Ideal for students of architectural technology, this volume of the Technologies of Architecture series covers the technologies available and the processes necessary for the conservation of existing buildings and environments. This book provides, in a single text, the tools for students to be able to evaluate such buildings, as well as an extensive understanding of the mechanisms which cause their deterioration and knowledge of the technologies available to correct their status. The ever higher standards set for buildings, especially in energy conservation contexts, demand that practitioners appreciate how the performance of existing structures can be enhanced, which is also covered. Considering the work of conservation within a holistic perspective and historical context, this book is additionally invaluable for architecture and construction students.

The word conservation, when used in the context of the preservation of built heritage, implies an intrinsically complex concept that evolved over time, since it has been influenced by the perception of history throughout time. This volume emphasises why an understanding of the cultural evolution of the conservation approach must be considered a prerequisite for architects and engineers if they are to cooperate in full harmony with historic-artistic culture for the preservation of global built heritage. In particular, the volume highlights how, during the second half of the last century, the preservation process also involved engineering – the science of making practical applications of knowledge – which, for a long time, made an uncritical use of techniques and materials and devised interventions on historical heritage that were heavily invasive. The volume also devotes special attention to the problems related to seismic risk, to which Italy, Greece and Portugal are particularly prone. Problems that emerge during the crisis and reconstruction phases are dealt with in detail, as is scheduled maintenance, as this latter approach always constitutes an improvement in the performance of the monument and is the most appropriate tool for the conservation of the built heritage. Finally, the volume collects examples of building restoration with case studies of many outstanding monuments. The work will appeal to professionals and academics in the broader fields of civil engineering (both geotechnical and structural engineering), architecture, art history, the history of architecture, restoration and cultural heritage management. This book will: Provide a critical reading of the history of conservation; Discuss materials and techniques of ancient architecture; Cover seismic vulnerability and preservation of the historic integrity of the monument; Advocate an approach based on programmed maintenance; Feature numerous case histories, including St Mark’s Basilica in Venice and the complex restoration of the cathedral of Notre-Dame in Paris.

Following the industrial revolution and post- war exponential increase in human population and consumption, conservation in myriad forms has been one particularly visible way in which the government and its agencies have tried to control, manage or produce nature for reasons other than raw exploitation. Using an interdisciplinary approach and including case studies from across the globe, this edited collection brings together geographers, sociologists, anthropologists and historians in order to examine the degree to which socio- political regimes facilitate and shape the emergence and development of nature states.

Shortlisted for the 2014 SAHGB Alice Davis Hitchcock Medallion. Certainly, ancient structures have long been treated with care and reverence in many societies, including classical Rome and Greece. But only in modern Europe and America, in the last two centuries, has this care been elaborated and energised into a forceful, dynamic ideology: a 'Conservation Movement', infused with a sense of historical destiny and loss, that paradoxically shared many of the characteristics of Enlightenment modernity. Miles Glendinning's new book authoritatively presents, for the first time, the entire history of architectural conservation, and traces its dramatic fluctuations in ideas and popularity, ending by questioning whether its recent international ascendancy can last indefinitely.

This is the first and only reference volume covering the subject of windows in depth - no other book offers this wealth of practical detail. It is highly accessible, written for both the professional and interested layperson Written by a team of 15 experts - surveyors, structural engineers, craftsmen and conservators describing their own approaches to specific materials, problems and designs. It includes over 400 illustrations in colour and black and white, from a wide range of sources, including historic drawings, paintings, pattern books, textbooks, manufacturers' catalogues and contemporary and archive photographs. It is an invaluable asset for everyone involved with windows on a daily basis, combining the knowledge of leading historians and experts in the field of window conservation. The window is a familiar yet surprisingly complex feature, with a rich history that has not, up until now, been explored in any great depth. This encyclopaedic work is both a fascinating exploration of the history and development of the window, and a practical hands-on guide to their care and preservation. Part 1 covers the history of the window including the development in glass technology. It also provides an illustrated glossary of window types. Part 2 reviews the changes in policy and legislation and discusses structural issues, decay mechanisms and the current stringent performance standards and how they affect historic windows. Part 3 focuses on the materials used in the construction of windows and the craft of leaded glazing. It details the appropriate techniques for repair and conservation. Windows is fully illustrated in both colour and mono to include over 400 high quality illustrations.

This book traces the development of scientific conservation and technical art history. It takes as its starting point the final years of the nineteenth century, which saw the establishment of the first museum laboratory in Berlin, and ground-breaking international conferences on art history and conservation held in pre-World War I Germany. It follows the history of conservation and art history until the 1940s when, from the ruins of World War II, new institutions such as the Istituto Centrale del Restauro emerged, which would shape the post-war art and conservation world. The book will be of interest to scholars working in art history, conservation history, historiography, and history of science and humanities.

Conservation in the built environment raises fundamental questions which have been debated for centuries - what is worth preserving, how is it possible, why is it important? This book takes a modern approach to the meaning of a heritage structure and its conservation. The historical evolution of conservation is briefly addressed, considering prominent individuals and cases; along with the history of construction, focusing on materials and related structural elements, with insight on the sizing rules adopted by masons. This explains structural decisions made during the construction process and allows comparison of scientific theories from the 18th century to modern understanding of limit analysis. Damage and collapse mechanisms for masonry construction, as the most widespread structural form for historical buildings, is described. Excess permanent loading and settlement is differentiated from environmental and anthropogenic actions such as earthquake or incorrect intervention. The team of authors brings together unique expertise, with high level research and leading practice with archetypical cases from around the world. The book addresses the history of conservation by exploring materials and structures and the history of construction and damage, so it is of value to students and professionals in civil engineering and architecture, as well as archaeologists and art historians.