David Redles offers a view of the impact and potential for millenarian movements, illustrating how Hitler's apocalyptic prophecy of a coming 'final battle' with the so-called 'Jewish-Bolsheviks', one that was conceived to be a 'war of annihilation', was transformed into an equally eschatological 'Final Solution'.

A “brilliant” study of the convergence of apocalyptic anxiety and authoritarianism in Germany: “A story, unfortunately, of continuing relevance.” —Charles B. Strozier, author of Apocalypse: On the Psychology of Fundamentalism in America After World War I, German citizens sought not merely relief from the political, economic, social, and cultural upheaval that wracked Weimar Germany, but also mental salvation. With promises of order, prosperity, and community, Adolph Hitler fulfilled a profoundly spiritual need on behalf of those who converted to Nazism, and thus became not only Führer, but Messiah, contends David Redles, who believes that millenarian sentiment was central to the rise of Nazism. As opposed to many works which depersonalize Nazism by focusing on institutional factors, Redles offers a fresh view of the impact and potential for millenarian movements. The writings of both major and minor Nazi party figures, in which there echoes a striking religiosity and salvational faith, reveal how receptive Germans were to the notion of a millennial Reich such as that offered by Hitler. Redles illustrates how Hitler’s apocalyptic prophecies of a coming “final battle” with the so-called Jewish Bolsheviks, one that was conceived to be a “war of annihilation,” was transformed into an equally eschatological “Final Solution.” “[Redles] has done an extraordinarily careful and brilliant analysis of the archival material to reveal Hitler’s messianic charisma, his appeal both on the ideological and psychological level, illustrating that if you can convince people that they live in apocalyptic times and you have the key to their collective salvation, you can get them to do anything.” —Richard Landes, Director, Center for Millennial Studies, Department of History, Boston University

This text is based on current research findings and is written for students and general readers who want a deeper understanding of this period in German history. It provides a balanced approach in examining Hitler's role in the history of the Third Reich and includes coverage of the economic, social, and political forces that made the rise and growth of Nazism possible; the institutional, cultural, and social life of the Third Reich; the Second World War; and the Holocaust.

"Brilliant.” —Washington Post "The clearest and most gripping account I've read of German life before and during the rise of the Nazis." —A. S Byatt, Times Literary Supplement “The generalist reader, it should be emphasized, is well served. . . . The book reads briskly, covers all important areas—social and cultural—and succeeds in its aim of giving “voice to the people who lived through the years with which it deals.” —Denver Post There is no story in twentieth-century history more important to understand than Hitler’s rise to power and the collapse of civilization in Nazi Germany. With The Coming of the Third Reich, Richard Evans, one of the world’s most distinguished historians, has written the definitive account for our time. A masterful synthesis of a vast body of scholarly work integrated with important new research and interpretations, Evans’s history restores drama and contingency to the rise to power of Hitler and the Nazis, even as it shows how ready Germany was by the early 1930s for such a takeover to occur. The Coming of the Third Reich is a masterwork of the historian’s art and the book by which all others on the subject will be judged.

A look at Adolf Hitler’s residences and their role in constructing and promoting the dictator’s private persona both within Germany and abroad. Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him. “Inarguably the powder-keg title of the year.”—Mitchell Owen, Architectural Digest “A fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, Times

For the Nazis, Shakespeare was a major cultural icon, whose works belonged to German culture more than to English and were therefore to be exploited for political-propagandistic purposes like those of any other German classical writer. Following an overview of the importance of Shakespeare in German culture, this book's three major sections investigate the controversy over the appropriate translation Shakespeare's plays to be read and performed, the effect of the new political-cultural climate on Shakespeare-scholarship, and the attempts of the Nazis to co-ordinate Shakespeare's works on the stage for propagandistic ends. This is the first complete study, entirely in English, to present the total picture of Shakespeare's fortunes in Germany between 1933 and 1945 in the context of Nazi cultural policy.

Inspired by the insights of Reinhart Koselleck and François Hartog, two pioneers of the "temporal turn" in historiography, Clark shows how Friedrich Wilhelm rejected the notion of continuity with the past, believing instead that a sovereign must liberate the state from the entanglements of tradition to choose freely among different possible futures. He demonstrates how Frederick the Great abandoned this paradigm for a neoclassical vision of history in which sovereign and state transcend time altogether, and how Bismarck believed that the statesman's duty was to preserve the timeless permanence of the state amid the torrent of historical change. Clark describes how Hitler did not seek to revolutionize history like Stalin and Mussolini, but instead sought to evade history altogether, emphasizing timeless racial archetypes and a prophetically foretold future.