This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.

The first full-length ethnographic study of its kind, Highland Homecomings examines the role of place, ancestry and territorial attachment in the context of a modern age characterized by mobility and rootlessness. With an interdisciplinary approach, speaking to current themes in anthropology, archaeology, history, historical geography, cultural studies, migration studies, tourism studies, Scottish studies, Paul Basu explores the journeys made to the Scottish Highlands and Islands to undertake genealogical research and seek out ancestral sites. Using an innovative methodological approach, Basu tracks journeys between imagined homelands and physical landscapes and argues that through these genealogical journeys, individuals are able to construct meaningful self-narratives from the ambiguities of their diasporic migrant histories, and recover their sense of home and self-identity. This is a significant contribution to popular and academic Scottish studies literature, particularly appealing to popular and academic audiences in USA, Canada, Australia, New Zealand and Scotland

African Americans and others in the African diaspora have increasingly “come home” to Africa to visit the sites at which their ancestors were enslaved and shipped. In this nuanced analysis of homecoming, Katharina Schramm analyzes how a shared rhetoric of the (Pan-)African family is produced among African hosts and Diasporan returnees and at the same time contested in practice. She examines the varying interpretations and appropriations of significant sites (e.g. the slave forts), events (e.g. Emancipation Day) and discourses (e.g. repatriation) in Ghana to highlight these dynamics. From this, she develops her notions of diaspora, home, homecoming, memory and identity that reflect the complexity and multiple reverberations of these cultural encounters beyond the sphere of roots tourism.

Heaven couldn't be a phone bank, could it? Charlotte Usher discovers that the afterlife isn't quite what she pictured when she's forced to intern at a hotline for troubled teens. Before she can officially cross over, she'll have to be a source of guidance for one such teen. The problem is she doesn't have much advice to offer since dying hasn't exactly boosted her confidence level. But when Hawthorne High's leading, love-to-hate cheerleader Petula and her gothic little sis' Scarlet find themselves suddenly resting-in-peace in comas, Charlotte's opportunity to save them will prove to be the risk of a lifetime-for all of them. Praise for ghostgirl: * Polished dark-and-deadpan humor, it's a natural fit with Gen Y, too." --Publishers Weekly (starred review) * "[Tonya] beats out witty teen-speak like a punk-band drummer, keeping the narrative fast-paced and fun yet thought-provokingly heartwarming. Goofy, ghastly, intelligent, electrifying." --Kirkus (starred review) *"Tim Burton and Edgar Allan Poe devotees will die for this fantastic, phantasmal read." --School Library Journal (starred review) * "Readers with a taste for black humor and satire will feast on Hurley's crisp, wise dialogue. Anticipate a well deserved cult following." --VOYA (starred review)

Martin Heidegger's philosophical works devoted themselves to challenging previously held ontological notions of what constitutes "being," and much of his work focused on how beings interact within particular spatial locations. Frequently, Heidegger used the motifs of homelessness and homecoming in order to express such spatial interactions, and despite early and continued recognition of the importance of homelessness and homecoming, this is the first sustained study of these motifs in his later works. Utilizing both literary and philosophical analysis, Heidegger and Homecoming reveals the deep figural unity of the German philosopher's writings, by exploring not only these homecoming and homelessness motifs, but also the six distinctive voices that structure the apparent disorder of his works. In this illuminating and comprehensive study, Robert Mugerauer argues that these motifs and Heidegger's many voices are required to overcome and replace conventional and linear methods of logic and representation. Making use of material that has been both neglected and yet to be translated into English, Heidegger and Homecoming explains the elaborate means with which Heidegger proposed that humans are able to open themselves to others, while at the same time preserve their self-identity.