2013 Reprint of 1950 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Powdermaker's study of the Hollywood film industry was an early example of anthropological research on contemporary American society. Her observations of the tensions between business and art in the film world led her to suggest that the social relations of the filmmaking process significantly affect the content and meaning of movies. Chapters include: Chapter 1 - Habitat and People, Mythical and Real Chapter 2 - Mass Production of Dream Chapter 3 - Taboos Chapter 4 - Front Office Chapter 5 -Men Who Play God Chapter 6 - Lesser Gods, but Colossal Chapter 7 -The Scribes Chapter 8 - Assembling the Script Chapter 9 - The Answers Chapter 10 - Directors Chapter 11 - Acting, in Hollywood Chapter 12 - Stars Chapter 13 - Actors are People Chapter 14 - Emerging from Magic Chapter 15 - Hollywood and the U.S.A.

More than just a place where movies were made, Hollywood in its "golden years" was a highly charged symbolic site in America. It was a focal point for mass desires and expectations and a symbol of cultural decay and crumbling social values. The popular fiction of those decades -- including novels, short stories, essays, autobiographies, fan magazines, and trade journals -- portrayed the town as a place where hope and failure in American life tragically and inevitably collided. By elevating such themes as sin and redemption, success and failure, betrayal and loss, art and commerce, and illusion and reality to the level of cultural argument, this group of fictional works offered a popular literary forum to question fundamental American assumptions and beliefs. John Parris Springer's incisive readings of these "Hollywood fictions" trace the contradictory ways in which Hollywood was represented and analyze the conflicting images it evoked.

Dwight Little's Hollywood career includes directing and producing major motion pictures for multiple studios, acclaimed television series and even video games. In this memoir, he takes readers along on a movie-making adventure that is by turns funny and brutally honest. There are many on-set interactions with well-known producers and stars along with detailed descriptions of film shoots from the wilds of India to the banks of the River Kwai. Included are tales from the jails of Madrid to the jungles of Fiji and the cold war streets of Budapest. The work seamlessly connects the Golden Age of Hollywood to the highly successful premium television of today. Make or break creative battles, Hollywood intrigues, unpredictable studio executives, and temperamental actors are all documented in colorful detail. Whether the reader is an aspiring filmmaker or just a movie lover, this book has it all, including a unique insight into television directing in the new streaming age and 41 photos, many on-set.

"In a race to capture new audiences, Hollywood moguls began courting Chinese investors to create branded entertainment on an international scale--from behemoth theme parks to blockbuster films--after China's 2001 World Trade Organization entry. Hollywood Made in China examines this compelling dynamic, where the distinctions between Hollywood's "Dream Factory" and the "Chinese Dream" of global influence become increasingly blurred. What is revealed illuminates how China's influence is transforming the global media industries from the inside out"--Provided by publisher.