THE STORY: Set in California in 1941 and 1951, HOLLYWOOD ARMS is the funny and moving story of three generations of women living on welfare in a one-room apartment, one block north of Hollywood Boulevard. The cast of characters include a tough, fun

He's lost his way... A bullet to the chest during their last mission gave James “Hollywood” Wright, a wake up call like no other. On sabbatical to figure out his future, he is interrupted by an unexpected guest, who turns out to be the first woman who hasn’t thrown herself at him in a long time. She can find anything... especially trouble... Archaeologist Mia Holland is trying to heal so she can resume her search, until she is disturbed by an unwelcome intrusion in the form of a Shadow Soldier. Mia isn’t about to let him boss her around, regardless of his rugged good looks and an irresistible smile. With her very own bodyguard in tow, can Mia find the lost pieces of the talisman before her cowardly ex gets his hands on them? Readers are advised that the following work contains portrayals of elements such as violence, sex scenes and themes that require a mature outlook. Heat rating: moderate

(Applause Books). Theatregoers' favorite history of Broadway is back in an updated and expanded 2010 edition including more than 500 color production photos, vintage archival photos, and Playbill covers from all forty currently operating Broadway theatres. Thirty-eight of the original chapters have been expanded to cover all the shows that have opened in the ten years since the popular 2000 edition, with two new chapters added to include Broadway theatres recently refurbished and returned to life. This unique chronicle is the first work to present a detailed theatre-by-theatre roundup of players and productions that have enchanted audiences at Broadway's great playhouses from 1900 to 2010. The work is an expanded treatment of "At This Theatre," the popular feature in Playbill's Broadway theatre programs. "At This Theatre" offers playgoers instant nostalgia by listing notable hits (and some famed fiascos) that have played through the years in the theatre that they are attending. The book also pays tribute to the distinguished impresarios who built and managed these houses, and the brilliant architects and interior designers who created them. The original 1984 edition was created by Playbill senior editor Louis Botto. Botto worked with editor Robert Viagas on the 2000 update. With the third edition, Botto has passed the author torch to Viagas, who founded Playbill.com and the acclaimed Playbill Broadway Yearbook series, and who has written the updates in Botto's style.

The U.S. Constitution is often depicted in popular films, teaching lessons about what this founding document means and what it requires. Mr. Smith Goes to Washington educates how a bill becomes a law. 12 Angry Men informs us about the rights of the accused. Selma explores the importance of civil rights, voting rights, and the freedom of speech. Lincoln shows us how to amend the Constitution. Not only have films like these been used to teach viewers about the Constitution; they also express the political beliefs of directors, producers, and actors, and they have been a reflection of what the public thinks generally, true or not, about the meaning of the Constitution. From the indictment of Warren Court rulings in Dirty Harry to the defense of the freedom of the press in All the President’s Men and The Post, filmmakers are often putting their stamp on what they believe the Constitution should mean and protect. These films can serve as a catalyst for nationwide conversations about the Constitution and as a way of either reinforcing or undermining the constitutional orthodoxies of their time. Put another way, these films are both symbols and products of the political tug of war over the interpretation of our nation’s blueprint for government and politics. To the contemporary student and the casual reader, popular films serve as an understandable way to explain the Constitution. This book examines several different areas of the Constitution to illuminate how films in each area have tried to engage the document and teach the viewer something about it. We expose myths where they exist in film, draw conclusions about how Hollywood’s constitutional lessons have changed over time, and ultimately compare these films to what the Constitution says and how the U.S. Supreme Court has interpreted it. Given the ever-present discussion of the Constitution in American politics and its importance to the structure of the U.S. government and citizens’ rights, there is no question that the popular perceptions of the document and how people acquire these perceptions are important and timely.

Struggling to make ends meet during the Great Depression, Shelby Beckett flees the Oklahoma dust bowl to find work in the wardrobe department of Hollywood’s largest movie studio. Surrounded by glamour and wealth, Shelby is charmed by box office star Flynn Sparks as well as Flynn’s chief rival, fellow actor Dalton Andrews. As Shelby joins her suitors at opulent parties and intimate dinners, she rubs elbows with the likes of Clark Gable and Cary Grant and is drawn deeper into a lifestyle where her small town values are challenged or ignored. Lurking in the shadows of this Gatsby-like lifestyle is an unseen evil force that strangles beautiful women. Suspecting a madman is connected to the studio production where Shelby works, homicide chief detective Bill Barrister believes the only way to uncover the identity of the ruthless killer is to offer Shelby as bait. Hollywood Lost is a romantic suspense novel where separating reality from fantasy is all but impossible; where love is rare, life is cheap, and values are lost in pursuit of fame and fortune.