"Home-Thoughts from Abroad" is a poem by English poet Robert Browning (1812-1889). Gale Group, Inc., a division of the Thomson Corporation, presents the full text of this poem as part of Poet's Corner, a resource featuring biographies of poets, poems, commentaries, poetry activities, and more. A biographical sketch of Browning is available.

Here is the first critique of modern Hebrew literature to examine the vital concept of place through which we learn about some of the pressing concerns and issues of contemporary Israelis. The geographical shift in Jewish existence from west to east, culminating in the establishment of the State of Israel in 1948, corresponded to a shift from an existence outside time and space to an existence within space. From that movement arose a dialectical tension between Israel and Europe, home and abroad. While the first generation of Hebrew writers in Israel looked inward to Israel, subsequent Israeli writers began to move their protagonists abroad, especially to Europe. The renewed encounter provoked admiration and attraction as well as hostility and repulsion. Some protagonists escaped to, others from, Europe; for both, Europe is not just a tourist site but a world of difference from Israel. Europe is also presented as a challenge to the culture of the Israeli-born Sabra. It is easier to ask fundamental questions about the nature of the whole Israeli national enterprise when the characters are moved away, to look back from afar. In many contemporary novels, Israeli protagonists go abroad, are displaced, away from the narrow confines of their existence at home. The issue of movement has become linked with that of identity. This book focuses on six novels in which characters leave Israel but then return, manifesting the tension between home and abroad in the dialectics of outside and inside. This allows the authors to use place on a thematic as well as a structural level. Thus, Europe often assumes a metaphoric, or, alternatively, a metonymic function. Places may also be presented by contrasting their analogous descriptions or their social and cultural aspects. Finally, place may be used to analyse the soul, for external place images can reveal the inner reaches of the psyche.

This carefully crafted ebook: "My Last Duchess (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. "My Last Duchess" is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting. Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

This is the final of the four volumes published from 1868-1869that make up Robert Browning'sThe Ring and the Book, a long blank-verse poem composed of 12 books and over 20,000 lines. This volume includes the booksThe Pope, GuidoandThe Book and the Ring.

*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.