Over the past few years, Hong Kong movies have become more popular and studied by critics and film-goers alike. It is a cinema of incessant action, eye-popping effects and cartoon-like violence which has left its mark on the work of many young contemporary Western Film-makers. Conversely, Hong Kong film-makers like John Woo have crossed over and put their unique stamp on American films like Hard Target and Broken Arrow with John Travolta. In his book Fredric Dannen depicts the dark inner world of Hong Kong cinema: the brave and enigmatic actors who risk their lives performing dangerous stunts and explosive feats of martial arts; the movie producers, many of whom are involved with the criminal triad families and who will resort, literally, to murder to secure a deal or an actor for a film. Hong Kong Babylon is an indispensable guide to one of the most exciting national cinemas.

An exploration of the Hong Kong film market chronicles its history and worldwide influence, profiling its most important films and figures while providing photographs, filmographies, and a video guide.

This resource includes full details of Hong Kong harbour, its shopping and nightlife districts, traditional sites and off-the-beaten track areas of the New Territories and outlying islands. A history and a cultural guide is included, as well as places to eat, drink and sleep on every budget. Background information on post-handover politics and features on festivals, feng shui and Chinese astrology are also included.

"We've collected useful and memorable stories to produce the kind of sampler we've always wanted to read before setting out. These stories will show you a spectrum of experiences to be had or avoided in Hong Kong"--Back cover

Described as the 'lost genre', the tradition of documentary film making in Hong Kong is far less known than its martial arts films. However documentary film has always existed in Hong Kong and often trenchantly represents its troubled relationship to itself, China and the west. Including the period of colonial film-making, the high points of television documentary and the tradition of independent documentary film-making, this book is the first to present a comprehensive study of this lost genre. It explores the role of public-service television (including representations of the massacre at Tiananmen Square) and presents critical analysis of key films. Based on original archival research, it will be an invaluable resource for students and academics who work in the fields if film studies, colonial studies and Hong Kong cinema.

This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.

Thanks to the successes of directors and actors like John Woo, Jackie Chan, and Chow Yun-Fat, the cinema of Hong Kong is wildly popular worldwide, and there is much more to this diverse film culture than most Western audiences realize. Beyond martial arts and comedy, Hong Kong films are a celebration of the grand diversity and pageantry of moviemaking--covering action, comedy, horror, eroticism, mythology, historical drama, modern romances, and experimental films. Information on 1,100 films produced in British Hong Kong from 1977 to 1997 is included here.