This book is a visual celebration of the atmosphere and architectural beauties of one of England's finest cathedrals. Large specially commissioned photographs intersperse short essays about the Cathedral's history and daily life. A large, handsome format and stunning colour photography make this an irresistible memento for worshippers, visitors and enthusiasts of church architecture, history and design. SELLING POINTS: *Beautifully designed and illustrated book on the history and architecture of an extraordinary cathedral *Specially commissioned photographs and text by expert staff at the cathedral 175 colour illustrations

Reproduction of the original: History of the Cathedral Church by Edward A. Freeman

This book is a series of monographs that are intended to provide visitors to the great English Cathedrals with accurate and well-illustrated guidebooks. Each writer's goal has been to create a work that contains enough knowledge and scholarship to be useful to students of Archaeology and History but is not too technical in language to be useful to the average visitor or tourist.

Allan Doig explores the Christian Church through the lens of twelve particular churches, looking at their history, archaeology, and how the buildings changed over time in response to developing usage and beliefs.

This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.