Honeymoon Couples and Jurassic Babies is the first in-depth study of Sabha Theater, a type of Tamil-language popular theater that started in Chennai (Madras) in the period following India's independence, thriving especially between 1965 and 1985. Breaking new ground in the study of stage and performance, this interdisciplinary book presents a complex view of a significant genre, using historical research and ethnographic information obtained through interviews with performers, writers, and audience members, as well as observations of rehearsals, performances, and television and film shootings. This careful coverage not only contextualizes Sabha Theatre historically, politically, and aesthetically within the wider history of the Tamil stage and a performance scene that includes classical dance and mass media but also reveals how its plays express a Tamil Brahmin identity that is at once traditional and modern. Analyzing what particular plays mean to the specific, urban, elite Brahmin community that produces and consumes them, Kristen Rudisill examines humor that reveals a complex Brahmin identity and surveys markers of moral superiority.

This book explores dance and choreography as sites for the articulation of new theoretical and historical paradigms in inter-Asia cultural studies. The chapters in this volume cover a wide range of dance works, artists, genres, and media, from Kathak to K-pop flash mob dance, from Cold War diplomacy to avant-garde dance collaborations, and from festival dance to dance on screen. Working against the Western-centric category of “Asian dance” and Western-centric theorizations of intercultural performance that foreground “East-West” relationships, each contribution shows how dances in Asia make one another as their key aesthetic references beyond Eurocentric influences, as well as how inter-Asia relations emerge from cultural, geographical, and aesthetic diversity within the region. This book is the first of its kind in both cultural studies and dance studies. It will contribute greatly to readers’ understanding of how performance shapes and transforms the cultural and political dynamics of inter-Asia, with a focus on dance circulations in and across East, South, and Southeast Asia. Inter-Asia in Motion: Dance as Method will be a key resource for academics, researchers, and advanced students of Dance Studies, Performance Studies, Cultural Studies, Asian Studies, International Relations and Politics, History, and Sociology. The chapters included in this book were originally published in Inter-Asia Cultural Studies.

Contextualizes Sabha Theatre historically, politically, and aesthetically, revealing how it expresses a Tamil Brahmin identity that is at once traditional and modern.

The book is a detailed and wonderful study on the Offbeat cinema in India. The author through the title says that the offbeat genre, more than the mainstream, truly reflects the conscience of the Indian people.

"I have to be honest with you. Islam is on very thin ice with me....Through our screaming self-pity and our conspicuous silences, we Muslims are conspiring against ourselves. We're in crisis and we're dragging the rest of the world with us. If ever there was a moment for an Islamic reformation, it's now. For the love of God, what are we doing about it?" In blunt, provocative, and deeply personal terms, Irshad Manji unearths the troubling cornerstones of mainstream Islam today: tribal insularity, deep-seated anti-Semitism, and an uncritical acceptance of the Koran as the final, and therefore superior, manifesto of God. In this open letter to Muslims and non-Muslims alike, Manji asks arresting questions. "Who is the real colonizer of Muslims - America or Arabia? Why are we all being held hostage by what's happening between the Palestinians and the Israelis? Why are we squandering the talents of women, fully half of God's creation? What's our excuse for reading the Koran literally when it's so contradictory and ambiguous? Is that a heart attack you're having? Make it fast. Because if more of us don't speak out against the imperialists within Islam, these guys will walk away with the show." Manji offers a practical vision of how the United States and its allies can help Muslims undertake a reformation that empowers women, promotes respect for religious minorities, and fosters a competition of ideas. Her vision revives Islam's lost tradition of independent thinking. This book will inspire struggling Muslims worldwide to revisit the foundations of their faith. It will also compel non-Muslims to start posing the important questions without fear of being deemed "racists." In more ways than one, The Trouble with Islam is a clarion call for a fatwa-free future.

Multivocality frames vocality as a way to investigate the voice in music, as a concept encompassing all the implications with which voice is inscribed-the negotiation of sound and Self, individual and culture, medium and meaning, ontology and embodiment. Like identity, vocality is fluid and constructed continually; even the most iconic of singers do not simply exercise a static voice throughout a lifetime. As 21st century singers habitually perform across styles, genres, cultural contexts, histories, and identities, the author suggests that they are not only performing in multiple vocalities, but more critically, they are performing multivocality-creating and recreating identity through the process of singing with many voices. Multivocality constitutes an effort toward a fuller understanding of how the singing voice figures in the negotiation of identity. Author Katherine Meizel recovers the idea of multivocality from its previously abstract treatment, and re-embodies it in the lived experiences of singers who work on and across the fluid borders of identity. Highlighting singers in vocal motion, Multivocality focuses on their transitions and transgressions across genre and gender boundaries, cultural borders, the lines between body and technology, between religious contexts, between found voices and lost ones.

The discovery of the legendary city of Dv?rak? which is said to have been founded by raKrisha,is an important landmark in the history of India.It has set at rest the doubts expressed by historians about the historicity of Mahabharata and the very existence of Dvaraka city.The author is devoted to the identification of submerged structures of Bet Dwarka and Dwarka with those mentioned in the ancient texts and the basis on which dating has been done is also explained.