From their introduction in the late nineteenth century, picture postcards have been a souvenir staple in every American community. These practical, yet collectable mailers promote local businesses and tourism, and celebrate historic and scenic localities. Danvers, known as Salem Village during the infamous 1692 witch-hunt, became an independent town in the 1750s. By the twentieth century, local boosters spotlighted the town's rich architectural heritage, local institutions, and vibrant business district by producing a variety of postcard views. Ancient saltbox houses associated with the witchcraft days, eighteenth-century gambrel-roofed dwellings that sheltered Revolutionary War patriots, the mansion occupied by famed poet John Greenleaf Whittier, and the Danvers Insane Asylum, a majestic state-operated facility, were frequent postcard subjects. This book samples the best of Danvers's twentieth-century postcard heritage.

Danvers State Hospital revolutionized mental health care for more than a century, beginning in 1878. Today, it's buildings still have stories to tell. Perched high on the top of Hathorne Hill in what was once the village of Salem, Danvers State Insane Asylum was, for more than a century, a monument to modern psychiatry and the myriad advances in mental health treatment. From the time it opened its doors in 1878 until they were shuttered for good in 1992, the asylum represented decades of reform, the physical embodiment of the heroic visions of Dorothea Dix and Thomas Story Kirkbride. It would stand abandoned until 2005, when demolition began. Along with a dedicated group of private citizens, the Danvers Historical Society fought to preserve the Kirkbride structure, an effort that would result in the reuse of the administration building and two additional wings. Danvers has earned a unique place in history; the shell of the original Kirkbride building still stands overlooking the town. Though it has been changed drastically, the asylum's story continues as do efforts to memorialize it.

In the winter of 1692 something terrible and frightening began in Salem Village. It started with several villagers having strange fits, screaming, and unnaturally contorting themselves, and ended with almost two hundred people in jail, and at least twenty-five dead. Witchcraft accusations--claims that some inhabitants had forsaken God to become servants of the Devil--spread from Salem Village across Massachusetts, ensnaring innocent people from all strata of society under a burden of assumed guilt. One of the most significant accusations, and most unlikely, was against a seventy-one-year-old grandmother, Rebecca Nurse. The accusations against Nurse, a well-respected member in the community, seemed unbelievable. Unflinchingly, this ailing elderly woman insisted on her innocence and refused to falsely confess as some of the others did in order to save their lives. Supported by many in Salem, Nurse's family and neighbors challenged her accusers in court and prepared a thorough defense for her, yet nothing could surmount the fear of witchcraft, and she was sentenced to death. Nurse, seen as a martyr for the truth, later became the first person accused of witchcraft to be memorialized in North America. In A Salem Witch: The Trial, Execution, and Exoneration of Rebecca Nurse, the first full account of Nurse's life, Daniel A. Gagnon vividly recreates seventeenth-century Salem, and in the process challenges previous interpretations of Nurse's life and the 1692 witch hunt in general. Through primary source research, he reveals how the Nurse family's role in several disputes prior to the witch hunt was different than previously thought, as well as how Nurse's case helps answer the important question of whether the accusations of witchcraft were caused by mental illness or malicious intent. A Salem Witch reveals a remarkable woman whose legacy has transformed how the witch hunt has been remembered and memorialized.

William Diamond's drum roll in 1775 was the call to arms for the farmers and villagers in Massachusetts that began the American revolution. The book is a well researched history of the war and various battles therein. It is written in a manner to make for an exciting retelling of history.

In the town of Danvers, Massachusetts, home of the original 1692 witch trials, the 1989 Danvers Falcons will do anything to make it to the state finals—even if it means tapping into some devilishly dark powers. Against a background of irresistible 1980s iconography, Quan Barry expertly weaves together the individual and collective progress of this enchanted team as they storm their way through an unforgettable season. Helmed by good-girl captain Abby Putnam (a descendant of the infamous Salem accuser Ann Putnam) and her co-captain Jen Fiorenza (whose bleached blond “Claw” sees and knows all), the Falcons prove to be wily, original, and bold, flaunting society’s stale notions of femininity. Through the crucible of team sport and, more importantly, friendship, this comic tour de female force chronicles Barry’s glorious cast of characters as they charge past every obstacle on the path to finding their glorious true selves.

Bullysim and Low QI just to name some. Some of them were the faults of the society in which we live in and can be undone by reforming the school, the rest had unforeseen consequences and need to be changed before society falls into a pit of dim darkness. So my point as a student who doesn’t want to live into a failing society who has nothing but grief and destruction in the upcoming inevitable future is that we need to reform the school here are the things that I want the government to change in my school.