For fans of The Secret History and How to Get Away With Murder comes an exciting new voice in suspense fiction.Ten years working as a prosecutor have left Meredith Delay jaded and unsure of what she wants out of life. She's good at her job, but it haunts her. Her boyfriend wants her to commit, but she keeps him at arm's length. Then Meredith is assigned to a high-profile prosecution involving the violent murder of a fallen hockey star. At first, it appears to be just another case to work. But when her old friend Julian is accused of the murder, it takes on a whole new dimension.Meredith, Julian, Jonathan, and Lily were a tight-knit group in law school. But now, Jonathan's defending Julian, and Lily's loyalties aren't clear. And when Julian invokes a rare-and risky-defense, Meredith is forced to confront their past.Has something they played at as students finally been brought to death?

He drove. The road was lined with fireworks stands, put together with plywood and scrap lumber, with hinged wooden shut-downs over counters packed high with brightly wrapped pyrotechnics from China. Hand lettered signs identified each stand. They seemed to be family enterprises. We later learned that the teen-aged son of each family was obliged to sleep in the shuttered stand with a .357 magnum tucked under his pillow to protect the investment from vandals and thieves. According to law, the fireworks purchased on the reservation must be set off on the reservation, but of course mainlanders came over and filled up their trunks, turning their own quiet neighborhoods into war zones, terrifying the family pets and invariably blowing off some of the little digits of their own children. Don’t get me started on fireworks. More distractions for the dumb. Fireworks have killed and maimed more people than marijuana, which to date hovers around zero, but one is legal and encouraged, the other one can get you hard time. Don’t get me started. There is no new consciousness born, and no consciousness is ever destroyed. All consciousness resurfaces somehow. That's why we continue to go from life to life, all of us, the same beings, from the limitless beginning of time... every sentient being has been your mother." Rimpoche Nawang Gehlek

The author of the 400,000-copy bestseller On Killing reveals how violent video games have ushered in a new era of mass homicide--and what we must do about it. Paducah, Kentucky, 1997: a 14-year-old boy shoots eight students in a prayer circle at his school. Littleton, Colorado, 1999: two high school seniors kill a teacher, twelve other students, and then themselves. Utoya, Norway, 2011: a political extremist shoots and kills sixty-nine participants in a youth summer camp. Newtown, Connecticut, 2012: a troubled 20-year-old man kills 20 children and six adults at the elementary school he once attended. What links these and other horrific acts of mass murder? A young person's obsession with video games that teach to kill. Lt. Col. Dave Grossman, who in his perennial bestseller On Killing revealed that most of us are not "natural born killers" -- and who has spent decades training soldiers, police, and others who keep us secure to overcome the intrinsic human resistance to harming others and to use firearms responsibly when necessary -- turns a laser focus on the threat posed to our society by violent video games. Drawing on crime statistics, cutting-edge social research, and scientific studies of the teenage brain, Col. Grossman shows how video games that depict antisocial, misanthropic, casually savage behavior can warp the mind -- with potentially deadly results. His book will become the focus of a new national conversation about video games and the epidemic of mass murders that they have unleashed.

University of Pennsylvania professor Rafael Robb was in a class of his own. An expert on game theory, his colleagues and students marveled over his brilliance. But his wife, Ellen, knew his dark, calculating side...and in December 2006, after years of alleged psychological abuse, she was finally ready to leave him. Her divorce papers were nearly in order and she was about to sign a lease on a new home—and a new life. Until she was found dead in the home she shared with Rafael and their daughter, Olivia. Rafael claimed that Ellen was the victim of a fatal intrusion. Many of Ellen's friends and family suspected that Rafael committed the crime. Now, a high-stakes showdown was about to begin between local investigators and one of academic world's greatest masterminds. But the police had almost no evidence—and the professor had only one strategy: to win at all costs... Cruel Games: A Brilliant Professor, A Loving Mother, A Brutal Murder is Rose Ciotta's shocking true crime book about an intelligent man who used his genius to kill ...

Intelligent writing, intense characters, a dark sense of humor, innovative editing, and complex plots--Homicide: Life on the Street has raised the caliber of television police drama Homicide: Life on the Street is addictive television. Each week we watch to see who Detective Pembleton will spar with in "the Box," or what conspiracy theories Detective Munch will be espousing as the truth, but more than anything we tune in to see the gritty reality that makes this show the best police drama to ever grace the small screen. There aren't any car chases, rarely any shootouts, and sometimes the cases don't get solved. Instead, these detectives keep their clothes on, have a relentlessly morbid sense of humor, and catch the criminals because they have brains, not necessarily brawn. In other words, they're real. Homicide: Life on the Street, The Unofficial Companion by David P. Kalat--the first and only full-length guide to this Emmy Award-winning and three-time Peabody Award-winning television series--brilliantly captures the essence of this groundbreaking show. You'll Learn About: famed filmmaker Barry Levinson's decision to bring Homicide to television instead of making a film of David Simon's novel Homicide: A Year on the Killing Streets the behind-the-scenes anecdotes about cast regulars, including the onscreen clutches that led to offscreen romances the producers' many battles with the network suits over poor placement in the schedule, and the series' repeated trips to the land known as hiatus cast casualties--why they left or were let go the esteemed cast--including Andre Braugher, Ned Beatty, Daniel Baldwin, and Yaphet Kotto, among others--the characters they've created, and their beyond-Homicide careers season-by-season critiques of each episode Revealing, resourceful, and thoughtful, Homicide: Life on the Street, the Unofficial 0Companion is a must-have for any fan!

Born into a wealthy and powerful Boston family, Renee Charlebois has it all. Except for one small detail - she's been abducted without a trace. Who took her, and why, is a mystery. The case gets dropped on Curtis Westcott's desk, but Boston's Chief of Homicide has little to work with. No clues, no body, no motive. Renee had no enemies, no financial skeletons in the closet, and no bitter ex- boyfriends. Curtis and Aislinn Byrne, his go-to detective on tough cases, work the file hard but come up empty. Then Westcott attends a party and overhears a story that catches his attention - he and Aislinn have their first break. They dig in and unravel a complex series of crimes tied to Renee's disappearance. As they peel back the layers they are convinced Renee is still alive, but that her abductor is on a precise schedule and has every intention of killing her. It's a bizarre and twisted game, and time is quickly running out. A Killing Game is Book One in the Curtis Westcott series, set in Boston.

The new novel in the acclaimed Highland Bookshop mystery series finds a true-crime author murdered in the charming seacoast town of Inversgail—can the women of Yon Bonnie Books discover the killer’s identity before he or she strikes again? True crime writer Heather Kilbride arrives in the seacoast town of Inversgail, Scotland, to research a recent murder for her new book. But if that’s true, why does she seem more interested in William Clark, a shadowy lawyer with no connection to the murder? Her nosy questions arouse the suspicions of Constable Hobbs, the members of a local writers’ group, and Janet Marsh and her crew of amateur sleuths at Yon Bonnie Books. Heather’s unconventional research methods prove deadly when Janet discovers her lifeless body. Except the “body” turns out to be a dummy dressed-up to look like Heather. Meanwhile, Heather is sitting at a safe distance observing Janet’s reactions. Then Heather is found dead—again—sprawled at the base of an ancient standing stone; and this time it’s for real. Clutched in her hand is a valuable miniature book last seen at Yon Bonnie Books, and now the police want to know how Heather, the miniature book, and Janet are all connected. But Janet and her group of sleuths have two questions of their own: Who else is interested in knowing that connection—and is that person a cold-blooded killer?