This book brings Hellenistic and Roman Delphi to life. By addressing a broad spectrum of epigraphic topics, theoretical and methodological approaches, it provides readers with a first comprehensive discussion of the Delphic gift-giving system, its regional interactions, and its honorific network

This book investigates the epigraphic habit of the Eastern Mediterranean in antiquity, from the inception of alphabetic writing to the seventh c. CE, aiming to identify whether there was one universal epigraphic culture in this area or a number of discrete epigraphic cultures. Chapters examine epigraphic culture(s) through quantitative analysis of 32,062 inscriptions sampled from ten areas in the Eastern Mediterranean, from the Black Sea coast to Greece, western to central Asia Minor, Phoenicia to Egypt. They show that the shapes of the epigraphic curves are due to different factors occurring in different geographical areas and in various epochs, including the pre-Greek epigraphic habit, the moment of urbanization and Hellenization, and the organized Roman presence. Two epigraphic maxima are identified in the Eastern Mediterranean: in the third c. BCE and in the second c. CE. This book differs from previous studies of ancient epigraphic culture by taking into account all categories of inscriptions, not just epitaphs, and in investigating a much broader area over the broadly defined classical antiquity. This volume is a valuable resource for anyone working on ancient epigraphy, history or the cultures of the Eastern Mediterranean.

In The Springtime of the People: The Athenian Ephebeia and Citizen Training from Lykourgos to Augustus Thomas R. Henderson provides a new history of the Athenian ephebeia, a system of military, athletic, and moral instruction for new Athenian citizens. Characterized as a system of hoplite training with roots in ancient initiation rituals, the institution appears here as a later Lykourgan creation with the aim of reinvigorating Athenian civic culture. This book also presents a re-evaluation of the Hellenistic phase of the ephebeia, which has been commonly regarded as an institution in decline. Utilizing new epigraphic material, the author demonstrates that, in addition to rigorous military training, the ephebeia remained an important institution and played a vital and vibrant part of Athenian civic life.

In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.

The ancient state of Rhodes was famous for many things in the Hellenistic period; it emerged as an economic powerhouse thanks to its strategic position on maritime trade routes, its status further bolstered by its proud independence in an era of great kings, and its cultural successes and heritage celebrated by contemporaries as well as later writers. But what did this state look like on the inside, and what social and religious forces contributed to its success? This book explores the origins of the Rhodian state in the late fifth century BC, a union born out of three separate city-states, Lindos, Cameiros, and Ialysos. By digging deep into the abundant epigraphic culture that survives, narratives emerge that tell the stories of these Rhodians and their communities. Despite the political unification and the foundation of a famed and successful capital city, Rhodes-town, the three old centres continued to exhibit distinctive and seemingly lively local religious cultures. What these looked like, and the question of whether they indicate cultic vitality rather than ossification, is considered in detail by examining the local pantheons and the religious dynamics and interactions that characterised and shaped them. Pulling together the diverse threads and local customs, a diachronic religious history of Rhodes is sketched. The role religion played in the social landscape of Hellenistic Rhodes is addressed through a thorough examination of priesthoods. Finally, providing a counterbalance to the institutional side of religion, the lived experience of Rhodian religious associations is depicted. The resulting picture offers a nuanced insight into the religious life and history of a Hellenistic city-state.

Contains a large quantity and variety of epigraphy - Combines both archaeological and epigraphical material - Offers a new cultural history of the Hellenistic city and a detailed examination of family statues - Illustrated throughout