Elliot is on the run from a situation that's just too big to handle. Sooner or later, it's going to catch up with him. 'You’re seventeen, left school, scarred for life,’ Dad said, pointing at Elliot’s tattoo, ‘and living off us like a child.’ Elliot’s in need of a fresh start, so he’s dispatched to a new city to work as an apprentice electrician. His boss, Arnie, is an ex-naval officer whose bad temper and frequent advice don’t make for easy living — but Elliot’s out of options. Elliot is just settling into some sort of routine when a disturbing rumour surfaces about his ex-girlfriend, Lena. As Lena tries to track him down, Elliot dives for cover. But a problem this big only attracts more problems, and, after a shocking workplace accident, they’re all going to catch up with him at once. The question is, will Elliot come out of hiding and face them head on? Coming Home to Roost is a fast-paced, bighearted novel about an age-old situation, from the award-winning author of Snakes and Ladders.

“Morgan has given an entire generation of black feminists space and language to center their pleasures alongside their politics.” —Janet Mock, New York Times bestselling author of Redefining Realness “All that and then some, Chickenheads informs and educates, confronts and charms, raises the bar high by getting down low, and, to steal my favorite Joan Morgan phrase, bounced me out of the room.” —Marlon James, Man Booker Prize–winning author of A Brief History of Seven Killings Still fresh, funny, and irreverent after eighteen years, When Chickenheads Come Home to Roost gives voice to the most intimate thoughts of the post-Civil Rights, post-feminist, post-soul generation. Joan Morgan offers a provocative and powerful look into the life of the modern black woman: a complex world in which feminists often have not-so-clandestine affairs with the most sexist of men, where women who treasure their independence frequently prefer men who pick up the tab, where the deluge of babymothers and babyfathers reminds black women who long for marriage that traditional nuclear families are a reality for less than forty percent of the population, and where black women are forced to make sense of a world where truth is no longer black and white but subtle, intriguing shades of gray.

'My father would not have wasted time reading -- a trait I have inherited from him.' The unmistakeable voice of Deborah Devonshire, the youngest of the Mitford sisters, rings out of this second volume of her occasional writings. As broad and eclectic as her long and eventful life, the pieces range from a ringside view of John F. Kennedy's inauguration and funeral, a valedictory for her local post office, the 1938 London season, Christmas at Chatsworth and the hazards of shopping for clothes when your eyesight is failing. Affectionate, shrewd and uproariously funny, her no-nonsense, bang-on-the-nail observations are as good as any antidepressant.

Rachel Manija Brown describes what it was like to grow up in an ashram in India, discussing how her hippie parents uprooted her from her childhood home in California to live in a drought-stricken ashram in India while they devoted themselves to Meher Baba.

Fulfilling his lifelong dream of living in a small town, Frank Moss, a man devastated after the loss of his child and a painful divorce, moves to the small Georgia town of Eatonton. There Frank meets Aubrey Harrison, a black man brutalized as a child by a powerful man of the town. Falling in love with a local attorney, Doris Anthony, Frank uncovers Doris secrets and those of many other town folk. Compelled to keep her sins, and those of her family, forever secret, Doris sends Frank into the worst Hell imaginable. Based on a true story.

Stories take us into other worlds so that we may experience our own more deeply. Master storyteller Geoff Mead brings the reader inside the experience of telling and listening to a story. He shows how stories and storytelling engage our imaginations, strengthen communities and bring adventure and joy into our lives. The narrative is interspersed with consummate retellings of traditional tales from all over the world.

An examination of America's violent legacy and the realities we are ignoring.