The Encyclopedia of Northern Kentucky is the authoritative reference on the people, places, history, and rich heritage of the Northern Kentucky region. The encyclopedia defines an overlooked region of more than 450,000 residents and celebrates its contributions to agriculture, art, architecture, commerce, education, entertainment, literature, medicine, military, science, and sports. Often referred to as one of the points of the "Golden Triangle" because of its proximity to Lexington and Louisville, Northern Kentucky is made up of eleven counties along the Ohio River: Boone, Bracken, Campbell, Carroll, Gallatin, Grant, Kenton, Mason, Owen, Pendleton, and Robertson. With more than 2,000 entries, 170 images, and 13 maps, this encyclopedia will help readers appreciate the region's unique history and culture, as well as the role of Northern Kentucky in the larger history of the Commonwealth of Kentucky and the nation. • Describes the "Golden Triangle" of Kentucky, an economically prosperous area with high employment, investment, and job-creation rates • Contains entries on institutions of higher learning, including Northern Kentucky University, Thomas More College, and three community and technical colleges • Details the historic cities of Covington, Newport, Bellevue, Dayton, and Ludlow and their renaissance along the shore of the Ohio River • Illustrates the importance of the Cincinnati / Northern Kentucky International Airport as well as major corporations such as Ashland, Fidelity Investments, Omnicare, Toyota North America, and United States Playing Card

Mother Catherine Spalding (1793–1858) was the cofounder and first leader of one of the most significant American religious communities for women—the Sisters of Charity of Nazareth near Bardstown, Kentucky. Elected at age nineteen to lead the order, Spalding also founded several educational institutions, Louisville's first private hospital, and the first social service agency for children in Kentucky. Pioneer Spirit is the first biography of Catherine Spalding, a woman who made it her life's work to serve the citizens of the Kentucky frontier. Catherine, who lost her mother at a young age and was raised in many different homes before she was ten years old, eventually came to be raised in a colony of Catholic families. These formative years taught her independence, the value of hard work and an enduring spirit, and the importance of education, all of which would figure prominently in her later career. Spalding became increasingly interested in health care, services for orphans, and education, and her business skills and strong sense of purpose allowed her to achieve her goals with little interference from outsiders. She showed a natural gift for administration, and the scope and services of the Sisters of Charity expanded under her leadership. In the midst of this ministerial work, however, Spalding always maintained the connection of her ministry to spiritual and communal life, ascribing great importance to all three facets of her calling. Author Mary Ellen Doyle notes that in Spalding's correspondence with the Sisters, she repeatedly emphasized the heart of charity: "genuine interest in each other and sisterly affection free of personal ambition or jealousy." By the time of Catherine Spalding's death, the Sisters of Charity of Nazareth extended beyond Nazareth to more than one hundred sisters in sixteen convents. Spalding's legacy of service continues today with more than six hundred members worldwide, and her story of progressive and compassionate leadership offers unique insights into the growth of a religious order and the struggles of developing America's frontier communities.

The diary of Anton Reiff Jr. (c. 1830–1916) is one of only a handful of primary sources to offer a firsthand account of antebellum riverboat travel in the American South. The Pyne and Harrison Opera Troupe, a company run by English sisters Susan and Louisa Pyne and their business partner, tenor William Harrison, hired Reiff, then freelancing in New York, to serve as musical director and conductor for the company’s American itinerary. The grueling tour began in November 1855 in Boston and then proceeded to New York, Philadelphia, Baltimore, Pittsburgh, and Cincinnati, where, after a three-week engagement, the company boarded a paddle steamer bound for New Orleans. It was at that point that Reiff started to keep his diary. Diligently transcribed and annotated by Michael Burden, Reiff’s diary presents an extraordinarily rare view of life with a foreign opera company as it traveled the country by river and rail. Surprisingly, Reiff comments little on the Pyne-Harrison performances themselves, although he does visit the theaters in the river towns, including New Orleans, where he spends evenings both at the French Opera and at the Gaiety. Instead, Reiff focuses his attention on other passengers, on the mechanics of the journey, on the landscape, and on events he encounters, including the 1856 Mardi Gras and the unveiling of the statue of Andrew Jackson in New Orleans's Jackson Square. Reiff is clearly captivated by the river towns and their residents, including the enslaved, whom he encountered whenever the boat tied up. Running throughout the journal is a thread of anxiety, for, apart from the typical dangers of a river trip, the winter of 1855–1856 was one of the coldest of the century, and the steamer had difficulties with river ice. Historians have used Reiff’s journal as source material, but until now the entire text, which is archived in Louisiana State University’s Special Collections in Hill Memorial Library, has only been available in its original state. As a primary source, the published journal will have broad appeal to historians and other readers interested in antebellum riverboat travel, highbrow entertainment, and the people and places of the South.