The New York Times–bestselling author of Find Me and Call Me by Your Name returns to the essay form with his collection of thoughts on time, the creative mind, and great lives and works Irrealis moods are a category of verbal moods that indicate that certain events have not happened, may never happen, or should or must or are indeed desired to happen, but for which there is no indication that they will ever happen. Irrealis moods are also known as counterfactual moods and include the conditional, the subjunctive, the optative, and the imperative—all best expressed in this book as the might-be and the might-have-been. One of the great prose stylists of his generation, André Aciman returns to the essay form in Homo Irrealis to explore what time means to artists who cannot grasp life in the present. Irrealis moods are not about the present or the past or the future; they are about what might have been but never was but could in theory still happen. From meditations on subway poetry and the temporal resonances of an empty Italian street to considerations of the lives and work of Sigmund Freud, C. P. Cavafy, W. G. Sebald, John Sloan, Éric Rohmer, Marcel Proust, and Fernando Pessoa and portraits of cities such as Alexandria and St. Petersburg, Homo Irrealis is a deep reflection on the imagination’s power to forge a zone outside of time’s intractable hold.

"A new collection of essays on literary and cinematic themes"--

This fascinating new book explores the puella as an archetypal, symbolic and personality figure reaching into the classical foundations of Jungian analytical psychology, focusing on the modern conflicts reverberating personally and culturally to remove the obstacles for accessing our more complete selves. Puella is youthful, charming and seductive and unfolds the creative, unusual wisdom of the feminine. Postmodern fluidity presents other realities, rethinking and reenacting the truth to oneself. If denigrated, psyche is halted from development, until addressed. The author employs a cross‐disciplinary approach and clinical vignettes from narratives of real people from diverse backgrounds reflecting Jungian thought and treatment, along with other psychoanalytical perspectives for the unfolding of puella. Examining the puella as a key figure in psychological development within a diverse world, this book will be appealing to Jungian analysts, and also to mental health professionals of various paradigms interested in Jungian analytical and philosophical thought.

imissu It's about everything that happens at one point but will be forgotten the next. Realizing that things go, and acknowledging that I will forget things after a while. My present at one moment can only be my reality for so long.

“I spent eighteen years in a group that taught me to hate myself. You cannot be queer and a Jehovah’s Witness—it’s one or the other.” Daniel Allen Cox grew up with firm lines around what his religion considered unacceptable: celebrating birthdays and holidays; voting in elections, pursuing higher education, and other forays into independent thought. Their opposition to blood transfusions would have consequences for his mother, just as their stance on homosexuality would for him. But even years after whispers of his sexual orientation reached his congregation’s presiding elder, catalyzing his disassociation, the distinction between “in” and “out” isn’t always clear. Still in the midst of a lifelong disentanglement, Cox grapples with the group’s cultish tactics—from gaslighting to shunning—and their resulting harms—from simmering anger to substance abuse—all while redefining its concepts through a queer lens. Can Paradise be a bathhouse, a concert hall, or a room full of books? With great candour and disarming self-awareness, Cox takes readers on a journey from his early days as a solicitous door-to-door preacher in Montreal to a stint in New York City, where he’s swept up in a scene of photographers and hustlers blurring the line between art and pornography. The culmination of years spent both processing and avoiding a complicated past, I Felt the End Before It Came reckons with memory and language just as it provides a blueprint to surviving a litany of Armageddons.

An ethnographic analysis of how insecurity is at the heart of contemporary higher education. Institutions of higher education are often described as “ivory towers,” places of privilege where students exist in a “campus bubble,” insulated from the trials of the outside world. These metaphors reveal a widespread belief that college provides young people with stability and keeps insecurity at bay. But for many students, that’s simply not the case. Degrees of Risk reveals how insecurity permeates every facet of college life for students at public universities. Sociologist Blake Silver dissects how these institutions play a direct role in perpetuating uncertainty, instability, individualism, and anxiety about the future. Silver examined interviews with more than one hundred students who described the risks that surrounded every decision: which major to choose, whether to take online classes, and how to find funding. He expertly identified the ways the college experience played out differently for students from different backgrounds. For students from financially secure families with knowledge of how college works, all the choices and flexibility of college felt like an adventure or a wealth of opportunities. But for many others, especially low-income, first-generation students, their personal and family circumstances meant that that flexibility felt like murkiness and precarity. In addition, he discovered that students managed insecurity in very different ways, intensifying inequality at the intersections of socioeconomic status, race, gender, and other sociodemographic dimensions. Drawing from these firsthand accounts, Degrees of Risk presents a model for a better university, one that fosters success and confidence for a diverse range of students.

The links between islands and tourism, as sights of pleasure is embodied in the touristification of sun, sand and sea. Islandscapes are central to the tourist imaginaries that shape islands as touristified places - curated, designed and commodified for both mass tourism and more niche inclined versions. Yet while islands are parlayed for touristic pleasure seekers, islands are also home to longstanding communities that have variously battled with the tyranny of distance from metropolitan centres, as well as the everyday challenges of climate change effects, and benefitted from their isolation from modern-day pressures. This anthology of articles previously published in the journal Shima explores emergent themes that describe how island peoples adapt and respond in localised cultural islandscapes as a consequence of tourism expansion. It is aimed at researchers in island studies, tourism, sustainability, human geography, cultural studies, sociology and anthropology. The anthology will also be of interest to those with an abiding interest in the trajectories of islands and their peoples, particularly where tourism has come to shape islandscapes.