In 2012 Dr. Marina Marin Pradel, an archivist at the Bayerische Stattsbibliotek in Munich, discovered that a thick 12th-century Byzantine manuscript, Codex Monacensis Graecus 314, contained twenty-nine of Origen’s Homilies on the Psalms, hitherto considered lost. Lorenzo Perrone of the University of Bologna, an internationally respected scholar of Origen, vouched for the identification and immediately began work on the scholarly edition that appeared in 2015 as the thirteenth volume of Origen’s works in the distinguished Griechische Christlichen Schrifsteller series. In an introductory essay Perrone provided proof that the homilies are genuine and demonstrated that they are, astonishingly, his last known work. Live transcripts, these collection homilies constitute our largest collection of actual Christian preaching from the pre-Constantinian period. In these homilies, the final expression of his mature thought, Origen displays, more fully than elsewhere, his understanding of the church and of deification as the goal of Christian life. They also give precious insights into his understanding of the incarnation and of human nature. They are the earliest example of early Christian interpretation of the Psalms, works at the heart of Christian spirituality. Historians of biblical interpretation will find in them the largest body of Old Testament interpretation surviving in his own words, not filtered through ancient translations into Latin that often failed to convey his intense philological acumen. Among other things, they give us new insights into the life of a third-century Greco-Roman metropolis, into Christian/Jewish relations, and into Christian worship. This translation, using the GCS as its basis, seeks to convey, as faithfully as possible, Origen’s own categories of thought. An introduction and notes relate the homilies to the theology and principles of interpretation in Origen’s larger work and to that work’s intellectual context and legacy.

This volume contains fifty-nine homilies preached by St. Jerome on selected Psalms.

While St. John Chrysostom may have commented on all 150 psalms in the Psalter, commentary has survived on only fifty-eight. In these volumes, Robert Charles Hill has prepared an excellent translation of the commentary - in Volume One Psalms 4-13, 44-50, and in Volume Two Psalms 109-150 (with the exception of the long Ps 119) - all appearing for the first time in English. In this work, probably composed while he was still in Antioch, Chrysostom's brilliance as an exegete of the "literal school" of Antioch shines forth, even as he works with the metaphorical language and imagery of the psalms. As Hill writes, "it is fascinating to watch Chrysostom . . . coming to grips with this lyrical material, achieving some sense of comfort, and eventually devising - for the first time? - his own hermeneutical principles for coping with such texts." The extensive Introduction in Volume One covers basic issues on the commentary, including its origins, its relationship to Chrysostom's other exegetical work, his attitude to Scripture, and the theology, spirituality and other moral accents of the commentary. Comment on Chrysostom's text is also given in endnotes, and indexes are provided in each volume. -- ‡c From publisher's description

A highly inspirational book of meditations on the Psalms that takes the reader on a thought-provoking and enlightening pilgrimage through this beloved "prayer book" of the Church. How has the Church historically understood and utilized the various psalms in her liturgical life? How can we perceive the image of Christ shining through the Psalms? Christ in the Psalms offers practical advice for how to make the Psalter a part of our daily lives.

The Psalms Study Set provides the home study component of Psalms: The School of Prayer. Its ten lessons take you through this ancient prayer book, revealing its continuing value as instructor and companion for individual prayer and for the prayer of the Church. Group discussion of the questions reinforces the lesson, while the suggested responses provide additional insights and explanations. Each lesson should be concluded with the corresponding presentation from the DVD or CD series, which contains expert commentary presented by Jeff Cavins, Sarah Christmyer, and Tim Gray.

"As the psalms are a microcosm of the Old Testament, so the Expositions of the Psalms can be seen as a microcosm of Augustinian thought. In the Book of Psalms are to be found the history of the people of Israel, the theology and spirituality of the Old Covenant, and a treasury of human experience expressed in prayer and poetry. So too does the work of expounding the psalms recapitulate and focus the experiences of Augustine's personal life, his theological reflections and his pastoral concerns as Bishop of Hippo."--Publisher's website.

Hans Urs von Balthasar places Origen of Alexandria “in rank . . . beside Augustine and Thomas” in “importance for the history of Christian thought,” explaining that his “brilliance” has captivated theologians throughout history (Spirit and Fire, 1984, 1). This brilliance shines forth in his nine extant homilies on Isaiah, in which he employs his theology of the Trinity and Christ to exhort his audience to play their crucial role in salvation history. Origen reads Isaiah’s vision of the Lord and two seraphim in Isaiah 6 allegorically as representing the Trinity, and this theme runs throughout the nine homilies. His representation of the seraphim as the Son and Holy Spirit around the throne of the Father brought early accusations that Origen was a proto-Arian subordinationist, followed by a pointed condemnation by Emperor Justinian in 553. These homilies, originally delivered between 245 and 248, are extant only in a fourth-century Latin translation. Though St. Jerome, likely because of these controversies, does not identify himself as the Latin translator, the evidence overwhelmingly points to his pen, and his reliability in conveying Origen’s authentic meaning is well documented. If one sets aside the questionable charges of subordinationism, these homilies, expounding on passages from Judges 6-10, come alive with Origen’s legacy of presenting Christ as the central figure of the soul’s ascent to God. Reading allegorically the two seraphim to be Jesus and the Holy Spirit around the Father’s throne, Origen draws a picture of the Trinity as a tightly knit whole in which the Son and the Holy Spirit eternally sing the Trisagion (“Holy, holy, holy”) to each other and the Father about the divine truths of God’s nature, allowing the part of their song that conveys the “middle things” of salvation history to be heard by creation. The “second seraph” is the Son, or Jesus, who descends holding a hot coal, or Scripture, from the altar of the throne, with which he cleanses Isaiah’s lips, or the believer’s soul. Origen employs his signature exegetical method of allegory and typology through the lens of the threefold meaning of Scripture to emphasize to his hearers that Christ is the deliverer, the content, and the reward of the healing Word. He repeatedly assures them that those who submit to Scripture will enter into salvation history’s cycle of cleansing from sin, growth in virtue, and ever-deepening knowledge of God. As a result, they will become like Christ and thus will be prepared to join the Trinity for all eternity at the heavenly wedding feast.