Hoes In Da Hood, take you through the lives, and everyday struggles of women, who's seeking love, attention and a free meal ticket out of the hood, when it comes to their wants they will stop at nothing to get it, whether it's betraying friendships, family members and etc. Nothing matters to them but material things and which nigga have the most money to take care of them, Hoes in da hood is filled with drama, jealousy, and envy. The hood doesn't sleep, and the women apart of the hood doesn't either! They are always plotting and scheming their next come up. Treasure is on her second child stuck between several men in her life. Lala, Lynn, and Krystal have one man in common two want his heart one want whatever is in his pockets. Cousin Woo sets the neighborhood on fire every time she steps outside of her front door, from gossip to throw downs Woo is always there to get the first seat. As the tables turn, Trinity the main woman in a dope boy's life finds herself stuck in the hood, while living lavish but at a price to pay of belittling herself to fit into the small hood world. these chicks comes from all type of hustles, some hustle harder than others, while some play even harder, Hoes In Da Hood will leave you speechless, waiting on the edge of your seat for more drama to fill your cup.

In the hood, a woman can make a man successful—or destroy him. The black community has a wide variety of women, good and bad, and now author Mcgregor Philippe seeks to help men watch out for those who can damage them. Philippe describes five particular types of women in the hood that men should try to identify at first meeting so that they can then run for dear life: the thot, the mammy, the hood rat, the bad bitch, and the educated ratchet. He explains how these women can be disastrous to a man’s life; no matter how mean a man is, even if he is a thug, an armed robber, or an assassin, he can never be as mean as these women. Philippe’s goal is to save men from falling in traps that would lead to their downfall and to inspire women on taking a positive change in their behavior. In this self-help guide, one man provides a description of five types of toxic women that inhabit the hood and hopes to aid men in avoiding them.

The author takes you into the vivid reality of the worlds most critique profession and its surrounding elements. Pimps, prostitutes, knowing and unknowing contributors to the business are presented in a form in which no other book of this genre or documentary has been able to offer. A lifestyle full of mystifications that has been known throughout time to bring perplexity to the general public caused by the media misrepresentation and household stereotypes is hereby being made clear and comprehensible. The art, science, and chemistry of the game are combined in this dogmatically designed non-fiction work of literature so that readers can have an understanding about the Naked Soul of Pimps and Prostitutes.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.

“I became the pariah. It was my punishment for walking in my truth and being unafraid to love my way. But I can’t help but wonder what would have happened...had I denied those feelings...had I kept pretending...had I...stopped being me.” ?Sand Given all that Sand and Rene have been through, the couple lands an opportunity to share their life story in the upcoming documentary, Beneath My Skin. The question is?are they truly ready to take that trip down memory lane? As they subconsciously relive their past, Sand ventures to a dark place where agony and judgement has tormented her since the day her parents discovered her sexual orientation in a shoebox full of love letters. Their rejection left her homeless and dependent on the streets, but it was during those trying times that she learned how to not only walk in her truth, but how to survive. Recycled through the foster system as early as four, Rene is one who has become accustomed to change. Sand introduces her to another side of love and gives her a reason to open her mind and heart to something new?that is, until Rene finds herself questioning not only their relationship, but her sexuality. A series of events leaves them entangled in a web of deceit, wicked passion, and murder. As their love story unfolds, they’ll find out soon enough if they are truly each other’s ride or die!

This book features a lot lizard and a prostitute who was extremely good looking. Her eyes were dark and soft as a thousand midnights, and so was her hair. Her breast stood up like taillights on a ’59 Cadillac, she was a 34-28-36 brick house. Her lips were round and full, and her tongue tasted like July Jam. She was as fat as a swamp possum with the mumps and looked so good when this soul sister winked at a church deacon. They immediately had to give him artificial respiration. Go on and buy the book and read the rest of it. It’ll blow your mind how her pimp wanted to use a certain thing on her to get rid of her and he got some relatives living today using the same thing. If that wasn’t bad enough, this same pimp mistreated Jesus in the hood. Go ahead and buy this book, and be thrilled, enlightened, informed . . . and very amazed.