Dashing and valiantly wounded, Captain John Gallows could have stepped straight out of an army recruitment poster. Leanne Sample can't help being impressed—although the lovely Red Cross nurse tries to hide it. She knows better than to get attached to the daring captain who is only home to heal and help rally support for the war's final push. As soon as he's well enough, he'll rush back to Europe, back to war—and far away from South Carolina and Leanne. But when an epidemic strikes close to home, John comes to realize what it truly means to be a hero—Leanne's hero.

The Virgin's Promise demystifies the complexities of archetypes and clearly outlines the steps of a Virgin's Journey to realize her dream. Audiences need to see more than brave, self-sacrificing Heroes. They need to see Virgins who bring their talents and self-fulfilling joys to life. The Virgin's Promise describes this journey with beats that feel incredibly familiar but have not been illustrated in any other screenwriting book. It explores the yin and yang of the Virgin and Hero journeys to take up their power as individuals, and includes a practical guide to putting this new theory into action.

Princess Jehosheba wants nothing more than to please the harsh and demanding Queen Athaliah, daughter of the notorious Queen Jezebel. Her work as a priestess in the temple of Baal seems to do the trick. But when a mysterious letter from the dead prophet Elijah predicts doom for the royal household, Jehosheba realizes that the dark arts she practices reach beyond the realm of earthly governments. To further Athaliah and Jezebel's strategies, she is forced to marry Yahweh's high priest and enters the unfamiliar world of Yahweh's temple. Can her new husband show her the truth and love she craves? And can Jehosheba overcome her fear and save the family--and the nation--she loves? With deft skill, Mesu Andrews brings Old Testament passages to life, revealing a fascinating story of the power of unconditional love.

A polemic against love that is “engagingly acerbic ... extremely funny.... A deft indictment of the marital ideal, as well as a celebration of the dissent that constitutes adultery, delivered in pointed daggers of prose” (The New Yorker). Who would dream of being against love? No one. Love is, as everyone knows, a mysterious and all-controlling force, with vast power over our thoughts and life decisions. But is there something a bit worrisome about all this uniformity of opinion? Is this the one subject about which no disagreement will be entertained, about which one truth alone is permissible? Consider that the most powerful organized religions produce the occasional heretic; every ideology has its apostates; even sacred cows find their butchers. Except for love. Hence the necessity for a polemic against it. A polemic is designed to be the prose equivalent of a small explosive device placed under your E-Z-Boy lounger. It won’t injure you (well not severely); it’s just supposed to shake things up and rattle a few convictions.

Business As Usual by Jane Oliver and Ann Stafford was first published in 1933. It's a delightful illustrated novel in letters from Hilary Fane, an Edinburgh girl fresh out of university who is determined to support herself by her own earnings in London for a year, despite the mutterings of her surgeon fiancé. After a nervous beginning looking for a job while her savings rapidly diminish, she finds work as a typist in the London department store of Everyman's (a very thin disguise for Selfridges), and rises rapidly through the ranks to work in the library, where she has to enforce modernising systems on her entrenched and frosty colleagues. Business as Usual is charming: intelligent, heart-warming, funny, and entertaining. It's deeply interesting as a record of the history of shopping in the 1930s, and also fascinating for its unflinching descriptions of social conditions, poverty and illegitimacy. 'Jane Oliver' was the pen-name of Helen Evans (1903-1970). Formerly Clemence Dane's secretary, she developed a writing career, and wrote many successful novels with Ann Stafford (the pen-name of Anne Pedler). Business as Usual was their first joint novel. Jane became a pilot and married the author John Llewelyn Rhys, who was killed in the war. She founded the Llewelyn Rhys Prize in his memory. She later lived in Hampshire near Anne Pedler, and cared for her in her illness.

1851 Ireland. After enduring years of a devastating potato famine, Ellen Kittrick is a survivor. Crop failures and a descent into poverty changes her from a happy wife and mother to a woman struggling to keep her children alive. To put food on the table and to stop the landowner's agent from tearing down their cottage due to unpaid rent, Ellen defies her family and works at an Englishman's manor, but with her husband out of work, and a secretive brother-in-law wanting her for his own, Ellen must face every challenge with new strength. When several shocking events occur, it forces her to make an enormous decision. With aid coming from an unlikely source, namely Englishman Rafe Hamilton, Ellen leaves Ireland with what is left of her family to start again in a new country. But will the colony give her the security and happiness she longs for, especially when she has left her heart behind? Can Ellen thrive in a strange land? Or has she made the greatest mistake of her life?