A lot can happen in 30 seconds. In the case of the shoot-out at the O.K. Corral, 30 seconds found three men dead, left two men wounded and ultimately captured the imagination of generations of Americans. Wyatt Earp, an against-all-odds hero who was literally the last man standing; Doc Holliday, Earp's unlikely crony; the tragic tale of the Earp family--all of these elements make the story of the O.K. Corral irresistible to a great many people. Hollywood filmmakers were quick to recognize the legend's attraction--and its potential. As early as 1939 (with the production of Frontier Marshal), moviemakers were recreating the gunfight at the O.K. Corral and its attendant happenings in Tombstone, Arizona, on October 26, 1881. The following decades produced various renderings of the story, some more historically accurate than others but all with the American flair for entertainment. This volume examines eight movie renderings of the legendary gunfight. Produced from 1939 to 1994, these movies each use Wyatt Earp and other real-life characters as their sources. The work focuses on the filmmakers' treatment of the history and the skill with which each balances fact with the necessity of entertainment. The ways in which Wyatt Earp is presented in each film and this portrayal's relationship to the period in which the film was made is also examined in detail. Films discussed are Frontier Marshal (1939), Tombstone: The Town Too Tough to Die (1942), My Darling Clementine (1946), Gunfight at the O.K. Corral (1957), Hour of the Gun (1967), Doc (1971), Tombstone (1993), and Wyatt Earp (1994). Period photographs are also included.

Originally published: New York: Simon & Schuster, 2011.

Lady at the O.K. Corral: The True Story of Josephine Marcus Earp by Ann Kirschner is the definitive biography of a Jewish girl from New York who won the heart of Wyatt Earp. For nearly fifty years, she was the common-law wife of Wyatt Earp: hero of the O.K. Corral and the most famous lawman of the Old West. Yet Josephine Sarah Marcus Earp has nearly been erased from Western lore. In this fascinating biography, Ann Kirschner, author of the acclaimed Sala's Gift, brings Josephine out of the shadows of history to tell her tale: a spirited and colorful tale of ambition, adventure, self-invention, and devotion. Reflective of America itself, her story brings us from the post–Civil War years to World War II, and from New York to the Arizona Territory to old Hollywood. In Lady at the O.K. Corral, you’ll learn how this aspiring actress and dancer—a flamboyant, curvaceous Jewish girl with a persistent New York accent—landed in Tombstone, Arizona, and sustained a lifelong partnership with Wyatt Earp, a man of uncommon charisma and complex heroism.

The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between. Historical context that inspired Kevin Jarre's screenplay is included. Production designers, cameramen, costume designers, composers, illustrators, screenwriter, journalists, set dressers, prop masters, medics, stuntmen and many others share their recollections--many never-before-told--of filming this epic Western.

The gunfight at the O.K. Corral has excited the imaginations of Western enthusiasts ever since that chilly October afternoon in 1881 when Doc Holliday and the three fighting Earps strode along a Tombstone, Arizona, street to confront the Clanton and McLaury brothers. When they met, Billy Clanton and the two McLaurys were shot to death; the popular image of the Wild West was reinforced; and fuel was provided for countless arguments over the characters, motives and actions of those involved.

A perfect blend of characterization, action and poetic images, John Ford's Stagecoach (1939) made "A" Westerns a viable product for Hollywood in the sound era. By 1990, the Western had again been on a downswing when Dances with Wolves became both a critical and commercial success. This work examines these two films and twelve others--Red River, High Noon, Shane, The Searchers, Gunfight at the O.K. Corral, The Alamo, The Magnificent Seven, Ride the High Country, How the West Was Won, The Wild Bunch, Butch Cassidy and the Sundance Kid, and Unforgiven--that hold unique spots in the genre's history. Full filmographic data are provided for each, along with an essay that blends plot synopsis, historical perspectives and the movie's place in the Western genre.