Translated from the Greek by Brian Sneeden. For the first time in English--a volume of poems by one of Greece's foremost poetic voices. Phoebe Giannisi's Homerica offers a contemporary Odyssey of loss, longing, motherhood, and metamorphosis, re-weaving classical mythology with modern experience. Yet the mythic characters and scenes never feel otherworldly--rather, they appear alongside the tugboat, the bicycle, the television, and the helicopter. Brian Sneeden's masterful translation captures the Delphic rhythms of Giannisi's oracular poems, which rarely travel in a straight line but rather glide across multiple threads of time, like a look interweaving strands of the mythological past. "Giannisi's poetry is a wonderful combination of the classical and the underground avant-garde. Trained both in architecture and Ancient Greek, her poems tackle the problem of how to inhabit the spaces we live in--from the abandoned lot and the swimming pool to the page of the book. What a pleasure to have the full Homerica series in Brian Sneeden's lyrical translation."--Karen Van Dyck "Sneeden is a meticulous translator and a poet in his own right. He brings Phoebe Giannisi's work to life with immediacy and conviction."--Edmund Keeley "Phoebe Giannisi's poetry collection Homerica is a reinvention of Greek lyric verse and its language."--Shon Arieh-Lerer, World Literature Today "[An] unusually excellent translation." -- Anne Carson, The Paris Review Literary Nonfiction. Film. "A nuanced, clear set of poems that seamlessly articulate homeward journeys--wherever one's home may be."--Kirkus Reviews Poetry. Women's Studies. Greek Studies.

Homer in Print traces the print transmission and literary reception of the Iliad and the Odyssey from the fifteenth through the twentieth century. Over 175 mini essays provide new details of each included edition's textual, intellectual, and publishing history. Three long-form essays contributed by scholars Glenn W. Most and David Wray, and collector M. C. Lang, place these editions within a wider context, exploring their role in ancient and modern philology, translation studies, and the history of printing. An extensive and strikingly illustrated testament to the power and popularity of Homer over the past five hundred years, Homer in Print is an essential text for students and teachers of classics, classical reception, comparative literature, and book history. This volume, a product of new research and sharp scholarship, evidences Homer's ability to captivate the imaginations of poets, editors, and readers throughout the centuries.

George Chapman's translations of Homer--immortalized by Keats's sonnet-- are the most famous in the English language. Swinburne praised their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." And the great critic George Saintsbury wrote, "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what the Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the Homeric hymns. The hymns, believed to have been written not by Homer himself but by followers who emulated his style, are poems written to the gods and goddesses of the ancient Greek pantheon. The collection, originally titled by Chapman "The Crowne of all Homers Workes," also includes epigrams and poems attributed to Homer and known as "The Lesser Homerica," as well as his famous "The Battle of Frogs and Mice."