In this gripping narrative of the development of the Civil Rights movement in North Carolina, Dr. John L. Godwin brings to life the infamous case of the Wilmington Ten and the subsequent allegations of conspiracy. Through extensive research and interviews, he seeks to uncover some of the truth behind the actual events of the 1972 trial, while at the same time drawing readers in with the compelling details of the movement's origins in North Carolina and its ultimate outcome in one community. Dr. Godwin underscores his effort with a comprehensive exploration of the Civil Rights movement through the eyes of the locality, comparing it incisively to the earlier protests of the 1960s. His portrait joins that of scholars who have sought to describe the transformation brought about by black leadership on the local and state level, recounting both its victories and the frustrated hopes of local activists, in addition to how the new conservatism ultimately succeeded in co-opting the movement. For Wilmington, this is set against the background of North Carolina politics and civic culture, highlighting the role of Benjamin Chavis and his rise to national prominence. Filled with pictures that personalize this troubled era of American history, Dr. Godwin's book is an essential resource, not only to historians but also to students of public policy.

Monuments honoring leaders and victorious armies have been raised throughout history. Following the American Civil War, however, this tradition expanded, and by the early twentieth century, the Confederate dead and surviving veterans, although defeated in battle, ranked among the world's most commemorated troops. This memorialization, described in North Carolina Civil War Monuments, evolved through a challenging and contentious process accomplished over decades. Prompted by the need to rebury wartime dead, memorialization, led by women, first expressed regional grief and mourning then expanded into a vital aspect of Southern memory. In North Carolina, 109 Civil War monuments--101 honoring Confederate troops and eight commemorating Union forces--were raised prior to the Civil War centennial. Photographs showcase each memorial while committee records, legal documents, and contemporaneous accounts are used to detail the difficult process through which these monuments were erected. Their design, location, and funding reflect not only the period's sculptural and cultural milieu but also reveal one state's evolving grief and the forging of public memory.