Collection of poems by 41 American poets inspired by César Vallejo, along with their statements of how Vallejo influenced them.

The art of Boris Vallejo is characterized by beautiful maidens, heroic men and fearsome monsters while the work of his wife Julie Bell is famous for a sense of color and dramatic composition which puts her paintings in a class by themselves. As two of the most acclaimed fantasy artists working today, Boris and Julie have produced art for album covers, trading cards, posters and calendars for (in Boris' case) 30 years -- and have seen 15 books published celebrating their breathtaking work. Boris Vallejo and Julie Bell: The Ultimate Collection brings together all their greatest pieces throughout their careers, while also including some unseen new work. The book is arranged chronologically and divided into three main sections: early, middle and recent art. A narrative accompanies the paintings with captions for many of the pieces. The pages are also punctuated by quotes from Boris and Julie's peers in the fantasy art field and fans of their work, who pay homage to their art and comment on how their work has inspired them to become better artists.

This is the first biography of Latin America's most important poet. the Peruvian César Vallejo. It traces the important events of his life and evaluates his poetry, fiction, theatre, political essays and journalism. This is the first biography of Latin America's most important poet, the Peruvian César Vallejo, who was born in an Andean village, Santiago de Chuco, on 16 March 1892 and died in Paris on 15 April 1938. It traces the important events of his life - becoming a poet in Peru, falling in love with Mirtho in Trujillo, writing Trilce which would transform for ever the avant-garde in the Spanish-speaking world, fleeing to Paris in the summer of 1923 afterbeing accused of burning down Carlos Santa María's house in Santiago de Chuco, falling in love with Georgette Philippart and then with communism, writing his Poemas humanos (Human Poems) and then, shortly before hisdeath, writing his moving poems inspired by the Spanish Civil War, España, aparta de mí este cáliz (Spain, Take this Chalice from Me). This book also provides an objective evaluation of Vallejo's poetry, fiction, theatre, political essays and journalism. Stephen M. Hart is Professor of Latin American Film, Literature and Culture, School of European Languages, Culture and Society, University College London.

The AK wants to tell a different truth— a truth ungarbled that is so obvious no one could possibly mistake its meaning. If you look down the cyclops-eye of the barrel what you'll see is a boy with trousers rolled above his ankles. You'll see a mouth of bone moving in syllables that have the rapid-fire clarity of a weapon that can fire 600 rounds a minute. —from "Oracle" Station Zed is the terminal outpost beyond which is the unknown. It is also the poet Tom Sleigh's finest work. In this latest collection, Sleigh brings to these poems his experiences as a journalist on tours of Lebanon, Somalia, Iraq, and Libya. But these are also dispatches from places of grief, history, and poetic traditions as varied as Scottish ballads and the journeys of Basho.

Poetry. As Jared White points out in his introduction to THE FIRST 4 BOOKS OF SAMPSON STARKWEATHER, "We live in an era when a book of poems is often a 50-80 page manuscript bound with a thin mustache of a spine." THE FIRST 4 BOOKS OF SAMPSON STARKWEATHER seeks to "upend this orthodoxy." Distinct but kindred, these books are like four ecologically diverse quadrants of one realm, in a Disneyworld of poetry's possibilities. The poems themselves are invested in the purity of experiences and the varieties of contemporary language news reports, video games, WWF wrestling, Mike Tyson. These poems are, as White puts it, "a phantasmagoria worthy of Arthur Rimbaud but a 'Rimbaud chugging Robotussin(r).'" THE FIRST 4 BOOKS OF SAMPSON STARKWEATHER is no less than this: a book of books about the lonely yearning to be transformed by poetry, and through poetry, transform the world. THE FIRST 4 BOOKS OF SAMPSON STARKWEATHER are King of the Forest, La La La, The Waters, and Self Help Poems."

A profound encounter with the hyperreality of our time of global upheaval, violence, and pandemic. Tom Sleigh’s poems are skeptical of the inevitability of our fate, but in this brilliant new collection, they are charged with a powerful sense of premonition, as if the future is unfolding before us, demanding something greater than the self. Justice is a prevailing force, even while the poems are fully cognizant of the refugee crisis, war, famine, and the brutal reality of a crowded hospital morgue. The King’s Touch collides the world of fact and the world of mystery with a resolutely secular register. The title poem refers to the once-held belief that the king, as a divine representative, is imbued with the power of healing touch. Sleigh turns this encounter between illness and human contact toward his own chronic blood disease and the ongoing COVID-19 pandemic and its mounting death tolls. One poem asks, “isn’t it true that no matter how long you / wear them, masks don’t grieve, only faces do?” In this essential new work, Sleigh shows how the language of poetry itself can revive and recuperate a sense of a future under the conditions of violence, social unrest, and global anxiety about the fate of the planet.

A highly-praised translation of a seminal work of Spanish literature is once again available.