A compelling novel-in-stories, Hollywoodski showcases a self-described “faded” screenwriter’s forty-year career. Dale Davis is a man encumbered by a natural writing talent, corrupted by early success, and reduced to scrambling for crumbs. He arrives in Hollywood, unbattered and innocent, with a novel about his days as an almost Olympic-caliber swimmer. But his faith in the prevailing powers of talent and justice in Tinseltown leaves him essentially black-listed and unemployable, a talented writer who just can’t get paid. Despite the fading of a once-promising career, Davis still believes that his talent will propel him back into prominence. But that belief, in Hollywood, is about as realistic as the belief that “Someday my prince will come,” and as likely to make you depressed and crazy. Hollywoodski is a nonlinear journey through Davis’s life, weaving his memories with stories he’s written over the years, charting how his hopes and dreams have changed over time. Featuring stories originally published in prominent publications such as The New England Review, The Los Angeles Reader, and Six Three Whiskey, Hollywoodski is a sweeping and inventive telling of the strange avenues that a life follows.

Skiing Heritage is a quarterly Journal of original, entertaining, and informative feature articles on skiing history. Published by the International Skiing History Association, its contents support ISHA's mission "to preserve skiing history and to increase awareness of the sport's heritage."

Known for its sunshine and sandy beaches filled with bathing beauties and musclemen, Southern California is a Mediterranean-climate haven for winter-weary Americans from Michigan to Maine. But for those with a hankering for winter sports, one could scarcely ignore the snowcapped peaks of Mount Baldy and San Gorgonio shimmering in the bright California sunshine. By the 1930s, skiing was all the rage, with the towns of Big Pines, Lake Arrowhead, and Big Bear Lake evolving into popular snow-sport locales. Southern California was also home to many who made their mark in the world of American skiing: Walter Mosauer, the father of skiing in Southern California; Tyler Van Degrift, owner of Los Angeless first ski shop; Clarita Heath Bright, talented member of the first U.S. Womens Olympic ski team; Dorothy McClung Wullich, first woman member of the National Ski Patrol; and Sepp Benedikter and Tommi Tyndall, both leading the way with ski schools and instruction. These and many others are documented here in this collection of rare and vintage images of Southern California skiing.

What is the “real Russia”? What is the relationship between national dreams and kitsch, between political and artistic utopia and everyday existence? Commonplaces of daily living would be perfect clues for those seeking to understand a culture. But all who write big books on Russian life confess their failure to get properly inside Russia, to understand its “doublespeak.” Svetlana Boym is a unique guide. A member of the last Soviet Generation, the Russian equivalent of our Generation X, she grew up in Leningrad and has lived in the West for the past thirteen years. Her book provides a view of Russia that is historically informed, replete with unexpected detail, and everywhere stamped with authority. Alternating analysis with personal accounts of Russian life, Boym conveys the foreignness of Russia and examines its peculiar conceptions of private life and common good, of Culture and Trash, of sincerity and banality. Armed with a Dictionary of Untranslatable Terms, we step around Uncle Fedia asleep in the hall, surrounded by a puddle of urine, and enter the Communal Apartment, the central exhibit of the book. It is the ruin of the communal utopia and a unique institution of Soviet daily life; a model Soviet home and a breeding ground for grassroots informants. Here, privacy is forbidden; here the inhabitants defiantly treasure their bits of “domestic trash,” targets of ideological campaigns for the transformation (perestroika) of everyday life. Against the Russian and Soviet myths of national destiny, the trivial, the ordinary, even the trashy, take on a utopian dimension. Boym studies Russian culture in a broad sense of the word; she ranges from nineteenth- and twentieth-century intellectual thought to art and popular culture. With her we go walking in Moscow and Leningrad, eavesdrop on domestic life, and discover jokes, films, and TV programs. Boym then reflects on the 1991 coup that marked the end of the Soviet Union and evoked fin-de-siècle apocalyptic visions. The book ends with a poignant reflection on the nature of communal utopia and nostalgia, on homesickness and the sickness of being home.

In this remarkable blend of memoir and criticism, James Wood, noted contributor to the New Yorker, has written a master class on the connections between fiction and life. He argues that, of all the arts, fiction has a unique ability to describe the shape of our lives and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood here as the most sacred and personal of activities, and there are brilliant discussions of individual works - among others, Chekhov's story "The Kiss," W.G. Sebald's The Emigrants, and Penelope Fitzgerald's The Blue Flower. Wood reveals his own intimate relationship with the written word: we see the development of a provincial boy growing up in a charged Christian environment, the secret joy of his childhood reading, the links he makes between reading and blasphemy, or between literature and music. The final section discusses fiction in the context of exile and homelessness. The Nearest Thing to LifeÊis not simply a brief, tightly argued book by a man commonly regarded as our finest living critic - it is also an exhilarating personal account that reflects on, and embodies, the fruitful conspiracy between reader and writer (and critic), and asks us to reconsider everything that is at stake when we read and write fiction.

Skiing Heritage is a quarterly Journal of original, entertaining, and informative feature articles on skiing history. Published by the International Skiing History Association, its contents support ISHA's mission "to preserve skiing history and to increase awareness of the sport's heritage."