Alone, the beautiful young Anna immigrated to America from an Island in the North Sea at 16, running from cruelty. Honor forced her to leave her fiancée in New York, and she found herself running again, this time from love. Working her way across America she brought her work ethic and her own style of integrity and love wherever she went. In Dakota Anna found love again, but with it and her life there came an abundance of hardship, sometimes taking her faith and courage close to the breaking point. This novel follows the true life story of Anna, starting where Honoring Anna left off. Life on their prairie homestead was often harsh and the country and it’s perils were often unyielding, but it also had its heartwarming and rewarding moments and triumphs. Honoring Anna, The Winds of Time takes the reader through the Dirty Thirties, The Great Depression, the year of the wolves, WWII, and homesteading hardships like none other ever written, through the eyes of those that experienced it. It is a piece of American history that will make you cry one minute and stand up and cheer the next, and will inspire you to reach for the levels of courage and honor that these amazing immigrants possessed.

Alpha Kappa Alpha Sorority, Incorporated, Chi Omega Chapter of Rocky Mount, North Carolina, is proud to dedicate this history book to Anna Easter Brown, a founding member of the sorority and charter member of Chi Omega. The chapter has researched extensively, carefully compiled, and printed this history book with love, dedication and honor. Included in this rich history are profiles for former National Presidents, former Regional Directors , and chapter members who played key roles when Chi Omega was host for Regional Conferences, Leadership Conferences, and Cluster Meetings. Chi Omega has presented a shapshot of its many national and local programs.

Byzantine princess Anna Komnene is known for two things: plotting to murder her brother to usurp the throne, and writing the Alexiad, an epic history of her father Alexios I Komnenos (1081-1118) that is a key historical source for the era of the First Crusade. Anna Komnene: the Life and Work of a Medieval Historian investigates the relationship between Anna's self-presentation in the Alexiad and the story of her bloodthirsty ambition. It begins by asking why women did not write history in Anna's society, what cultural rules Anna broke by doing so, and how Anna tried to respond to those challenges in her writing. Many of the idiosyncrasies and surprises of Anna's Alexiad are driven by her efforts to be perceived as both a good historian and a good woman. These new interpretations of Anna's authorial persona then spark a thorough re-thinking of the standard story which defines Anna's life by the failure of her supposed political ambitions. The second half of this work reviews the medieval sources with fresh eyes and re-establishes Anna's primary identity as an author and intellectual rather than as a failed conspirator.

A pioneer choreographer in modern American dance, Anna Sokolow has led a bewildering, active international life. Her meticulous biographer Larry Warren once looked up Anna Sokolow in a few reference books and found that she was born in three different years and that her parents were from Poland except when they were in Russia, and found many other inaccuracies. Drawing on material from nearly 100 interviews, Larry Warren has created a fascinating account and assessment of the life and work of Anna Sokolow, whose nomadic career was divided between New York, Mexico, and Israel. Setting her work on more than 70 dance companies, Anna Sokolow not only pioneered the development of a personal approach to movement, which has become part of the language of contemporary dance, but also created such masterpieces as Rooms, dealing with loneliness and alienation, and Dreams, which concerns the inner torment of victims of the Nazi Holocaust.

Discover the electrifying untold stories of the pioneering and groundbreaking women of Old Hollywood in this nonfiction book perfect for young movie buffs and budding feminists alike. Includes a foreword written by Marvel Studios' Black Panther and Black Panther: Wakanda Forever Academy Award-Winning Costume Designer Ruth E. Carter. While recent phenomena like #OscarsSoWhite have reminded us that Hollywood can be an unfriendly place to people of color and to women, they have been an integral part of the industry from the beginning. In the early twentieth century, women from all walks of life fought against sexism and racism to succeed in Hollywood as actors, directors, costume designers, editors, and stunt women. From well-known, glamorous starlets like Mary Pickford and Lillian Gish, to under-appreciated trailblazers like Anna May Wong and Hattie McDaniel, acclaimed author Susan Goldman Rubin shows that movies wouldn’t be the same without the women who succeeded against the odds and built Hollywood from the ground up. Filled with fascinating photographs and little-known facts, this rigorously researched book begins with a foreword by Ruth E Carter, who won Academy Awards in 2019 and 2023 for her work on Marvel Studios' Black Panther and Black Panther: Wakanda Forever.

The chapters in this book reflect on people's relationships with past financial crises - from public opinion to business leaders and policy makers. In connection with financial crises, Remembering and Learning from Financial Crises addresses three fundamental questions: first, are financial crises remembered, and if so how? Second, have lessons been drawn from past financial crises? And third, have past experiences been used in order to make practical decisions when confronted with a new crisis? These questions are of course related, yet they have been approached from different historical perspectives, using methodologies borrowed from different academic disciplines. One of the objectives of this book is to explore how these approaches can complement each other in order to better understand the relationships between remembering and learning from financial crises and how the past is used by financial institutions. It thus recognises financial crisis as a recurring phenomenon and addresses the impact that this has in a range of public and policy contexts.