Levi infiltrates a secret meeting of neo-no-goodniks and discovers a resurrected 20th-century supervillain with a sinister sales pitch, forcing the Holy Roller to offer his own teeth-shattering sermon of justice! Action! Intrigue! Double-cross and vitamin pills!

Distributed by the University of Nebraska Press for Caxton Press When Edmund Creffield and his "Holy Roller" religious cult made headlines in 1903, it was page one news - not just in the Pacific Northwest, but around the nation. Yet few people in the region today have heard Creffield's name or his story. In fact, the descendants of the people who were involved still refuse to discuss those events of a century ago.

Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, this book tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard--and changed the world. Describing the genesis of rock and roll, the author covers everything from its deep roots in the Mississippi Delta, key early figures, like deejay "Daddy-O" Dewey Phillips and gospel star Sister Rosetta Tharpe, and the influence of so-called "holy rollers" of the Pentecostal church who became crucial performers--Elvis Presley, Jerry Lee Lewis and Little Richard.

Distributed by the University of Nebraska Press for Caxton Press When Edmund Creffield and his "Holy Roller" religious cult made headlines in 1903, it was page one news - not just in the Pacific Northwest, but around the nation. Yet few people in the region today have heard Creffield's name or his story. In fact, the descendants of the people who were involved still refuse to discuss those events of a century ago.

The essential biography of America’s godmother of rock ‘n’ roll whose exuberant singing and guitar playing captivated audiences and inspired generations of musicians from the 40s to today When Shout, Sister, Shout! was first published in 2007, Sister Rosetta Tharpe was resting in an unmarked grave in a Philadelphia cemetery. That lack of a headstone symbolized so much of what was egregiously wrong about so many stories of American music, particularly the genre we call rock or rock-and-roll. It’s a genre that wouldn’t exist without Tharpe, though her contribution was forgotten for many years. The biography finally tells the story of the queer, Black trailblazer who defied categorization and influenced scores of popular musicians, from Elvis Presley and Little Richard to Bonnie Raitt, The Alabama Shakes, and Lizzo. The author draws on memories from more than 150 people who knew Tharpe, as well as scraps of information gleaned from newspapers, archives, and memorabilia, to piece together a story that forever alters our understanding of women in rock and of US popular music.

At least since the time of Paul (see Acts 18), Christians have wrestled with the power and danger of religious imagery in the visual arts. It was not until the middle of the twentieth century that there emerged in Western Christianity an integrated, academic study of theology and the arts. Here, one of the pioneers of that movement, H. Wilson Yates, along with fourteen theologians, examine how visual culture reflects or addresses pressing contemporary religious questions. The aim throughout is to engage the reader in theological reflection, mediated and enhanced by the arts. This beautifully illustrated book includes more than fifty images in full color.