“Among the most masterful storytellers alive today” (Gene Luen Yang), “few creators mine the pathos of a dark midcentury childhood like Small” (Washington Post). Since the publication of Stitches a decade ago, David Small has emerged as one of the seminal authors in the genre of graphic literature. Here, in Home After Dark, a Boston Globe Best Book of 2018, Small provides a “painfully honest” and “haunting work of unfolding surprise” (Jules Feiffer) that renders the brutality of adolescence in the 1950s. Through “gorgeous and expressive drawings” (Roz Chast), Small “recaptures the inchoate chaos of youth” (Jack Gantos), telling the story of thirteen- year- old Russell Pruitt, who, abandoned by his mother, follows his father to the sun- splashed land of California in search of a dream. Suddenly forced to fend for himself, Russell struggles to survive in Marshfield, a dilapidated town haunted by a sadistic animal killer and a ring of malicious boys. Eerily foreboding yet filled with uncanny psychological insights and stray glimmers of hope, Home After Dark confirms Small’s place as a modern master of graphic fiction.

In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls? What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.

A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Yuri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber—mysteriously tied to the businessman plagued by the mark of his crime—will either restore or annihilate her. After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency—the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.

Eight-year-old Jack and his younger sister Annie find a magic treehouse, which whisks them back to an ancient time zone where they see live dinosaurs.

A little girl drops her teddy bear in the park, and he struggles to make it home to her before it gets dark.

Here in New York, a good night never ends. We will not let it. Though the hour is late, we are more awake than we have ever been in our lives, we are wild-eyed and grinning and dancing around like fools, and the music is thumping and the lights are flashing and the whole place is pulsating like a massive beating heart, and we do not want to go home, we do not want to go to sleep. Above all, we do not want to miss anything. So begins Notes from the Night, Taylor Plimpton's account of a night out in New York City. Passionately engaged and endlessly curious, Plimpton is part participant, part observer, a student and uniquely apt chronicler of human behavior--particularly at its most absurd. Accompanied by his best friend Zoo and a tight-knit band of other mischief-makers, and fueled by drinks, drugs and big dreams, Plimpton journeys from one Manhattan hotspot to the next with boundless energy and an eye for the dark, often comic realities of club culture. Exploring the myriad pleasures, mysteries and pitfalls of that elusive world, Notes from the Night is guide to a place ― and a state of mind ― that has never been mapped. With savvy advice and point-on commentary, the book ushers the reader through the velvet ropes to experience New York's most exclusive nightclubs. Surrounded by celebrities, models, and the best of friends, the reader will feel the rush of the party , the wonderful, heart-thumping panic of approaching a beautiful woman and the often forgotten joy of simply having a good time. By relentlessly pursuing the truth of his own experience, Plimpton uncovers the sexy, and seamy, lining of the city that never sleeps, and in so doing exposes what at heart is sought by all those who leave their home well after dark -- the singular thrill of being young and free and full of desire in a world where anything can happen. Plimpton is both an unlikely clubber and a likely seeker--a little bumbling and somewhat aloof, often naïve and unusually erudite. He's an insider who remembers what it was like to be an outsider, and from this unique perspective he invites you to experience the splendor, sorrow and possibility of New York after hours. Lyrically written and vividly described, this brisk, surprising and confident debut will stay with you long after the sun has risen. From the Hardcover edition.