In Homer's Daughter Robert Graves recreates the Odyssey. This bold retelling of the ancient epic imagines that its author was not the blind and bearded Homer of legend, but a young woman in Western Sicily who calls herself Nausicaä. In Robert Graves's words, Homer's Daughter is 'the story of a high-spirited and religious-minded Sicilian girl who saves her father's throne from usurpation, herself from a distasteful marriage, and her two younger brothers from butchery by boldly making things happen, instead of sitting still and hoping for the best.'

A retelling of the events of the Trojan War and the wanderings of Odysseus based on Homer's Iliad and Odyssey.

Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.

Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966. Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year, a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity. A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure.

A decade after September 11, 2001, the nation continues to mourn what was lost on that sunny Tuesday morning: nearly 3,000 lives, and the innocence of a nation that will forever be changed. LeRoy W. Homer, Jr. was the first officer and co-pilot of United Flight 93; en route to San Francisco the morning of September 11, the flight was diverted to Washington, D.C., before crashing into a deserted field in Shanksville, Pennsylvania. Had it not been for the heroic efforts of crew members such as LeRoy, the plane would have crashed into its intended target--the U.S. Capitol--destroying more lives and the symbol of a nation united.

No previous work has thoroughly analyzed nonverbal behavior in Homeric epic. Gesture and posture, conscious and unconscious manipulation of space and time, and involuntary "leakage" such as twitching and shivering can intensify and underline - or contradict and ironize - the speech of characters and hexameter narrative. Lateiner explores how the Homeric poems frequently and consistently employ gesture, posture, and vocalics to convey situation and meaning, sometimes instead of speech or instrumental action, sometimes in addition to those signals of meaning. Sardonic Smile has been written for a broad audience including classicists, cultural historians, anthropologists, semioticians, and students of comparative literature. A general introduction to gesture in life and literature, translated Greek, and a glossary of terms make the volume accessible to student and scholar alike.