“Among the most masterful storytellers alive today” (Gene Luen Yang), “few creators mine the pathos of a dark midcentury childhood like Small” (Washington Post). Since the publication of Stitches a decade ago, David Small has emerged as one of the seminal authors in the genre of graphic literature. Here, in Home After Dark, a Boston Globe Best Book of 2018, Small provides a “painfully honest” and “haunting work of unfolding surprise” (Jules Feiffer) that renders the brutality of adolescence in the 1950s. Through “gorgeous and expressive drawings” (Roz Chast), Small “recaptures the inchoate chaos of youth” (Jack Gantos), telling the story of thirteen- year- old Russell Pruitt, who, abandoned by his mother, follows his father to the sun- splashed land of California in search of a dream. Suddenly forced to fend for himself, Russell struggles to survive in Marshfield, a dilapidated town haunted by a sadistic animal killer and a ring of malicious boys. Eerily foreboding yet filled with uncanny psychological insights and stray glimmers of hope, Home After Dark confirms Small’s place as a modern master of graphic fiction.

In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls? What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.

A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Yuri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber—mysteriously tied to the businessman plagued by the mark of his crime—will either restore or annihilate her. After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency—the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.

From beloved authors Sherrilyn Kenyon, J.R. Ward, Susan Squires, and Dianna Love comes Dead After Dark, a paranormal romance collection of four fantastic stories. SHERRILYN KENYON "Shadow of the Moon" Angelia has fought her entire life to make herself strong. Now, with her patria under fire, she has to protect her people from Fury and his werewolf clan. Vowing to bring him to justice, Angelia sets out alone...until the hunter becomes the hunted, and the only way for her to survive is to trust the very wolf she's sworn to kill. J.R. WARD "The Story of Son" Claire Stroughton is a beautiful lawyer who would rather spend the night with a legal brief than the man of her dreams. Then a routine client meeting turns dangerous—and deeply sensual—when she is held captive by a gorgeous man with an unworldly hunger... SUSAN SQUIRES "Seize the Night" When Drew Carlowe returns home to win back a lost love, he is quick to dismiss rumors that his estate is haunted by a stunning young ghost...until one passionate encounter leaves him mystified—and aching for more. DIANNA LOVE "Midnight Kiss Goodbye" Trey McCree possesses an insatiable desire for Sasha Armand—and supernatural powers that could endanger her life as a human. But when they team up to stop an evil warlord, Trey discovers that Sasha can do way more drive men wild...

Susan Cheever uses previously unpublished letters, journals, and her own precious memories to create an insightful and candid tribute to her father, John Cheever.

Fifteen-year-old slacker Charlie Harker is stuck in the sleepy town of Rolling Hills for the summer, helping his mom renovate his great-grandfather's creaky old inn. It's not entirely dull, thanks to Charlie's new neighbor Miles Van Helsing, who insists there's paranormal activity happening in Rolling Hills. Charlie chalks it up to Miles being the town nutcase. But many townspeople are falling prey to a mysterious illness, and wisecracking Charlie quickly gets wise: there's something sinister going on in Rolling Hills.

Gone, But Not Forgotten rocketed Phillip Margolin into the select company of million-selling novelists. Here he displays again the same genius for best-selling suspense in another intricate, breathtaking thriller of multiple murder in the legal community of the Pacific Northwest. Laura Rizzati, a law clerk for Oregon Supreme Court Justice Robert Griffen, is found slain late one night in the deserted courthouse. Her office is ransacked—but nothing seems to be missing. There are no suspects and no clues. The following month Griffen himself is killed by a car bomb in the driveway of his Portland home. This time, though, there is a suspect: in a shocking turn of events, Abigail Griffen, star prosecutor in the Multnomah County District Attorney's office and estranged wife of Justice Griffen, is charged with first degree murder. With the same gripping suspense that drove Gone, But Not Forgotten onto the bestseller lists, this is a complex legalthriller with a truly startling ending.