Homi Bhabha: An Introduction and Critique is a pathbreaking three-volume study of the famous postcolonial scholar's work. McLaverty-Robinson's treatment translates Bhabha's almost impenetrable prose into plain English, without losing its meaning. It also explains the background assumptions and references lurking behind Bhabha's theoretical concepts. In addition, McLaverty-Robinson's incisive critique cuts through the aura surrounding critical theory, exploring whether Bhabha's ideas work in practice - either empirically or politically. This first volume explores Bhabha's views on philosophy and culture. It includes chapters explaining his social constructivist assumptions, and exploring his interpretations of art and literature.

Homi Bhabha: An Introduction and Critique is a pathbreaking three-volume study of the celebrated postcolonial scholar's work. McLaverty-Robinson's careful reading renders Bhabha's theories in plain English, without losing their meaning. In addition, McLaverty-Robinson's incisive critique cuts through the theoretical aura of Bhabha's work and explores whether his theories work in practice - either empirically or politically. This third and final volume explores the political content and implications of Bhabha's work. It explores Bhabha's political proposals, such as the ideas of a community of suffering and a right to narrate. It also explores Bhabha's relationship to neoliberalism and to the Eurocommunist current in the 1980s, and his critical engagements with liberalism, communitarianism, Marxism, critical race theory, Deleuze and Guattari, and Frantz Fanon. This volume also includes an entire chapter providing a background on neoliberalism, and a comprehensive index covering all three volumes.

Homi Bhabha: An Introduction and Critique is a pathbreaking three-volume study of the postolonial scholar's work. McLaverty-Robinson translates Bhabha's difficult prose into plain English without losing its meaning. His incisive critique cuts through Bhabha's aura and tests whether his ideas work in practice - empirically or politically. This second volume examines the most influential aspects of Bhabha's work: his theories of colonialism, inbetweenness (or liminality), and marginal minority and migrant experiences. It explores his accounts of Indian history, the idea that migrants have a particularly radical point of view, and the concepts of hybridity, mimicry, difference and diversity. The text is livened up with inset boxes and images, including examinations of colonial history.

In Location of Culture, Homi Bhabha sets out the conceptual imperative and political consistency of the post-colonial intellectual project. In a provocative series of essays, Bhabha explains why the post-colonial critique has altered forever the landscape of postmodern discourse. Location of Cultureexamines the displacement of the colonist's ligitimizing cultural authority; the margins of Western "civility" put under colonial stress; the complex cultural and political boundaries which exist between the spheres of gender, race, class, and sexuality; the place of language, psychic affect, and narrative discourse in the construction of social authority and cultural identity. Bhabha investigates a diverse range of texts in a bold attempt to specify the moment and the place of both colonial and post-colonial perspectives. He discusses writers such as Toni Morrison, Nadine Gordimer, and Salman Rushdie; historical documents such as those on the Indian Mutiny and by missionaries; race riots and nationhood; and he builds on the work of important cultural theorists such as Frantz Fanon and Edward Said.

This book discusses postpositivist theories foregrounding postpositivism against the reigning realist and positivist-pluralist orthodoxies. The book explicates seven theories, not as disparate endeavours, but as developments linked by a common thread that seeks to enunciate globalist emancipatory goals for the theoretical field and the world that these theories seek to change. It focuses on the following themes: feminism, environmentalism or green theory, the English school, critical theory, constructivism, postmodernism and postcolonialism. Additionally, a separate chapter on globalization shows that while mainstream (neo)realist international relations theories respond hostilely to globalization and liberal-pluralist theories react benignly to it, postpositivist theories positively welcome it. The book offers a competent meta-theoretical gridwork, showing on which side of the opposing disciplinary positions in the fourth debate each of the seven theories are located. It is a comprehensive guide to the postpositivist restructuring of the discipline of international relations. This book will be of interest to researchers and students of political science, international relations, history, humanities and literature.

This book examines anti-imperialist thought in European philosophy. It features an international group of both emerging and established scholars who directly respond to Timothy Brennan’s far-reaching call to rethink intellectual histories, literary histories, and the reading habits of postcolonialism, in relation to the anti-imperialist tradition of critique. Each contributor rethinks postcolonial and world literature, Continental thought, and intellectual history in relation to anti-imperialist histories and traditions of critique, through geographically diverse analysis. This book provides a forum for the next generation of scholars to draw on and engage with the marginal yet influential work of the first generation of dissidents within postcolonial studies. It will appeal to researchers and students in the field of postcolonial studies, world literature, geography, and Continental thought.

Adorno, Culture and Feminism brings Adorno's work and feminism together, and explores how feminism can both harness and develop Adorno's ideas. The picture that emerges displays how gendered relations and cultural practices and texts operate today, and the relevance of critical theory for contemporary feminisms. Adorno's work on the scale of inequality and repression in the administered society is presented as matching the feminist understanding of the unequal balance of power between the sexes. This volume shows how Adorno's central concepts - commodification, authenticity, the culture industry, Kulturkritik, negative dialectics, non-identity thinking and authoritarian personality - can be used productively and purposefully in feminist thinking.