Finalist for the 2013 PEN/Faulkner Award "The magnificence of Hold It 'Til It Hurts is not only in the prose and the story but also in the book's great big beating heart. These complex and compelling characters and the wizardry of Johnson's storytelling will dazzle and move you from first page to last. Novels don't teach us how to live but Hold It 'Til It Hurts will make you hush and wonder."--Anthony Swofford, author of Jarhead "This rich and sophisticated first novel brings together pleasures rarely found in one book: Hold It 'Til It Hurts is a novel about war that goes in search of passionate love, a dreamy thriller, a sprawling mystery, a classical quest for a lost brother in which the shadowy quarry is clearly the seeker’s own self, and a meditation on family and racial identity that makes its forerunners in American fiction look innocent by comparison."--Jaimy Gordon, National Book Award winner for Lord of Misrule When Achilles Conroy and his brother Troy return from a tour of duty in Afghanistan, their white mother presents them with the key to their past: envelopes containing details about their respective birth parents. After Troy disappears, Achilles--always his brother’s keeper--embarks on a harrowing journey in search of Troy, an experience that will change him forever. Heartbreaking, intimate, and at times disturbing, Hold It ’Til It Hurts is a modern-day odyssey through war, adventure, disaster, and love, and explores how people who do not define themselves by race make sense of a world that does. T. Geronimo Johnson was born in New Orleans, Louisiana. His fiction and poetry have appeared in Best New American Voices, Indiana Review, Los Angeles Review of Books, and Illuminations, among others. A graduate of the Iowa Writers' Workshop and a former Stegner Fellow at Stanford University, Johnson teaches writing at the University of California-Berkeley. Hold It 'Til It Hurts is his first book.

A riveting debut--a black Afghanistan veteran in search of his lost brother amid the chaos of Hurricane Katrina.

Bullying doesn't stop just because the bullies grow up. In seventh grade, Maggie Camden was the class outcast. Every day, the other girls tripped her, pinched her, trapped her in the bathroom, told her she would be better off dead. Four years have passed since then, and Maggie’s tormentors seem to have moved on. The ringleader of them all, Raleigh Barringer, even moved out of town. But Maggie has never stopped watching for attacks, and every laugh still sounds like it’s at her expense. The only time Maggie feels at peace is when she’s hiking up in the mountains with her best friend, Nick. Lately, though, there’s a new sort of tension between the two of them—a tension both dangerous and delicious. But how can Maggie expect anything more out of Nick when all she’s ever been told is that she’s ugly, she’s pathetic, she’s unworthy of love? And how can she ever feel safe, now that Raleigh Barringer is suddenly—terrifyingly—back in town?

The place of religion within a secular society has been much discussed in recent years, fueled in part by Charles Taylor's Secular Age (2007). The conversation surrounding Taylor's work suggests a widespread interest in religion in secular or post-secular contexts. Even as scholars have become increasingly interested in emerging and novel forms of religion, prophecy has continued to be depicted in traditional forms employed to further partisan agendas. In place of secularity as religious declension and culture clash, this volume explores prophetic works in a variety of forms, including satire, tragedy, the novel, Native American tradition, science fiction, the Bible, and higher education itself. Together the contributors demonstrate that there is much to learn from both religious and secular prophecy. The book is inspired by the idea that prophetic works are a promising subject area for a diverse audience in both higher education and the church. The volume's contributors demonstrate as much in that they work in a wide range of disciplines, including religious studies, biblical studies, theology, American studies, literature, philosophy, and political theory.

In the aftermath of Iran’s 2009 election, a woman undertakes a search for the statues disappearing from Tehran’s public spaces. A chance meeting alters her trajectory, and the space between fiction and reality narrows. As she circles the city’s points of connection—teahouses, buses, galleries, hookah bars—her many questions are distilled into one: How do we translate loss into language? Melding several worlds, perspectives, and narrative styles, trans(re)lating house one translates the various realities of Tehran and its inhabitants into the realm of art, helping us remember them anew.

Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.

Near the end of a long season, fourteen-year-old baseball pitcher Ben Hyman approached his father with disappointing, if not surprising, news: his pitching shoulder was tired. With each throw to home plate, he felt a twinge in his still maturing arm. Any doctor would have advised the young boy to take off the rest of the season. Author Mark Hyman sent his son out to pitch the next game. After all, it was play-off time. Stories like these are not uncommon. Over the last seventy-five years, adults have staged a hostile takeover of kids' sports. In 2003 alone, more than 3.5 million children under age fifteen required medical treatment for sports injuries, nearly half of which were the result of simple overuse. The quest to turn children into tomorrow's superstar athletes has often led adults to push them beyond physical and emotional limits. In Until It Hurts, journalist, coach, and sports dad Mark Hyman explores how youth sports reached this problematic state. His investigation takes him from the Little League World Series in Pennsylvania to a prestigious Chicago soccer club, from adolescent golf and tennis superstars in Atlanta to California volleyball players. He interviews dozens of children, parents, coaches, psychologists, surgeons, sports medicine specialists, and former professional athletes. He speaks at length with Whitney Phelps, Michael's older sister; retraces the story of A Very Young Gymnast, and its subject, Torrance York; and tells the saga of the Castle High School girls' basketball team of Evansville, Indiana, which in 2005 lost three-fifths of its lineup to ACL injuries. Along the way, Hyman hears numerous stories: about a mother who left her fifteen-year-old daughter at an interstate exit after a heated exchange over her performance during a soccer game, about a coach who ordered preteens to swim laps in three-hour shifts for twenty-four hours. Hyman's exploration leads him to examine the history of youth sports in our country and how it's evolved, particularly with the increasing involvement of girls and much more proactive participation of parents. With its unique multiple perspective-of history, of reporting, and of personal experience-this book delves deep into the complicated issue of sports for children, and opens up a much-needed discussion about the perils of youth sports culture today. Hyman focuses not only on the unfortunate cases of overzealous parents and overly ambitious kids, but also on how positive change can be made, and concludes by shining a spotlight on some inspirational parents and model sports programs, giving hope that the current destructive cycle can be broken.