Holy Harlots examines the intersections of social marginality, morality, and magic in contemporary Brazil by analyzing the beliefs and religious practices related to the Afro-Brazilian spirit entity Pomba Gira. Said to be the disembodied spirit of an unruly harlot, Pomba Gira is a controversial figure in Brazil. Devotees maintain that Pomba Gira possesses an intimate knowledge of human affairs and the mystical power to intervene in the human world. Others view this entity more ambivalently. Kelly E. Hayes provides an intimate and engaging account of the intricate relationship between Pomba Gira and one of her devotees, Nazaré da Silva. Combining Nazaré’s spiritual biography with analysis of the gender politics and violence that shapes life on the periphery of Rio de Janeiro, Hayes highlights Pomba Gira’s role in the rivalries, relationships, and struggles of everyday life in urban Brazil. The accompanying film Slaves of the Saints may be viewed online at ucpress.edu/go/holyharlots.

First comprehensive investigation of the major significance of female sinners turned saints in medieval literature.

An introduction to the legends of Saints Thaïs and Pelagia, together with critical editions of the five Castilian redactions. The legends of the holy harlots, Thaïs and Pelagia, are two of the most controversial accounts of female sanctity to have circulated in Spain during the Middle Ages. In this book, which reviews the origin and development of theircults, the author reconsiders the relationships that have traditionally been thought to exist between them and three of the other so-called prostitute saints: Mary Magdalene, Mary of Egypt, and Mary the niece of Abraham. This is accompanied by an evaluation of the five Castilian versions of the two legends and their Latin sources, followed by a reading of their thematic and structural significance, with particular emphasis paid to the ways in which the twowomen renounce their sins and embark on the slow and agonizing path of redemption. The book is completed by critical editions of the five Castilian versions. ANDREW M. BERESFORD lectures in Spanish at the University of Durham.

is a rippling bouquet of emotions and heart-felt songs which have been the poet's companions during the toughest phase in his life. Most of these have been written in the charming countryside of the poet's native place at a small village in northern India. The poems try to capture the softest nuances of perceptible and imperceptible naturalities against the background of human trials and tribulations. The verses chime with an enamouring softness of the heart which sound Godsent against the present times viciously self-obsessed noise. The poems are exceptionally laced with silent spiritual reflections over the comforting quietude and teasing tranquility of the countryside. These simple swathes of aesthetics take the reader to a slow-paced world...far, far away from the 'maddening crowd'!

From streetwalkers in the Roman Forum to imperial concubines, Roman prostitutes defined what it meant to be a 'bad girl'.

The convents, asylums, and laundries that once comprised the Magdalene institutions are the subject of this work. Though originally half-way homes for prostitutes in the Middle Ages, these homes often became forced-labor institutions, particularly in Ireland. Examining the laundries within the context of a growing world capitalist economy, the work argues that the process of colonization, and of defining a national image, determined the nature and longevity of the Magdalene Laundries. This process developed differently in Ireland, where the last laundry closed in 1996. The book focuses on the devolution of the significance of Mary Magdalene as a metaphor for the organization: from an affluent, strong supporter of Jesus to a simple, fallen woman.

A native of Italy and a splendid cook herself, Mazzoni savors the food writings and images of a broad spectrum of Catholic saints and holy women, including Catherine of Genoa, Angela of Foligno, Gemma Galgani, and the first person in the United States to be canonized, Elisabeth Ann Seton. Continuum Books