Drawing on interviews with the black survivors of Nazi concentration camps and archival research in North America, Europe, and Africa, this book documents and analyzes the meaning of Nazism's racial policies towards people of African descent, specifically those born in Germany, England, France, the United States, and Africa, and the impact of that legacy on contemporary race relations in Germany, and more generally, in Europe. The book also specifically addresses the concerns of those surviving Afro-Germans who were victims of Nazism, but have not generally been included in or benefited from the compensation agreements that have been developed in recent years.

This volume is part of a comprehensive effort by Professor Rummel to understand and place in historical perspective the entire subject of genocide and mass murder-what is herein called "Democide. "It is the third in a series of volumes published by Transaction, in which Rummel offers a comprehensive analysis of the 120,000,000 people killed as a result of government action or direct intervention. Curiously, while we have a considerable body of literature on the Nazi Holocaust, we do not have a total accounting-at least not until now with the issuance of "Democide. "In addition to the quantitative lacunae, there remains a paucity of theoretical information distinguishing the historical descriptive and the anecdotal accounts. This study of Nazi killings in cold blood is a path-finding effort in political psychology. While Rummel does not claim to give a definitive accounting, his explanation for the numbers reached-and they are high-is compelling. In addition, we now have a correlation of information on the murder of diverse groups: Jews, Gypsies, Poles, Ukranians, and even Germans themselves. It is now possible to fathom the Nazi genocidal poiicies-which were collective and which were selective. Rummel's volume is a clear guide to a murky past. It offers the first systematic effort to ascertain the nature and the extent of the Nazi genocide from the point of view of the perpetrator's aims rather than the victims' consequences. This is not a pretty picture, but it is not a partisan one either. The materials are presented in a clinical as well as a systemic fashion. Rummel has a deep sense of the life-saving instincts of individuals and the life-taking propensities of impersonal state machinery. It is thus, a humanistic effort, one that plumbs the effects of the Nazi war-machine on innocents in order to better understand present conditions. Professionals ranging from social scientists to demographers will find this a quintessential effort at political reconstruction.

The outbreak of war in Europe in 1939 put tens of thousands of American civilians, especially Jews, in deadly peril, and yet the US State Department failed to help them. Consequently many suffered and some died. Later, when the United States joined the war against Hitler, many American and, in particular, Jewish American soldiers were captured and

The remarkable story of Josef Hartinger, the German prosecutor who risked everything to bring to justice the first killers of the Holocaust and whose efforts would play a key role in the Nuremberg tribunal. At 9 am on April 13, 1933, deputy prosecutor Josef Hartinger received a telephone call summoning him to the newly established concentration camp of Dachau. Four prisoners had been shot. The SS guards claimed that the men had been trying to escape. But what Hartinger found when he arrived convinced him that something was terribly wrong. All four victims were Jews. Before Germany was engulfed by Nazi dictatorship, it was a constitutional republic. And just before Dachau became a site of Nazi genocide, it was a legal state detention center for political prisoners. In 1933, that began to change. In Hitler’s First Victims, Timothy W. Ryback evokes a society on the brink—one in which civil liberties are sacrificed to national security, in which citizens increasingly turn a blind eye to injustice, in which the bedrock of judicial accountability chillingly dissolves into the martial caprice of the Third Reich. This is an astonishing portrait of Hitler’s first moments in power, and the true story of one man’s race to expose the Nazis as murderers on the eve of the Holocaust.

Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.

Every few months there's a shocking news story about the sustained, and often fatal, abuse of a disabled person. It's easy to write off such cases as bullying that got out of hand, terrible criminal anomalies or regrettable failures of the care system, but in fact they point to a more uncomfortable and fundamental truth about how our society treats its most unequal citizens. In Scapegoat, Katharine Quarmby looks behind the headlines to question and understand our discomfort with disabled people. Combining fascinating examples from history with tenacious investigation and powerful first person interviews, Scapegoat will change the way we think about disability - and about the changes we must make as a society to ensure that disabled people are seen as equal citizens, worthy of respect, not targets for taunting, torture and attack.