A dazzling array of Hollywood starlets and pin-up girls come to life in hundreds of eye-popping, 3-D photographs taken by legendary film star Harold Lloyd "Lush and glorious?" ?Vanity Fair Includes a pair of Harold Lloyd-style 3-D glasses! Harold Lloyd, along with Charlie Chaplin and Buster Keaton, was one of the greatest stars of the silent film era, appearing in such classics as Safety Last! and The Freshman. He was also an avid photographer with a passion for stereoscopic photography, or 3-D. In 1947 he began taking pictures of family and friends, including Marilyn Monroe, Humphrey Bogart, Lauren Bacall, and Ronald Reagan. During his lifetime he took more than 300,000 photographs, thousands of which featured starlets and models who posed nude in front of some of the most spectacular and creative backdrops and scenery. Collected here for the first time by Lloyd's granddaughter, Suzanne Lloyd, and now in paperback, Harold Lloyd's Hollywood Nudes in 3-D! presents the most lavish, luscious, and, yes, ludicrous photographs of Hollywood nudes from the 1940's, 50's and 60's in all kinds of settings, including Lloyd's luxurious Greenacres estate, the Grand Canyon, and studios filled with outrageous props such as faux flowers, animal pelts, and Christmas kitsch. There are 200 photographs in all, 50 of them rendered in 3-D and viewable with the special Harold Lloyd?style 3-D spectacles for an enhanced and extraordinary visual experience!

Physique photos from 1940's/50's Hollywood. Fred Kovert recorded Hollywood's golden boys. In these fully informed art physique poses Fred always insisted on complete nudity and full frontals from his models - for which he was heavily persecuted.

Gathers 3-D photographs of Hollywood actors, actresses, and celebrities

Hollywood, Interrupted is a sometimes frightening, occasionally sad, and frequently hysterical odyssey into the darkest realms of showbiz pathology, the endless stream of meltdowns and flameouts, and the inexplicable behavior on the part of show business personalities. Charting celebrities from rehab to retox, to jails, cults, institutions, near-death experiences and the Democratic Party, Hollywood, Interrupted takes readers on a surreal field trip into the amoral belly of the entertainment industry. Each chapter — covering topics including warped Hollywood child-rearing, bad medicine, hypocritical political maneuvering and the complicit media — delivers a meticulously researched, interview-infused, attitude heavy dispatch which analyzes and deconstructs the myths created by the celebrities themselves. Celebrities somehow believe that it's their god-given right to inflict their pathology on the rest of us. Hollywood, Interrupted illustrates how these dysfunctional dilettantes are mad as hell... And we're not going to take it any more.

"Set in the glamorous hills of Hollywood and tackling challenging themes like the intersection of sexuality and female empowerment. Ben Lawson is making a comeback ... After a few tabloid headlines, they think they know me. They don't know a damn thing. As CEO of a movie production company, I'll show them who I really am when we hit it big at the box office. My ex thought her smear tactics would ruin me, but I'm unbreakable. Rising from the debris, I swore I'd never let a woman distract me like that again. But then, my leading actress walked on the set and changed everything. Seductive, sexy, and unapologetic, Aria Rose could break me. I wanted to help her, protect her ... love her. Instead, I destroyed her." page 4.

The Actress: Hollywood Acting and the Female Star investigates the contemporary film actress both as an artist and as an ideological construct. Divided into two sections, The Actress first examines the major issues in studying film acting, stardom, and the Hollywood actress. Combining theories of screen acting and of film stardom, The Actress presents a synthesis of methodologies and offers the student and scholar a new approach to these two subjects of study.

Work That Body: Male Bodies in Digital Culture explores the recent rise in different types of men using digital media to sexualise their bodies. It argues that the male body has become a key site in contemporary culture where neoliberalism’s hegemony has been both secured and contested since 2008. It does this by looking at four different case studies: the celebrity male nude leak; the rise of young men sharing images of their muscular bodies on social media; RuPaul's Drag Race body transformational tutorial, and the rise of chemsex. It finds that on the one hand digital media has enabled men to transform their bodies into tools of value-creation in economic contexts where the historical means they have relied on to create value have diminished. On the other it has also allowed them to use their bodies to form intimate collective bonds during a moment when competitive individualism continued to be the privileged mode of being in the world. It therefore offers a unique contribution not only to the field of digital cultural studies but also to the growing cultural studies literature attempting to map the historical contradictions of the austerity moment.