One of the most important industrial landmarks in the nation lies in the heart of historic Richmond. The Tredegar Iron Works was the most prodigious ordnance supplier to the Confederacy during the Civil War, as well as an industrial behemoth in its own right. Named for the hometown of the Welsh engineers who built it, Tredegar remained one of Richmond's chief industrial entities for over a century. It produced ordnance during five wars and helped build the railroads that rapidly spread across the nation during the Gilded Age. Author Nathan Vernon Madison, utilizing a wealth of primary sources and firsthand accounts, chronicles the full history of a Richmond industrial icon.

Charles Dew's unsurpassed Ironmaker to the Confederacy tells the story of the South's premier ironworks & its intrepid owner, Joseph Reid Anderson. Dew's detailed & rich account masterfully describes Tredegar's struggle to supply the Confederate nation with the weapons of war & is a seminal study of southern manufacturing & industrial slavery. The revised edition includes a new preface by Dr. Dew, additional illustrations, and redesigned maps of the ironworks based on new site research and archaelogy.

'the prose is spare and poetic, at once plain and rich, musical in its rhythms of speech and clear descriptions... A beautiful, understated first novel' – The New York Times 'A first novel of consummate skill' – The Sunday Times 'witty, compassionate, and brilliantly readable' – Diana Wallace A new edition of this classic Welsh novel with an introduction by Professor Diana Wallace Funny, lyrical and poignant, Shifts is a novel of the decline of industry and of the south Wales working class in the 1970s. It broke new ground on its appearance in combining a real, close-up depiction of work and ordinary lives with symbolic power and a wider imaginative reach. Jack Priday, down-at-heel and almost down and out, returns to his hometown towards the end of the 1970s after a decade's absence, just looking for a way to get by. His life becomes entangled with those of old friends Keith, Judith and O, and with the slow death throes of the male-dominated heavy industries that have shaped and defined the region and its people for almost two centuries. As circumstances shift around them, the principals are forced to find some understanding of them and to confront their own secret natures. From multiple viewpoints, Shifts is a slowburning, controlled and intense examination of the relationship between our inner lives, the people around us and the forces of history.

The collective principle asserts that... no society can legitimately call itself civilised if a sick person is denied medical aid because of lack of means. — Aneurin Bevan.

This is the first volume to examine how the history of Wales was written in a period that saw the emergence of professional historiography, largely focused on the nation, across Europe and in the United States. It thus sets Wales in the context of recent work on national history writing in the nineteenth and twentieth centuries, and, more particularly, offers a Welsh perspective on the ways in which history was written in small, mainly stateless, nations. The comparative dimension is fundamental to the volume's aim, highlighting what was distinctive about Welsh historical writing and showing how the Welsh experience mirrors and illuminates broader historiographical developments. The book begins with an introduction that uses the concept of historical culture as a way of exploring the different strands of historiography covered in the collection, providing orientation to the chapters that follow. These are divided into four sections: 'Contexts and Backgrounds', 'Amateurs and Popularizers', 'Creating Academic Disciplines', and 'Comparative Perspectives'. All these themes are then drawn together in the conclusion to examine how far Welsh historians exemplify widespread trends in the writing of national history, and thereby point-up common themes that emerge from the volume and clarify its broader significance for students of historiography.