Global changes in capital, power, technology and the media have caused massive shifts in how we define home and community, leaving redrawn territories and globalized contexts. This interdisciplinary study of the media brings together essays by accomplished critics to discuss the way film, television, music, and computer and electronic media are shaping identities and cultures in an increasingly globalized world. Ranging from intensely personal to highly theoretical, the contributors explore our complex negotiation of home and homeland in a postmodern world. Contributors: Homi Bhabha, Thomas Elsaesser, Rosa Linda Fregoso, Teshome H. Gabriel, George Lipsitz, Margaret Morse, David Morley, John Peters, Patricia Seed, Ella Shohat, and Vivian Sobchack.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Over the last ten years, many commentators have tried to explain the bloody conflicts that tore Yugoslavia apart. But in all these attempts to make sense of the wars and ethnic violence, one crucial factor has been overlooked—the fundamental roles played by exile groups and émigré communities in fanning the flames of nationalism and territorial ambition. Based in the United States, Canada, Europe, Australia and South America, some groups helped provide the ideologies, the leadership, the money, and in many cases, the military hardware that fueled the violent conflicts. Atypical were the dissenting voices who drew upon their experiences in western democracies to stem the tide of war. In spite of the diasporas' power and influence, their story has never before been told, partly because it is so difficult, even dangerous to unravel. Paul Hockenos, a Berlin-based American journalist and political analyst, has traveled through several continents and interviewed scores of key figures, many of whom had never previously talked about their activities. In Homeland Calling, Hockenos investigates the borderless international networks that diaspora organizations rely on to export political agendas back to their native homelands—agendas that at times blatantly undermined the foreign policy objectives of their adopted countries.Hockenos tells an extraordinary story, with elements of farce as well as tragedy, a story of single-minded obsession and double-dealing, of high aspirations and low cunning. The figures he profiles include individuals as disparate as a Canadian pizza baker and an Albanian urologist who played instrumental roles in the conflicts, as well as other men and women who rose boldly to the occasion when their homelands called out for help.

A powerful examination of soulful journeys made to recover memory and recuperate stolen pasts in the face of unspeakable histories. Survivors of the Armenian Genocide of 1915 took refuge across the globe. Traumatized by unspeakable brutalities, the idea of returning to their homeland was unthinkable. But decades later, some children and grandchildren felt compelled to travel back, having heard stories of family wholeness in beloved homes and of cherished ancestral towns and villages once in Ottoman Armenia, today in the Republic of Turkey. Hoping to satisfy spiritual yearnings, this new generation called themselves pilgrims—and their journeys, pilgrimages. Carel Bertram joined scores of these pilgrims on over a dozen pilgrimages, and amassed accounts from hundreds more who made these journeys. In telling their stories, A House in the Homeland documents how pilgrims encountered the ancestral house, village, or town as both real and metaphorical centerpieces of family history. Bertram recounts the moving, restorative connections pilgrims made, and illuminates how the ancestral house, as a spiritual place, offers an opening to a wellspring of humanity in sites that might otherwise be defined solely by tragic loss. As an exploration of the powerful links between memory and place, house and homeland, rupture and continuity, these Armenian stories reflect the resilience of diaspora in the face of the savage reaches of trauma, separation, and exile in ways that each of us, whatever our history, can recognize.

Chinua Achebe is Africa's most prominent writer, the author of Things Fall Apart, the best known--and best selling--novel ever to come out of Africa. His fiction and poetry burn with a passionate commitment to political justice, bringing to life not only Africa's troubled encounters with Europe but also the dark side of contemporary African political life. Now, in Home and Exile, Achebe reveals the man behind his powerful work. Here is an extended exploration of the European impact on African culture, viewed through the most vivid experience available to the author--his own life. It is an extended snapshot of a major writer's childhood, illuminating his roots as an artist. Achebe discusses his English education and the relationship between colonial writers and the European literary tradition. He argues that if colonial writers try to imitate and, indeed, go one better than the Empire, they run the danger of undervaluing their homeland and their own people. Achebe contends that to redress the inequities of global oppression, writers must focus on where they come from, insisting that their value systems are as legitimate as any other. Stories are a real source of power in the world, he concludes, and to imitate the literature of another culture is to give that power away. Home and Exile is a moving account of an exceptional life. Achebe reveals the inner workings of the human conscience through the predicament of Africa and his own intellectual life. It is a story of the triumph of mind, told in the words of one of this century's most gifted writers.

The 1996 U.S. Immigration Reform and Responsibility Act has led to the forcible deportation of tens of thousands of Dominicans from the United States. Following thousands of these individuals over a seven-year period, David C. Brotherton and Luis Barrios use a unique combination of sociological and criminological reasoning to isolate the forces that motivate emigrants to leave their homeland and then commit crimes in the Unites States violating the very terms of their stay. Housed in urban landscapes rife with gangs, drugs, and tenuous working conditions, these individuals, the authors find, repeatedly play out a tragic scenario, influenced by long-standing historical injustices, punitive politics, and increasingly conservative attitudes undermining basic human rights and freedoms. Brotherton and Barrios conclude that a simultaneous process of cultural inclusion and socioeconomic exclusion best explains the trajectory of emigration, settlement, and rejection, and they mark in the behavior of deportees the contradictory effects of dependency and colonialism: the seductive draw of capitalism typified by the American dream versus the material needs of immigrant life; the interests of an elite security state versus the desires of immigrant workers and families to succeed; and the ambitions of the Latino community versus the political realities of those designing crime and immigration laws, which disadvantage poor and vulnerable populations. Filled with riveting life stories and uncommon ethnographic research, this volume relates the modern deportee's journey to broader theoretical studies in transnationalism, assimilation, and social control.

Published to celebrate the 50th anniversary of the modern state of Israel, this collection of photographs focuses on Jews who have returned from exile in the Diaspora to their promised land. The French photographer Frederic Brenner travelled for nearly two decades to photograph Jews in more than 40 countries, capturing the diversity of their experiences in different cultures. The 14 immigrant families depicted in Israel in the book were all previously photographed in Ethiopia, Morocco, Yemen, Russia, the USA, England or India.