Jaime de Angulo (1887-1950) was born in Paris of Spanish parents. He came to America in 1905, found work as a cowboy, and ended up in San Francisco the day before the Great Earthquake in 1906. A picaresque life followed as a homesteader in Big Sur, medical doctor, psychologist, renowned linguist, and novelist. As a linguist, de Angulo contributed to the knowledge of many Northern Californian tribal languages, as well as ethnomusicological investigations. He lived among the tribes he studied and tried to become integrated into their daily lives. Much of his life and work exemplifies his recognition of the trickster wisdom in their native "coyote tales." Invited by Mabel Dodge Luhan to visit Taos, he turned out to be a vivid chapter in her artistic circle. Brilliant and eccentric, Ezra Pound called him "the American Ovid." Bohemian to the core, he was friend and colleague to poets, composers, and scholars such as Harry Partch, Henry Miller, Robinson Jeffers, Henry Cowell, Franz Boas, Carl Jung, D.H. Lawrence, and many others. Renderings of Pit River lore in his book Indian Tales had a distinct influence on Beat literature, especially Gary Snyder and Jack Kerouac. Besides prose, there exists an abundance of poetry which is collected in Home Among the Swinging Stars and includes the out-of-print Coyote's Bones, versions of Shaman Songs, translations of Federico García Lorca, and unpublished poems.

Rolling in Ditches with Shamans charts American anthropology in the 1920s through the life and work of one of the amateur scholars of the time, Jaime de Angulo (1887?1950). Although he earned a medical degree, de Angulo chose to live on an isolated ranch in Big Sur, California, where he participated fully in the lives of the people who were his ethnographic informants. The period of his most extensive research coincides almost perfectly with the professionalization of anthropology, and de Angulo provides a link between those who are generally recognized as the most important figures of the day: Franz Boas, Alfred Kroeber, and Edward Sapir. ø The fields of salvage ethnography and linguistics, which Boas emphasized, were aimed at recording the culture, language, and myths of the Native groups before they became completely acculturated. In keeping with these dictates, de Angulo recorded data from thirty groups, mostly in California, which otherwise might have been lost. In an unusual move for that time, he also wrote fiction and poetry describing the modern lives of the people he studied, something of little interest to Boas but of great interest today. His most enduring work is Indian Tales, a fictional synthesis of myths learned from various California Indians. De Angulo?s range of interests, originality, and expertise exemplified the curiosity and brilliance of those who pioneered American anthropology at this time.

THE STORY: The fabulous songs of Johnny Burke are here perfectly woven into various settings and scenes as if they always belonged there. We move from a smoky 1920s Chicago Speakeasy, where we hear such songs as Dr. Rhythm and What's New to the

Winner of a 2019 Southwest Book Award (BRLA) An homage to the useful and idiosyncratic mesquite tree In his latest book, Mesquite, Gary Paul Nabhan employs humor and contemplative reflection to convince readers that they have never really glimpsed the essence of what he calls "arboreality." As a Franciscan brother and ethnobotanist who has often mixed mirth with earth, laughter with landscape, food with frolic, Nabhan now takes on a large, many-branched question: What does it means to be a tree, or, accordingly, to be in a deep and intimate relationship with one? To answer this question, Nabhan does not disappear into a forest but exposes himself to some of the most austere hyper-arid terrain on the planet--the Sonoran and Chihuahuan deserts along the US/Mexico border--where even the most ancient perennial plants are not tall and thin, but stunted and squat. There, in desert regions that cover more than a third of our continent, mesquite trees have become the staff of life, not just for indigenous cultures, but for myriad creatures, many of which respond to these "nurse plants" in wildly intelligent and symbiotic ways. In this landscape, where Nabhan claims that nearly every surviving being either sticks, stinks, stings, or sings, he finds more lives thriving than you could ever shake a stick at. As he weaves his arid yarns, we suddenly realize that our normal view of the world has been turned on its head: where we once saw scarcity, there is abundance; where we once perceived severity, there is whimsy. Desert cultures that we once assumed lived in "food deserts" are secretly savoring a most delicious world. Drawing on his half-century of immersion in desert ethnobotany, ecology, linguistics, agroforestry, and eco-gastronomy, Nabhan opens up for us a hidden world that we had never glimpsed before. Along the way, he explores the sensuous reality surrounding this most useful and generous tree. Mesquite is a book that will delight mystics and foresters, naturalists and foodies. It combines cutting-edge science with a generous sprinkling of humor and folk wisdom, even including traditional recipes for cooking with mesquite.

“Tracks Along the Left Coast more than accomplishes its self–appointed task of celebrating de Angulo’s legacy.” —Rain Taxi “Schelling’s biography of Jaime de Angulo—'cattle puncher, medical doctor, bohemian, buckeroo,' among other things—presents a fascinating, full–bodied portrait of a man and an era, as well as delving deep into California’s Native history. De Angulo’s isn't a household name, but in Schelling's work the man called by Ezra Pound the 'American Ovid' comes blazing to life in all his singular brilliance.” —Stephen Sparks, Literary Hub California, with its scores of native languages, contains a wealth of old–time stories—a bedrock of the literature of North America. Jaime de Angulo's linguistic and ethnographic work, his writings, as well as the legends that cloak the Old Coyote himself, vividly reflect the particulars of the Pacific Coast. In each retelling, through each storyteller, stories are continually revivified, and that is precisely what Andrew Schelling has done in Tracks Along the Left Coast, weaving together the story of de Angulo's life with the story of the land and the people, languages, and cultures with whom it is so closely tied.

Indigenous sign-systems, such as pictographs, petroglyphs, hieroglyphs, and khipu, are usually understood as relics from an inaccessible past. That is far from the truth, however, as Edgar Garcia makes clear in Signs of the Americas. Rather than being dead languages, these sign-systems have always been living, evolving signifiers, responsive to their circumstances and able to continuously redefine themselves and the nature of the world. Garcia tells the story of the present life of these sign-systems, examining the contemporary impact they have had on poetry, prose, visual art, legal philosophy, political activism, and environmental thinking. In doing so, he brings together a wide range of indigenous and non-indigenous authors and artists of the Americas, from Aztec priests and Amazonian shamans to Simon Ortiz, Gerald Vizenor, Jaime de Angulo, Charles Olson, Cy Twombly, Gloria Anzaldúa, William Burroughs, Louise Erdrich, Cecilia Vicuña, and many others. From these sources, Garcia depicts the culture of a modern, interconnected hemisphere, revealing that while these “signs of the Americas” have suffered expropriation, misuse, and mistranslation, they have also created their own systems of knowing and being. These indigenous systems help us to rethink categories of race, gender, nationalism, and history. Producing a new way of thinking about our interconnected hemisphere, this ambitious, energizing book redefines what constitutes a “world” in world literature.

A woman's coming-of-age journey through the rugged landscape of Wales to the reflective quiet of a retreat center. Along the way she questions and explores the depth of her Methodist faith as she comes to terms with her bisexual identity.