Alana's life was like an untouched river; very stay and still. Until the night she met a soul, everything changed ever since.

Finalist for the Two Sylvias Press Wilder Poetry Book Prize.The poems of Kelly Cressio-Moeller's Shade of Blue Trees offer up an intimate surrealism, earth-born, deeply shaded, and tinted the deep blue of solitude, memory, and myth, turning "yearning's blue fire/into a dreamscape fugue." Nowhere is Cressio-Moeller's virtuosity more apparent than in the sequence of "panels." These pieces function as lyric poems, language-paintings, fairy tales, and compressed novels, somehow removed from time, with a lushness that reminds me of Flaubert-without the meanness. For instance: "A wall-eyed jay cracks a cherry's/skull against the cheekbone of dusk," and "Cornflower satin, heels on parquetry-she orders/nests for her hair to keep skylarking near, wears the/clouds on her finger to be swallowed in vapor." There are poems that walk the territory of the actual, from mother-loss, which winters the tips of the speaker's hair, to embodiment: "without my cervix I am no less queen/open me, see there's nothing left to give." Indeed this collection is evidence of a queendom that has been cultivated via solitude, loss, and time. "For years," she writes, "her poemwork involved dipping arrows/into tinctures of monkshood. Beneath her shawl of/suffering, she yearned only for two gifts: to be seen, to be understood." With the unveiling of Shade of Blue Trees, those gifts have been delivered. Diane Seuss

Every heart deserves a voice. From the jungles of Cambodia and a chance encounter with a local medicine woman comes Be(loved), poet Dakota Adan’s debut collection of poems, tracing the epic question of what it means to be loved. Hailed as “an essential book for those seeking self-love,” this heartfelt anthology lends voice to the heartbreak and healing of our soul’s quest to reunite with whom we always hoped we could be—ourselves.

This catalog commemorates the exhibition Irving Gill: Progress & Poetry in Architecture and features essays by four San Diego experts on Gill who approach his buildings from personal hands-on experience, study, and reflection. And, in what may be the first compendium of its kind, we have also gathered the most important period writings by and about Gill and reprinted them here. Lavishly illustrated and published for the first time are historic photographs of Gill buildings made from glass slides circa 1910 that were commissioned and used by Irving Gill in his practice. The over 130-page publication includes essays by Erik Hanson, Paul and Sarai Johnson, and Roy McMakin, with the foreword by Bruce Coons, and introduction by Ann Jarmusch.

"I was born to grow, / alongside my garden of plants, / poems / like / this one“ So writes Alice Walker in this new book of poems, poems composed over the course of one year in response to joy and sorrow both personal and global: the death of loved ones, war, the deliciousness of love, environmental devastation, the sorrow of rejection, greed, poverty, and the sweetness of home. The poems embrace our connections while celebrating the joy of individuality, the power we each share to express our truest, deepest selves. Beloved for her ability to speak her own truth in ways that speak for and about countless others, she demonstrates that we are stronger than our circumstances. As she confronts personal and collective challenges, her words dance, sing, and heal.

"In the Fall of 2010 I gave an assignment in my Appalachian Literature class at Berea College, telling my students to write their own version of "Where I'm From" poem based on the writing prompt and poem by George Ella Lyon, one of the preeminent Appalachian poets. I was so impressed by the results of the assignment that I felt the poems needed to be preserved in a bound document. Thus, this little book. These students completely captured the complexities of this region and their poems contain all the joys and sorrows of living in Appalachia. I am proud that they were my students and I am very proud that together we produced this record of contemporary Appalachian Life" -- Silas House

bpNichol was one of Canada's most innovative, eclectic, entertaining, and, yes, enigmatic poets, making startling interventions in the development of poetry and profoundly influencing both his own and subsequent generations of writers. The Alphabet Game: A bpNichol Reader amasses key texts from the very broad spectrum of Nichol's work, including both classic favourites and more obscure treasures. From the early typewriter poetry of Konfessions of an Elizabethan Fan Dancer and the life-long poem The Martyrology to the heartbreaking prose of Journal and the whimsical autobiography of Selected Organs , The Alphabet Game traces the trajectory of this wildly imaginative and prolific poet. This Nichol anthology is an ideal introduction for readers encountering Nichol for the first time, and a much-needed compendium for Nichol fans seeking access to works not readily available. 'His wit, along with the seriousness, was there to keep the language free and untethered, to keep the poem aware of its roots, like a tuxedo worn with bare feet in a muddy river ... No other writer of our time and place was so diverse, attempted so much, and never lost sight of his intent.' - Michael Ondaatje