Home Away from Home: Immigrant Narratives, Domesticity, and Coloniality in Contemporary Spanish Culture examines ideological, emotional, economic, and cultural phenomena brought about by migration through readings of works of literature and film featuring domestic workers. In the past thirty years, Spain has experienced a massive increase in immigration. Since the 1990s, immigrants have been increasingly female, as bilateral trade agreements, migration quotas, and immigration policies between Spain and its former colonies (including the Dominican Republic, Ecuador, Equatorial Guinea, and the Philippines) have created jobs for foreign women in the domestic service sector. These migrations reveal that colonial histories continue to be structuring elements of Spanish national culture, even in a democratic era in which its former colonies are now independent. Migration has also transformed the demographic composition of Spain and has created complex new social relations around the axes of gender, race, and nationality. Representations of migrant domestic workers provide critical responses to immigration and its feminization, alongside profound engagements with how the Spanish nation has changed since the end of the Franco era in 1975. Throughout Home Away from Home, readings of works of literature and film show that texts concerning the transnational nature of domestic work uniquely provide a nuanced account of the cultural shifts occurring in late twentieth- through twenty-first-century Spain.

An informative book for middle-grade readers about sanctuaries across North America that rescue wild animals and provide them with safe places to live. Years ago, most major cities in North America had zoos full of exotic or wild animals in tiny cages. It was also not uncommon for wild animals to be kept as pets or trained to perform in circuses. Today, we have a different way of looking at animals and deciding if and how they should be kept in captivity. There are still zoos and aquariums, of course, but the best ones are more concerned with protecting animals than putting them on display. There is also a different sort of organization--the animal sanctuary--which provides comfortable homes for animals that have been housed in unaccredited zoos or caught up in the illegal exotic-animal trade. Sanctuaries are never a substitute for the wild, but they are the next best thing. A Home Away from Hometells the true stories of animals that live in sanctuaries across North America, from the tragic tale of Moby Doll, the first orca held in captivity in Vancouver, to the inspiring story of Thika, Toka, and Iringa, three elephants who travelled from a tiny zoo enclosure to a sprawling acreage in Sacramento, California. Often entertaining and sometimes sad, this book is an eye-opening read for children who care about the welfare of animals and want to know more about the organizations that help them.

In this original alphabet book with an international flavor, the acclaimed author/artist takes her characters and her audience on a whirlwind tour of the world's wonders. From Adam arriving in Amsterdam to Zachary zigzagging in Zaandam, magnificent illustrations entice young readers to linger on every page.

How did Jews go from lives organized by synagogues, shul, and mikvehs to lives that—if explicitly Jewish at all—were conducted in Hillel houses, JCCs, Katz's, and even Chabad? In pre-emancipation Europe, most Jews followed Jewish law most of the time, but by the turn of the twentieth century, a new secular Jewish identity had begun to take shape. Homes Away From Home tells the story of Ashkenazi Jews as they made their way in European society in the late nineteenth and twentieth centuries, focusing on the Jewish communities of Paris, Berlin, and St. Petersburg. At a time of growing political enfranchisement for Jews within European nations, membership in the official Jewish community became increasingly optional, and Jews in turn created spaces and programs to meet new social needs. The contexts of Jewish life expanded beyond the confines of "traditional" Jewish spaces into sites of consumption and leisure, sometimes to the consternation of Jewish authorities. Sarah Wobick-Segev argues that the social practices that developed between 1890 and the 1930s—such as celebrating holydays at hotels and restaurants, or sending children to summer camp—fundamentally reshaped Jewish community, redefining and extending the boundaries of where Jewishness happened.

In 1886 in Alabama, an eleven-year-old African American girl and her family befriend and give refuge to a runaway Apache boy.

What kid hasn't wanted to make their parents feel sorry for treating him badly? And how better to accomplish this than to run away? Here's a guide showing how, from what to pack (gum--then you won't have to brush your teeth) to how to survive (don't think about your cozy bed). Ultimately, though, readers will see that there really is no place like home. Like Judith Viorst's Alexander and the Terrible, Horrible, No Good, Very Bad Day, here's a spot-on portrait of a kid who's had it. And like Maurice Sendak's Where the Wild Things Are, it's also a journey inside a creative kid's imagination: that special place where parents aren't allowed without permission.