to forget the past and embrace the new American dream. Through history, humor, and a whodunnit plot, the past and present collide in "Ola Na Iwi," which explores the issues surrounding the treatment of indigenous human remains.