Each day, Bob Sheasley leaves Lilyfield Farm and heads into the city. And each day, he brings along a basket of eggs for his coworkers at The Philadelphia Inquirer. Depending on the breed of hen, these eggs may be white, green, rose, blue, or as brown as chocolate. And they are all deliciously fresh, a taste of the rural way of life that people have enjoyed for millennia, one in which chickens have played a supporting role for nearly as long. In Home to Roost, Sheasley tells of the intertwined relationship between humans and chickens. He delves into where chickens came from, what their DNA tells us about our kinship, how we’ve treated our feathered fellow travelers, and the roads we’re crossing together. This is a story of agriculture and human migration, of folk medicine and technology, of how we dreamed of the good life, threw it away, and want it back. Modern farming has changed the lives of both bird and man over the past century. But backyard farmers like Sheasley offer hope for a return to the pleasures of locally grown food, as diverse as the chickens he’s raised on Lilyfield Farm. With wit and personal insight, Home to Roost examines of how our lives can be changed for the better, with something as simple as a backyard coop.

“Morgan has given an entire generation of Black feminists space and language to center their pleasures alongside their politics.” —Janet Mock, New York Times bestselling author of Redefining Realness “All that and then some, Chickenheads informs and educates, confronts and charms, raises the bar high by getting down low, and, to steal my favorite Joan Morgan phrase, bounced me out of the room.” —Marlon James, Man Booker Prize–winning author of A Brief History of Seven Killings Still as fresh, funny, and ferociously honest as ever, this piercing meditation on the fault lines between hip-hop and feminism captures the most intimate thoughts of the post-Civil Rights, post-feminist, post-soul generation. Award-winning journalist Joan Morgan offers a provocative and powerful look into the life of the modern Black woman: a complex world in which feminists often have not-so-clandestine affairs with the most sexist of men, where women who treasure their independence frequently prefer men who pick up the tab, where the deluge of babymothers and babyfathers reminds Black women who long for marriage that traditional nuclear families are a reality for less than forty percent of the population, and where Black women are forced to make sense of a world where truth is no longer black and white but subtle, intriguing shades of gray.

Rachel Manija Brown describes what it was like to grow up in an ashram in India, discussing how her hippie parents uprooted her from her childhood home in California to live in a drought-stricken ashram in India while they devoted themselves to Meher Baba.

'My father would not have wasted time reading -- a trait I have inherited from him.' The unmistakeable voice of Deborah Devonshire, the youngest of the Mitford sisters, rings out of this second volume of her occasional writings. As broad and eclectic as her long and eventful life, the pieces range from a ringside view of John F. Kennedy's inauguration and funeral, a valedictory for her local post office, the 1938 London season, Christmas at Chatsworth and the hazards of shopping for clothes when your eyesight is failing. Affectionate, shrewd and uproariously funny, her no-nonsense, bang-on-the-nail observations are as good as any antidepressant.

____________________________ What's it really like to give it all up and follow your dream? The follow-up to Up With the Larks, and the second volume in the heartwarming, laugh-out-loud true story of Tessa, who moved from the London rat-race to become a postie in rural Cornwall. Tessa and her husband are delighted when a new young couple arrive in the village fresh from the city - just as they once did. However what looks such a promising new friendship turns to a nightmare, as these are people who think money can buy them acceptance - and the village is soon in quiet revolt. Tessa finds herself in the thick of it - and realises that she has grown very strong roots in the community in the two years she has been in Cornwall. Like so many in the country, she has to think about turning her house into a source of income in the summer months. Having finally got the place up to scratch, she and her family are wondering whether to camp for a couple of months when they are asked to take over a B&B owned by friends of friends. Tessa is bubbly, outgoing - but quite inexperienced at being a landlady. She muddles through only with the generous help of the 'customers' on her postal round. ____________________________ Written with her usual warmth and good humour, Tessa Hainsworth enchants us again with her stories of life as a newcomer to 'deep' Cornwall and makes us dwell on the true value and meaning of 'home'.

Tessa Hainsworth used to have it all - except time, peace of mind and leisure to enjoy the fruits of her labours in her executive job with The Body Shop. One momentous spring, she and her husband decided to start again - and UP WITH THE LARKS describes Tessa's first turbulent year, adapting to her new life in the remote South West. Now, in SEAGULLS IN THE ATTIC, Tessa reveals that despite being a fully-fledged member of the community, life is no easier. Being part of small-village life isn't always straightforward. Yet the reality of financial downsizing and learning a whole new way of living hasn't lessened Tessa's natural exuberance and sense of fun - instead they help her to turn all the hardships to her advantage...eventually.

An examination of America's violent legacy and the realities we are ignoring.