Honey West debuted in the fall of 1965, derived from the famous detective novels of the same name. Produced by Aaron Spelling, she was television's first liberated female, a crack private investigator and an expert in martial arts-beholden to no man. The beautiful actress Anne Francis was cast in the central role as the sexy, wise-cracking star, and she is assisted by her cantankerous sidekick, Sam Bolt (John Ericson) and somewhat flaky live-in, Aunt Meg (Irene Hervey). In 30 black-and-white episodes, Honey battles her way through the underworld by dint of her wits, judo prowess, and killer looks, aided by an arsenal of high-tech gimmicks, a sexy Cobra sports car, and an ocelot named Bruce! The result is an unmistakable slice of 1960s Americana, one which cut the template for strong female roles to follow. Celebrated as a cult hit, Honey West is a must for any afficionados of crime drama television or just a half-hour of good entertainment. This ground-breaking book examines the series in detail with interviews of the surviving cast members, and listings of websites, addresses, bibliographies, episode synopses, and an appendix. Profusely illustrated.

A MYSTERY HOUSE REPRINT: Naked Eye Honey West-- sexiest private eye in L.A. or anywhere else-- packs a deadly .32 and a lively 38-22-36-- but she keeps losing her clothes Zip and she's stripped to rescue a -drowning- man... who has his own ideas about who's in what trouble Rip and her fragile swimsuit turns topless Deal and she's playing strip poker with four murder suspects... and a deck that's as stacked as she is! Honey's hunting a killer-- and she doesn't mind hunting bare!

Honey West: equal part Marilyn Monroe and part Mike Hammer! The first woman of private eye fiction, and the first woman character in the lead role of an action TV show, returns with all-new, swinging 60's sexy and thrilling mysteries by best-selling authors Trina Robbins and Elaine Lee!

This three-volume set is a valuable resource for researching the history of American television. An encyclopedic range of information documents how television forever changed the face of media and continues to be a powerful influence on society. What are the reasons behind enduring popularity of television genres such as police crime dramas, soap operas, sitcoms, and "reality TV"? What impact has television had on the culture and morality of American life? Does television largely emulate and reflect real life and society, or vice versa? How does television's influence differ from that of other media such as newspapers and magazines, radio, movies, and the Internet? These are just a few of the questions explored in the three-volume encyclopedia TV in the USA: A History of Icons, Idols, and Ideas. This expansive set covers television from 1950 to the present day, addressing shows of all genres, well-known programs and short-lived series alike, broadcast on the traditional and cable networks. All three volumes lead off with a keynote essay regarding the technical and historical features of the decade(s) covered. Each entry on a specific show investigates the narrative, themes, and history of the program; provides comprehensive information about when the show started and ended, and why; and identifies the star players, directors, producers, and other key members of the crew of each television production. The set also features essays that explore how a particular program or type of show has influenced or reflected American society, and it includes numerous sidebars packed with interesting data, related information, and additional insights into the subject matter.

This book provides an historical analysis of the TV crime series as a genre, paying close attention not only to the nature of TV dramas themselves, but also to the context of production and reception.

Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and ’60s, it was common for announcers to declare that a program had been “brought to you by” a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple,provided a brief encapsulation of the show’s subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children’s show. In addition to quoting the opening material, entries provide information about each show’s network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie’s Angels are also included. For programs that featured new guest stars every episode—such as game shows and variety programs—Terrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.

Why watch TV when you can read about it? Featuring more than 600 previously unpublished photos, TVparty! offers fascinating, untold stories from TV's golden age.