A hurricane is a tropical storm with winds that have reached a constant speed of 74 miles per hour or more. Hurricane winds blow in a large spiral around a relative calm centre known as the "eye." The "eye" is generally 20 to 30 miles wide, and the storm may extend outward 400 miles. As a hurricane approaches, the skies will begin to darken and winds will grow in strength. As a hurricane nears land, it can bring torrential rains, high winds, and storm surges. A single hurricane can last for more than 2 weeks over open waters and can run a path across the entire length of the eastern seaboard. August and September are peak months during the hurricane season that lasts from 1 June to 30 November. This book presents the facts and history of hurricanes.

In the year 2040, Hurricane Diana descends on New York City. Holly Williams, an architect and immigrant from England flees to her home country, staying with her ailing stepdad in Boston, England. Her mother, who has Alzheimer's is living in a nursing home nearby. Holly's purpose in life, it seems, has been to design factories and offices for robotics companies while overseeing the demolition of historic New York buildings. While seeking refuge from the hurricane that has destroyed New York City to the point that is barely recognizable, Holly begins to have strange hallucinations in which a mysterious stranger guides her through some of the city's forgotten and dramatic past. "HOLLY'S HURRICANE, smartly set in the near future after a category 4 hurricane hits New York, will appeal to futurists and history buffs. An absorbing romantic novel that will make you think in new ways about the past, present and future of our most vulnerable cities as humankind battles climate change."-Laurie Gwen Shapiro, author of THE STOWAWAY "Here is New York City as we have never seen it, devastated by Hurricane Diana in 2040. Here too is our long overdue romantic heroine, Holly Williams, a sixty-year-old architect and immigrant struggling with ailing parents, unruly robotic aides, and an unexpected love interest twelve years her junior. Guided by a Virgil-like figure, Holly begins to realize at last her professional and personal potential as she embarks on a mission to preserve what's left of her adopted city. Prepare to be swept away by the sheer force of HOLLY'S HURRICANE-a fantastical ode to New York City's glorious and horrifying past, as well as a warning to us all for its future."-Molly Gaudry, author of WE TAKE ME APART "Be prepared to travel through dimensions in time and space in HOLLY'S HURRICANE. This is the kind of novel that haunts you, and you'll find yourself thinking about it for days to come. You'll become Holly, a brilliant architect, walking through the ruins of New York City in 2040 after a hurricane has devastated the city. Gorgeously written and incredibly wise, it's a page-turner that will leave you on the edge of your seat, wondering if you've just looked through the window of our very vulnerable future. But as Marie Carter asks, 'How could something so pretty and intricate emerge from some devastation?' Carter shows us that all is not lost, as she carves the beauty out of the destruction."-Liz Scheid, author of THE SHAPE OF BLUE

Thirteen-year-old Holly is dealing with the major concerns of every preteen and teenage girl: boys, family, and school. But with the help of her friends and her faith in God, Holly is able to survive her first boyfriend and her first breakup, a crush on her student teacher, and a new baby sister "invading" her house. Volume One includes Best Friend, Worst Enemy; Secret Summer Dreams; Sealed With a Kiss; The Trouble With Weddings; and California Crazy.

November issue includes abridged index to yearly volume, -1981.

The neglected histories of 19th-century NYC’s maligned working-class fortune tellers and the man who set out to discredit them Under the pseudonym Q. K. Philander Doesticks, P. B., humor writer Mortimer Thomson went undercover to investigate and report on the fortune tellers of New York City’s tenements and slums. When his articles were published in book form in 1858, they catalyzed a series of arrests that both scandalized and delighted the public. But Mortimer was guarding some secrets of his own, and in many ways, his own life paralleled the lives of the women he both visited and vilified. In Mortimer and the Witches, author Marie Carter examines the lives of these marginalized fortune tellers while also detailing Mortimer Thomson’s peculiar and complicated biography. Living primarily in the poor section of the Lower East Side, nineteenth-century fortune tellers offered their clients answers to all questions in astrology, love, and law matters. They promised to cure ailments. They spoke of loved ones from beyond the grave. Yet Doesticks saw them as the worst of the worst evil-doers. His investigative reporting aimed to stop unsuspecting young women from seeking the corrupt soothsaying advice of these so-called clairvoyants and to expose the absurd and woefully inaccurate predictions of these “witches.” Marie Carter views these stories of working-class, immigrant women with more depth than Doesticks’s mocking articles would allow. In her analysis and discussion, she presents them as three-dimensional figures rather than the caricatures Doesticks made them out to be. What other professions at that time allowed women the kind of autonomy afforded by fortune-telling? Their eager customers, many of whom were newly arrived immigrants trying to navigate life in a new country, weren’t as naive and gullible as Doesticks made them out to be. They were often in need of guidance, seeking out the advice of someone who had life experience to offer or simply enjoying the entertainment and attention. Mortimer and the Witches offers new insight into the neglected histories of working-class fortune tellers and the creative ways that they tried to make a living when options were limited for them.