Hollywood in Kodachrome by David Wills has descriptive copy which is not yet available from the Publisher.

Hollywood in Kodachrome is a stunning portfolio of the stars of Hollywood's Golden Age, captured in rich, deeply saturated color photographs reproduced from original Kodachrome negatives and curated by collector David Wills and designer Stephen Schmidt, the creative team behind Marilyn Monroe: Metamorphosis and Audrey: The 60s. From Elizabeth Taylor, Ava Gardner, and Rita Hayworth to Fred Astaire, Humphrey Bogart, and Gregory Peck—and many more—the silver screen’s elite are all here, in the full blush of youth, captured as if they were taken yesterday. But the true star is the medium itself: late-1940s sheet Kodachrome, a film stock that remains legendary for its rich tonal range, precise color, and detail. Including a foreword by Golden Age star Rhonda Fleming, and featuring more than 200 photos from classic films and publicity shoots, Hollywood in Kodachrome is a magnificent tribute to Hollywood’s most beloved icons, captured at their glamorous best.

This is a popular visual history of the world from the American perspective from the end of the World War II through 1959. This book shows how our image of lifestyle was formed after the war and how the American point of view in 4-color became our life standard.

In 1942, Bill Manbo (1908-1992) and his family were forced from their Hollywood home into the Japanese American internment camp at Heart Mountain in Wyoming. While there, Manbo documented both the bleakness and beauty of his surroundings, using Kodachrome film, a technology then just seven years old, to capture community celebrations and to record his family's struggle to maintain a normal life under the harsh conditions of racial imprisonment. Colors of Confinement showcases sixty-five stunning images from this extremely rare collection of color photographs, presented along with three interpretive essays by leading scholars and a reflective, personal essay by a former Heart Mountain internee. The subjects of these haunting photos are the routine fare of an amateur photographer: parades, cultural events, people at play, Manbo's son. But the images are set against the backdrop of the barbed-wire enclosure surrounding the Heart Mountain Relocation Center and the dramatic expanse of Wyoming sky and landscape. The accompanying essays illuminate these scenes as they trace a tumultuous history unfolding just beyond the camera's lens, giving readers insight into Japanese American cultural life and the stark realities of life in the camps. Also contributing to the book are: Jasmine Alinder is associate professor of history at the University of Wisconsin-Milwaukee, where she coordinates the program in public history. In 2009 she published Moving Images: Photography and the Japanese American Incarceration (University of Illinois Press). She has also published articles and essays on photography and incarceration, including one on the work of contemporary photographer Patrick Nagatani in the newly released catalog Desire for Magic: Patrick Nagatani--Works, 1976-2006 (University of New Mexico Art Museum, 2009). She is currently working on a book on photography and the law. Lon Kurashige is associate professor of history and American studies and ethnicity at the University of Southern California. His scholarship focuses on racial ideologies, politics of identity, emigration and immigration, historiography, cultural enactments, and social reproduction, particularly as they pertain to Asians in the United States. His exploration of Japanese American assimilation and cultural retention, Japanese American Celebration and Conflict: A History of Ethnic Identity and Festival, 1934-1990 (University of California Press, 2002), won the History Book Award from the Association for Asian American Studies in 2004. He has published essays and reviews on the incarceration of Japanese Americans and has coedited with Alice Yang Murray an anthology of documents and essays, Major Problems in Asian American History (Cengage, 2003). Bacon Sakatani was born to immigrant Japanese parents in El Monte, California, twenty miles east of Los Angeles, in 1929. From the first through the fifth grade, he attended a segregated school for Hispanics and Japanese. Shortly after Pearl Harbor, his family was confined at Pomona Assembly Center and then later transferred to the Heart Mountain Relocation Center in Wyoming. When the war ended in 1945, his family relocated to Idaho and then returned to California. He graduated from Mount San Antonio Community College. Soon after the Korean War began, he served with the U.S. Army Engineers in Korea. He held a variety of jobs but learned computer programming and retired from that career in 1992. He has been active in Heart Mountain camp activities and with the Japanese American Korean War Veterans.

Blaise Cendrars, one of twentieth-century France's most gifted men of letters, came to Hollywood in 1936 for the newspaper Paris-Soir. Already a well-known poet, Cendrars was a celebrity journalist whose perceptive dispatches from the American dream factory captivated millions. These articles were later published as Hollywood: Mecca of the Movies, which has since appeared in many languages. Remarkably, this is its first translation into English. Hollywood in 1936 was crowded with stars, moguls, directors, scouts, and script girls. Though no stranger to filmmaking (he had worked with director Abel Gance), Cendrars was spurned by the industry greats with whom he sought to hobnob. His response was to invent a wildly funny Hollywood of his own, embellishing his adventures and mixing them with black humor, star anecdotes, and wry social commentary. Part diary, part tall tale, this book records Cendrars's experiences on Hollywood's streets and at its studios and hottest clubs. His impressions of the town's drifters, star-crazed sailors, and undiscovered talent are recounted in a personal, conversational style that anticipates the "new journalism" of writers such as Tom Wolfe. Perfectly complemented by his friend Jean Guérin's witty drawings, and following the tradition of European travel writing, Cendrars's "little book about Hollywood" offers an astute, entertaining look at 1930s America as reflected in its unique movie mecca.

For most of the twentieth century, the name Max Factor has been synonymous with beauty, glamour, and style. Max Factor's Hollywood: Glamour, Movies, Make-Up goes behind the name and shows how a mild-mannered Russian immigrant became a legend by changing the faces of Hollywood- and the world.

Here is a century’s worth of stars and moguls, parties and scandals, power and glamour, captured through the unrivaled lens and the inimitable prose of Vanity Fair. The definitive book of its kind, ''Vanity Fair’s Hollywood'' is a collection of classic photographs, essays, and caricatures. This national best-seller depicts a century of Hollywood power, glamour, myth, and mystery-directly from the pages of Vanity Fair, from 1914 to today. On the motion-picture front, no other publication of our age has achieved the stature of Vanity Fair. The magazine prides itself on assigning the world’s top photographers, writers, and illustrators to explore the brightest stars in the Hollywood firmament.